It has long been known that there is a stereotype of vanity and superficiality attached to celebrities, both in Hollywood and on Broadway. This vanity is often associated with society’s notion that being beautiful is a make it or break it deal. Unfortunately, this requirement holds much stronger for women, especially in the 1940s and 1950s when a woman’s value was determined primarily on her appearance. The 1944 film Cover Girl discusses at great length these gender roles, as well as status, and even gender roles within status. This film is produced and released at a time where we see gender roles start to shift and change, and feminist thoughts first begin to develop. Although in many ways Cover Girl is progressive for women, it is evident that certain gender expectations still exist. Just as in Hollywood “the movie star was the industry’s principle resource” (Schatz 75), the same held true for the stars …show more content…
The movie is a romance, and “romance requires that we invest in the hope that a certain couple will achieve bliss” (Schumway 388). With this being said, the ridiculous nature of fame is illustrated through our desire for Danny and Rusty to end up together in the end, and Danny’s character as the symbol of the hard working, working class man. While Coudair and Wheaton and the rest of the Broadway elite give the message that every beautiful girl should want “luxury, gentle living and money” and “must be provided for” (Vidor) in order to be happy, Danny remains true to his belief that hard work and sensibility will lead to the best life. Danny’s greatest advice comes to Rusty when he says, “you’re going to be a great star, Rusty, but you’ve gotta get there on your feet, not your face” (Vidor). In the end, Rusty chooses Danny’s love over wealth, and their overwhelming happiness illustrates the message of what we are supposed to believe is most important in
Gender stereotype, or the over-generalization about the characteristics of an entire group based on gender, is evident in any culture or community, no matter how much gender equality is promoted. Brought on by centuries of tradition, it had become a pre-established belief that women were inferior to men, in that the dominance of men was already considered to be a norm of society. Though women in the past were responsible for household chores and raising children, a new age called for new ideals and a need for change in the attitude towards women. In the Southside of Chicago in the mid 1950’s, the members of the Younger family act as a prime example in portraying the difficulties associated with going against conventional expectations. The two prominent female characters
“I was never a beautiful women, and for that reason I’ve spent most of my life suffering from the shame of falling short of an unattainable standard” (87). Mairs starts off by telling us she was never a beautiful woman. By describing herself as this, it acts as an attention getter so the readers can become more interested in the reading. By putting emphasis on the topic of society 's standards for woman allows Mairs to go into greater depth with the topic, allowing readers to gain more knowledge and understanding of what the standards are like for a woman. A sullen tone is maintained throughout this chapter as Mairs describes the society 's standards for women leaving the readers a choice on how they feel about these standards.
Jennifer Siebel Newsom’s Miss Representation successfully conveys the dangers that are associated with the demeaning methods the media uses to displace women from inspiring, valued positions and the effects of it on the American female population. The documentary explores the negative portrayal of women in the press and Hollywood, lack of female participation in major fields, and the side effects of the antifeminist movements on impressionable, young girls that have become highly visible through the media. The documentary reports of how even the most casual hints of misogyny distort the public’s values and expectations for women. The targeted audience is everyone because society can only right its wrongs by working and empowering together. However, Miss Representation does emphasize that young women in particular were the most important group of their intended audience.
The 1950’s was a very controversial time specially for woman, during that era they symbolized the traditional gender roles; housewife’s, submissive and conservative. Surprisingly, Marilyn Monroe, Barbie and beauty pageants became very popular even though they challenged the image of an ideal woman at the time by portraying more beauty and sexuality. These icons symbolized various messages while still upholding some of the traits that dominated that era. The beauty pageants portrayed various messages regarding woman’s beauty and sexuality a very dominant one was the qualifications to be considered a candidate for Miss America.
During the 1950´s, Marilyn Monroe was not only considered "the standard of voluptuous beauty”, but also a sex symbol (Sheehan, 2004, p. 97) as by that time she was a major media icon and the sensation of the moment for being on the cover pages of magazines like Playboy, LIFE, and Vogue (n.d, 2006). However, when the 60’s began, the “British invasion” of America was not only causing changes in music, but also in fashion and with it a new role of how women were at that time. Models now were wearing miniskirts showing their slender hips as well as their slimmer legs, such as Warhol’s superstar Edie Sedgwick or the British model Twiggy. Apparently Lesley Lawson (Twiggy’s real name) was the main influence in changing "the standard of beauty" in America (Sheehan, 2004, p. 97) by setting a new
After watching the film Tough Guise, the main message of the film is that men are responsible for the majority of violent crimes, and this has to do with what the mainstream media shows, and the upbringing young men have in the United States. Men from an early age are taught to adhere to standards and stereotypes such as to not cry, to not show emotion, to not step down from confrontation, and to not act feminine. When men watch movies, listen to music, and play video games, much of the things they consume are violent or misogynistic. There are thousands of movies with hardcore violence, video games where you break the law and kill people, and music with suggestive themes that lyricize with murder, sex, and objectifying women. This idea of a “tough guise” or toxic masculinity has a significant impact on society because it perpetuates, unrealistic standards for men, while promoting violence and aggression that has been shown to affect women, minorities, and the LGBTQ community.
