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Gender Roles In Un Chien Andalou

2740 Words11 Pages

In this essay, I’m going to discuss the gender roles in the paintings of Dalí, in the film “Un Chien Andalou” by Buñuel and the poems of Federico García Lorca. Gender roles play a huge part within these works. All three of these artists had the ability to showcase something beautiful or majestic through disturbing and off putting imagery. This is what made their work so distinctive compared to many other artists during the surrealist period. The main things all of these artists have in common are their feelings and expressions of gender roles. There are many overwhelming contrasting views on the idea of gender roles and we see that in Dalí’s paintings where many of his early work were based on fear and loathing of the opposite sex. Throughout the first part of this essay I’m going to discuss the differences in Dalí’s views of the opposite sex and how he represents these views within his paintings. During his early work he portrays a sense fear of the other sex. Dalí had a fear of sexual contact and is represented through his …show more content…

This shows the juxtaposition of Incompatible objects that was a key component of the surrealist era. When the man arrives at the inn there is a lot of eye threatening imagery that relates to darkness. In this story there is a lot of frost imagery and explains the difference between the conscious and subconscious with the scene of the mirror. During this story he is narrating the events through surrealist imagery such as dream imagery and there is a sense of rupture when he shows the duet of thorns and violent. He paints the picture of the woman with her eyes on a tray and the sense of damage to the eyes is a Freudian idea and links in with the previous works of Dali and Buñuel. He gave the governor of Syracuse a moustache to make him look horrible to indicate he was the awful man that killed and blinded Saint

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