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How are women portrayed through literature
Gender roles in the iliad
Definnig gender in literature
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In many societies today, individuals are led to believe that the concept of women possessing their own strength or independence is abnormal. As a result, women experience the world in a constrained way in comparison to men, even if they are in higher classes of society. However, these extensive aspects of females are contradicted in some ancient Greek literature. In the epic poem, The Odyssey, Homer portrays women as a vital and powerful force through the characters Penelope and Circe, who counter the normality of misogyny in Homer’s time. Penelope’s character displays how some women are able to exceed society’s standards and show strength and cleverness when it is necessary.
Women in The Odyssey Gender roles, specifically of women, were a little different back in 700 B.C. They played more of a typical role, expected to get married and have kids at a young age. They were expected to take care of the house and children, while their husbands were out fighting wars. However, while women in The Odyssey were greatly valued for their beauty, Homer reveals that they also had to be intelligent to be successful in their lives.
In Euripides’s The Bacchae and in William Shakespeare’s As You Like It, I found the gender roles in these particular plays to be very interesting because this was my first exposure to cross-dressing in works of literature. In The Bacchae, women play a huge role because women are often portrayed as feminine and inferior in many past works, however, in The Bacchae, the women of Thebes decide to rebel against the men and join the Greek God of grape harvesting, wine, fertility, and partying, in the woods. The women were manipulated by Dionysus and were turned into maenads because they joined Dionysus and rejected the norms for women, to stay in their place and they all went from the first world they were living in, Thebes, to the second world,
In the epic poem, The Odyssey, by Homer, there are many female characters who play the role of a villain. Calypso, Scylla, Charybdis, and the sirens are among the women with the largest, negative impacts on Odysseus’ journey home. Though some women, such as Athena, Eurycleia, and Penelope, are loyal to Odysseus throughout the poem. With such a wide range of female characters, they all contribute different things throughout the book, whether the impact of their actions is negative or positive. Regardless of the outcomes, Homer has quite a modern view of female representation in his poem.
To begin with, in the Iliad, a woman 's role depends on her beauty and position in the society, making them look more like a “prop”. For instance, Briseis used to be a respected princess and the wife of Mynes. However, her great beauty made herself became a reward between Achilles and other warriors in the Trojan War—she is no longer a dignified queen but a belonging whose role being manipulated by men. Another example is Helen. She was taken away from
Women are depicted as “trophy” to men and nothing more. Throughout the epic a sense of bravado and machoism is played out, giving off a man’s world feeling which women and little or no real reason to be wanted. To understand the epic and the roles in which women played, one may not have to look further than how the book has been put together. First and foremost, the book is being told through the eyes of a man (good luck ladies).
Gender roles are present everywhere and are more and more prevalent the further back you go. They define relationships and heavily influence people's actions. Gender roles can hurt those that are trapped in them because they are not allowed the freedom of living like they want. In The Crucible by Arthur Miller, one key relationship in the story is wrecked by gender roles.
Known as an epic war poem, The Iliad delves into topics concerning masculinity, heroism, and bravery. Women play a modest but important role that forms the structure of the plot. Helen’s character aids in expanding Menelaus and Paris’ characters. Homer does not delve into the lives of women like he does with the men, speaking to the notion of inferiority between the sexes. Homer displays women as tangible items through male interactions with one another.
In “Gender and the Homeric Epic”, an article by Nancy Felson and Laura M. Slatkin, the gender roles of various characters in The Odyssey, an epic poem by Homer, are examined in the constraining and progressive lens Homer takes. The characters of the epic most explicitly analyzed are Odysseus and his wife, Penelope; in this article the authors show the traditional gender roles both adhere to, but also exhibit the ways in which the characters are able to reach across the restraining gender roles, without making this story entirely about gender. Through this article one can see that the constraining nature of gender roles seen in society, is not inherent in the society presented in The Odyssey, which describes an intrinsic fluidity which is seen in a plethora of characters. “Gender and the Homeric Epic” discusses the gender roles conceived throughout Homer’s story through the characters Homer and Penelope. Homer represents the masculine war hero, returning home with what should be glory and happiness.
1 A short introduction to the Lord of the Rings novels Clearly one of the most influential texts of modern day fantasy literature and probably the founding father of medieval fantasy, Tolkien 's works have received a great deal of criticism largely regarding its attitude toward traditional gender roles. Namely, progressive, feminist readers quickly note that The Lord of the Rings seems to champion the classical gender roles seemingly based on a long gone chauvinistic society: a fellowship of nine male companions sets out to save Middle Earth, men march into battle for honour and glory, and rule as kings while women, as rare as they may be, stay at home and tend to house and hearth, or are fair maidens far off from battle and action. Since
“Beauty and the Beast” is an original fairy tale and over time have incorporated social, religious and cultural themes. An analysis of the Disney version of “Beauty and the Beast” exemplifies the stereotypes of the more subtle forms of social manipulation that fairytales undergo to employ. The question of whether these stories are made for entertainment or send a much larger picture, depicting to children their gender roles within a society. In this paper gender roles will be represented showing the typical female and male character within a society. Historian Sylvia D. Hoffert defines a gender ideal as “the cluster of characteristics, behavior patterns, and values that members of a group think a man or a woman should have, a set of cultural expectations.”
During times of crisis, women have been marginalized continuously, and although many would like to think so, conditions for women have not changed much over time. Unbroken by Laura Hillenbrand and The Book Thief by Markus Zusak both reflect that. Women in literature and in real life who deserve lead roles are often forced into supporting roles. Most people understand this but few acknowledge it. Strong female characters such as Liesel in The Book Thief, Penelope in The Odyssey, and Antigone in Antigone need to be honored the same way strong male characters are.
The Harry Potter series have been an interesting series for me ever since I have enrolled in Professor Fox’s class. I personally have not read any of the Harry Potter series during my childhood, but once I have enrolled in Professor Fox’s class I have recently just finished Harry Potter and the Philosopher’s Stone. Throughout my readings of these two books I have had many observations on certain aspects of the story that I would not have noticed when I was younger. These three aspects that I can’t imagine as a child noticing is how the Dursleys abused Harry, the stance on gender, and prejudgement based on appearance.
Furthermore, Feminist Criticism provides a better view of literature because it shows that women can be powerful. When Emilia finds out that her husband has been plotting an evil plan she says,” Tis proper I obey him, but not now”(Othello V.2.195). Emilia refuses to help her husband after she finds the cruel intentions he has despite the expectation of women always being submissive to their husbands. Women also have a voice and feelings, they are capable of defying their husbands commands when they know what he expects is simply wrong. In a literary article,The Role of Women in Othello: A Feminist Reading states that,” Society weighs heavily on the shoulders of women; they feel that they must support the men and defer to them, even if the actions of the men are questionable” (Literary Articles).
Feminist literary criticism’s primary argument is that female characters have always been presented from a male’s viewpoint. According to Connell, in most literary works, female characters often play minor roles which emphasize their domestic roles, subservience and physical beauty while males are always the protagonists who are strong, heroic and dominant (qtd. in Woloshyn et al.150). This means that the women are perceived as weak and are supposed to be under the control of men. Gill and Sellers say that feminist literary criticism’s approach involves identifying with female characters in order to challenge any male centred outlook.