Photograph Essays

may or may not be displayed this is all part of the human experience. For example Ephron says, “Throughout the Vietnam War, editors were reluctant to print atrocity pictures. Why not print them? That's what that was about.” (Nora Ephron Boston Photographs 1) Ephron explains that Death happens to be life's main event. Not necessarily that death is beautiful but death is interesting and unpredictable. while Ephron explains this portion of the essay in a very casual manner in order for readers of various

states that the reason photographs can be a tool of power is that they “give people an imaginary possession of a past that is unreal” (Sontag 354). For example, family uses photographs as a way to connect with its extended relatives, even though the idea of a large family is slowly vanished in this current culture. Another way for pictures to give people a sense of power is the ability to “take possession of space” (Sontag 354). Sontag mentions that family members take photographs because they want to

Is it true that you are an expert picture taker or a novice? Do you take photos as a profession? Do you take photos for a distraction? Do you take photographs to express your creative side? On the other hand do you simply get a kick out of the chance to take upbeat snaps at whatever point you can? Do the photographs you grab hold valuable recollections that you will treasure until the end of time? It doesn't make a difference what the reason is for your photography, there is one thing they all

one’s benefit. Sontag’s claims can be used to demonstrate how these means for photography can be utilized by the media. One claim that Sontag proposes is that photographs can be a source of evidence. In her article she states, “A photograph passes for incontrovertible proof that a given thing happened.” This quote suggests that a photograph a solid piece of evidence, documenting a given event or memory. This is true in the case discussed in Charles Hagen’s “The Power of a Video Image Depends on the

profession to photographer after seeing the work of artist like Hanfstaengl. Artists like George Frederic Watts believed photographs helped enhance his portraits and shortened the time a person had to sit for him. Most artists did not rely completely on photography but used it as a convenient tool to look back on as they painted. Still many portrait photographers found that photographs made it easier for them. They would, not only copy the subject, but touch it up and paint over

interested in freezing the time in his images. The photographs appear like they are taken from a movie where the scene was paused. The details in the work is what matter the most to Crewdson. To some viewers the images might appear dramatic almost surreal. One can argue that they are almost a representation on perspective of life and death. They main key to Gregory Crewdson work is the lighting. It sets the whole mood and the way the viewer receives the photograph. Crewdson is constructing the world in the

Umberto Eco states that an iconic image “no longer speaks of that single character or of those characters, but expresses concepts” (Wikipedia, (n.d)) I would have to agree with mass media and even more today with social media a photograph can have an impact larger than the subject or the photographer. The moment an image that has the potential to create an impactful visual expression. The public absorbs it more quickly than any words written or spoken. Eddie Adams Vietnamese prisoner being

not want to inflict hardships on the individuals currently living in the region. Additionally, with each of the stances to gentrification mentioned, it would be complementary to have the text throughout my photographic essay correlating with the photographs using a method that could allow the reader to dissect the controversy behind the topic of gentrification in communities over the

Every photograph accommodates a piece of the photographer’s identity within the picture. Photographers explore the Australian identity throughout their photos by using themselves and their own identity as a basis. Ideas of this are outlined in the work of Max Dupain, Rosemary Laing and Trent Parke. They have represented Australian individuality by using various techniques to create their photographs. The artists above and how their work resembles Australia, will be explored within this essay. Max

where wet plate photography also known as developing positive and negative photos became the new technology that lead to photographs being cheaper and widely

Jenifer Tucker demonstrates the importance of how photography influenced the change in surveillance within her article “Eye On the Street”, as it captures the evolution of photographs. People around the world were not able to illustrate the beauty of nature and others around them without making a painting that would take a few days to be finished. This was until the camera was invented and started to be used within the wealthy community around 1838, as the cameras were too rare and expensive for

In early 1800’s, the spectacular life-capturing photograph was invented, and it established a brand new form of documentation. The photograph has often been considered as an ‘imprint’ of ‘trace’ of reality, due to it’s ability to capture a frame or fragment of an object, person or place during a particular moment of time. This essay will discuss and explore why the photograph has been considered as and ‘imprint’ or ‘trace’ of reality from the perspective that photomedia can also distort and alter

My photographs all have flowers in them; it was easier for me to visualize the rule of thirds technique by using them in my pictures. The requirements for this assignment were to take pictures of anything to practice using the rule of thirds. Moreover, the process to complete this project was to find an object and take its photo, either portrait or landscape, with the object where the lines intersect. The photography skills or techniques that were required for this assignment are being able to tell

Photography is something in the 20th Century which is taken for granted by many. With the use of mobile phones and handheld cameras, photographs can be taken anywhere at any time. This wasn’t always the case, In the 19th century photography was born and what started off as men and women wanting to take pictures of what was in front of them became much more. Photography became an art form, a means of experimentation. This gave birth to artists. Photographers where now able to express themselves by

probably say no. Fortunately for us, there are many talented photographers like Hugo Aveta, who are able to capture the beauty of anything, specifically abandoned historical places. Furthermore, there are museums that are dedicated to sharing these photographs like the Getty Museum and many others which invites people into different worlds through the lens of

with this simple yet marvelous invention. Today the ability to share a moment through a photograph from one end of the world to the other is an exceptional reality. Photographers today are more privileged than any other throughout the ages with advancements such as the digital camera, editing tools such as photoshop and an array of lenses to bring additional depth, beauty and emotion to their photographs. But in this age of advancement, the question could be posed; is photography an art or

us the modern idea of the image, it is painting that allows us to internalize it. It’s a question of touching and being touched. The photograph may have been touched by the light of its object, but the sense of contact is entirely subsumed in the seamlessness of the photograph’s surface.” These two analyzing sentences proved his point of view in between the photographs and paintings. Walter Benjamin is a German philosopher, historical materialism and cultural critic. Benjamin wrote in his essay “Extracts

whether or not manipulated photographs are ethically acceptable. People often view photography with the idea that a camera is a simple machine that is only capable of documenting the world exactly as it looks, forgetting about the person behind the camera who decides where to point it and when to press the button. The fact that photography has changed so much since the beginning in 1839 and continues to grow at such a rapid pace can make it hard to tell when a photograph is crossing boundaries or

Civil War. War photographs aimed to catch the attention of the public. However, during that time period, photographers not part of the military. Resulting in images that captured views different, than those at the front line. The shutter speed was not fast enough to capture images in action, so they were all made after the battles. Photographs were often staged for the north support, and the formal aspect of the photograph was influenced by the historical genre paintings. Photographs touched on sacred

Technology has changed every aspect of life. People are now attached to an electronic device that they can hardly take their eyes off to have an actual conversation. Technology has also changed art and the way people look at it today. Art began with cave paintings and from there has evolved to have many mediums, and those mediums are constantly evolving with how artists want to express themselves. When photography started to develop, many artists didn’t consider it art. They thought it didn’t capture