The film relates to the term sociological imagination. There is a divergent gap between looking attractive and not meeting those expectations of the image created. It is the willingness to see how one’s personal problem falls along with universal issues. Since women aren’t thin, have sizable boobs, and an admirable face it makes them less likely to be acknowledged by others because they aren’t model figures. Max Weber believed cultural relativism was extremely important, because of cultural relativism a woman’s behavior is based on the society in order to be recognized.
This analysis will cover a few high school stereotypes that are often portrayed in films. The movie Mean Girls, directed by Mark Walters in 2004, is a film that expresses the common stereotypes of public high schools. This film also portrays a few agents of socialization, such as school, peer groups, friendships, and romantic relationships. Mean Girls follows the story of new girl, Cady Heron, who moves from Africa where she did not have much experience with agents of socialization such as school, peer groups, or romantic relationships due to her parents being zoologists and home-schooling her. On her first day, she is overwhelmed by the experience and the many rules associated with high school order.
Women are scrutinized by men as if they need approval to be considered beautiful. Girls at a young age are taught to be seen as objects due to men’s feeling toward women. Social media is highly effective because boys rate girls’ pictures as if it means absolutely nothing, and that brings down girls, which make them want look “sexy.” Movies, tv shows, and magazines always have a gorgeous, slim, big breasted, and huge butt woman, who is supposed to represent what women are assumed to resemble. In films, “chick-flicks”, women are primarily supposed to find love, a man, or just be into fashion however, no one questions why a woman must find love in a movie.
Figure 1 displays a simplistic background with minimal cover lines and the central focus of a woman who is depicted as being passive and docile. This is evident in the way she shies away from the camera by creating a sophisticated ambience about her. The costuming shows a limited amount of skin, allowing the face to become the focus of the cover. The long sleeves and the high neck collar connotes a conservatism - something which women were expected to follow due to the male perception of an ideal wife. This enforces the targeted audience during the timeframe to use the magazine as the main beauty standard.
Here’s a thought, a couple goes out on date, one orders burger and fries while the other a nice healthy salad. Through existing gender stereotypes, one will automatically assume that the male ordered the burger and fries as the female the salad. This is because society has assumed its own gender roles and believe what is already perceived by the public. Authors of “The Yellow Wallpaper”, “The Man Who Was Almost a Man” and “Boys Girls” implement these received ideas into three main characters. Gender stereotypes are negatively exaggerated through the three distinguishable protagonists including the narrator from Boys and Girls, the narrator from the yellow wallpaper and Dave from the man who was almost a man; analysis of these three characters will display the controversial effects of society on an individual.
Sexism is an issue that’s plagued humanity for thousands of years. In 2016 in the majority of the world, women achieve the same opportunities for education and higher learning as men do whether school, college, internet education, learning on the job etc. therefore, the very concept of the female inferiority is illogical and impractical. However, due to how deeply rooted sexism has become in society, it’s difficult to say whether progress has eliminated sexism or not. Progress has a positive connotation; it involves advancement, development, and growth into a better form of whatever focus is at hand, therefore we must evaluate the growth of our society and culture and examine whether sexism has decreased at all and if it has, whether it was the growth of our society and culture that stimulated the decrease of sexism.
The late 1950's and early 1960's was a time of recovery, civil rights, and NASA. The Great Space Race between America and Russia was at its peak, both powers struggling to send men into space and later to the moon. However, Russia seems to be steadily approaching the finish line while America lags behind To complete the task, NASA will need math that doesn't exist yet, and mathematicians who can invent that math. Taraji P. Henson as west NASA computer Katherine Johnson and her two friends, Dorothy Vaughan (played by Octavia Spencer) and Mary Jackson (played by Janelle Monae) can complete the task and more. Each of their special traits of a mathematician, mechanic, and engineer (respectively) are needed in different parts of NASA to do the job and help America emerge as the victor of the Great Space Race.
Throughout the years femininity in Hollywood cinema has changed quite drastically. The industry has gone through several phases that changed how femininity was viewed. This paper will address the postfeminist phase in Hollywood, while focusing on the film Bridget Jones’ Diary (2001). It will show how postfeminism is viewed in cinema as well as the characteristics that make a film considered to be postfeminist. Bridget Jones’ Diary (2001) showcases all the characteristics needed in a postfeminist film which makes the film a great representative of postfeminist attitudes in media.
Gender stereotypes ingrained For many decades, humanity worked hard to reduce the percentage of discrimination, inequality, segregation, marginalization and slavery, in order to create a better life for the humanity, and to protect the vulnerable and oppressed ones. Nowadays, in the 21st century, it is the era in which all people from different classes and genders are equal according to rules and laws. Despite the presence of all these rules and laws, some aspects of inequality still exist like gender stereotypes; Muffit (2013) in his article stated that “gender stereotypes are attached to children from a startlingly young age”. Gender stereotypes is defined as an over-generalization about each gender roles and attributes in life and society.