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Genius In Frankenstein

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Recommended: Critical analysis of Frankenstein

Analyzation of the Romantic Concept of Genius in Frankenstein Throughout the Gothic Romantic Fiction novel of Frankenstein written by Mary Bysshe Shelley, the Romantic Conception of Genius plays an important part in not just the novel, but in the way the way it affects the reader. Its interpretation by Shelley allows a major theme to develop: personal freedom and intellectual growth may be robbed when man becomes too dependant on technology. This theme is apparent in the storyline of major characters, and ultimately leads to the conclusion of all three narrators. Frankenstein mentions his realization of his Genius, “ Such were the professor's words —rather let me say such the words of the fate —enounced to destroy me. As he went on I felt …show more content…

For example, “Urged thus far, I had no choice but to adapt my nature to an element which I had willingly chosen. The completion of my demoniacal design became an insatiable passion. And now it is ended; there is my last victim!” ( Shelley 273). This shows that the narrators feel compelled to attend to their Creations and respective elements, and yet view it as almost torture. This is because they are all now are of the “insatiable passions” that result from “demonical design” and how is it has resulted in “victims”. For example, “For while I destroyed his hopes, I did not satisfy my own desires. They were forever ardent and craving; still I desired love and fellowship, and I was still spurned. Was there no injustice in this? Am I to be thought the only criminal, when all human kind sinned against me?” (Shelley 275). This shows that even after complete isolation and consummation by revenge, the true desire of every Narrator is companionship, which results in intellectual growth and personal freedom. It also indicates that they all have a subconscious view of companionship as being a criminal act since they are rebuked every time they try to enter society. As a result of how they allowed their various connections and ensuing losses affect them, each’s encounter with technology has caused their minds and hearts to grow, or the exact

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In Mary Shelley’s novel Frankenstein, the character of Victor Frankenstein epitomizes the adage that intelligence and knowledge can be both a blessing and a curse. Victor’s brilliance and unrelenting thirst for knowledge drives him to create life, and it also leads to his ultimate downfall. His intelligence serves both an advantage and a problem throughout the novel. On the one hand, it enables him to make remarkable discoveries and achieve great feats, but on the other hand, it blinds him to the consequences of his actions and the ethical implications of his scientific pursuits. Thus, Victor Frankenstein's character in Mary Shelley’s Frankenstein exemplifies the double-edged nature of intelligence and knowledge, as in Victor, whose brilliance

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All humans find themselves obsessively determined to succeed in gaining something, whether it be knowledge, a promotion, or someone’s love, only to find out that what they thought they were going to get is not what they actually wanted at all. In her novel Frankenstein, Mary Shelley describes this phenomena occurring within Victor Frankenstein’s internal narrative. He is obsessed and determined to discover the secret of life, and once he does he realizes its effects on not only his life, but others’ as well. Throughout the passage found on pages 30-31, Mary Shelley reveals the attitudes of curiosity, wonder, and determination through descriptive characterization of Victor Frankenstein and his thoughts, effectively bringing her own attitudes to fruition through language, symbols, and sentence structure.

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It is impossible to evaluate how much energy we invest in trying to mend and deny our emotions - especially the ones that rock us to our core, like loneliness, rage, and grief. Gothic author, Mary Shelley, in her novel, Frankenstein, depicts scientist Victor Frankenstein in his attempt to create a monster, resulting in his ultimate downfall due the perceptual consequences that await him. Shelley’s purpose is to showcase how humans are shaped through their surrounding environment and the experiences that they endure. She adopts a fatalistic tone to emphasize the severity of the repercussions that come with attempting to play the role of god - inevitable destruction. Through the utilization of the creature as a foil character to Victor, Shelley

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“The different accidents of...so miserably given life” (pages 43-44.) In this section of the passage, Shelley does a very good job to charm her readers through the usage of very descriptive diction choices to elaborate her story even further. She uses many words that beautifully craft her story into the somber, eerie tale that it is. Her diction choices overall have a very strong influence on the tone of the story, as many of her choices in this section help set the tone she was looking to achieve, very dark and terrifying. She sets her desired tone with success through this usage of tone-specific and tone-setting

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In the classic novel, Frankenstein by Mary Shelley it is considered an emocore novel due to the danger the scientist, Frankenstein, did to Europe and Switzarland. The knowledge the scientist had caused the “monster” he brought back to life to cause the death of many love ones of his. I believe that having too much knowledge can be very dangerous. Therefore, when Frankenstein decided to pursuit his life in the world of science, he was hooked on by electricity.

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In the 18th century, the era of enlightenment transitioned to the era of romanticism . Instead of following religious directions, enlightenment thinkers turned to scientific study and experimented with the idea of Galvanism, like the main character in the novel Frankenstein, Victor Frankenstein. Although progressive in his work, Victor tampers with the natural processes of life which bring out the theme of the danger knowledge can hold. In her Gothic novel, Frankenstein, written in the Romantic period, Mary Shelley highlights the hubristic and apathetic nature of Victor Frankenstein’s endeavors as a tragic flaw which jeopardizes not only his family, but also humankind. Victor's denial of moral responsibility for his creation underscores his

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Over the past century, Frankenstein has been analyzed and interpreted in seemingly infinite different forms of literature, film, and television shows. Once solely recognized as the story about a brilliant scientist who creates a creature in whom he regrets making after the creature turns out ugly, Frankenstein now represents an internationally recognized and commercialized pop culture symbol for Halloween decorations and costumes. When analyzing and appreciating the true literary essence behind Mary Shelley’s original Frankenstein, one of the most important comparisons to consider remains the underlying influences behind the Creature’s immoral actions and whether or not the blame for these actions belong to Victor or the Creature. When exploring the dichotomy of the Creature versus Victor Frankenstein, one of the biggest and most widely debated questions remains whether Victor should be blamed for the Creature’s destructive actions or if the Creature should be considered guilty for his actions based off of his own free will. Many consider Victor Frankenstein the villain of the story due to his repetitive decisions to abandon and avoid his own “mistake,” the irresponsible choice of creating the monster in the first place, and his obvious negligence of the Creature’s feelings.

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education, however after his experiment, Frankenstein gained real knowledge (Sylvia 20). Failure is a part of maturing and gaining greater knowledge of a subject is a part of enlightening. Through failure Frankenstein realized that his job is not to create life, and that through seeking the secrets of life, he ultimately got himself killed (Frankenstein dies at the end of the book), “You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been” (Shelley 22). This goes to show how enlightenment cannot be just experience or just education, there needs to be a proper balance between them.

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Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two. Frankenstein’s creature places himself in a submissive position when he begs his creator to have mercy on him and asking the creator to “create a female for [him] with whom [he] can live in the interchange of those sympathies necessary for [his] being.”

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“If we value the pursuit of knowledge, we must be free to follow wherever that search may lead us” Adlai E. Stevenson. The politician explains his perception of creativity in this quote along with its connection to ambition by relating determination and faith to the discovery of knowledge. He believes that nothing can restrict our drive to seek information when one entirely devotes himself to the pursuit. Similarly, in Mary Shelley’s Frankenstein, Victor Frankenstein, Robert Walton, and the creature all attempt to acquire arcane knowledge at any and all costs. Their ambition drives them to take risks and even put the lives of themselves and others on the line.

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The knocking stopped suddenly although it’s echos were still in the house. “I’m sorry” The words resounded through the room, giving off an eerie atmosphere. Mrs.White slowly turned around, a mix of both fear and desperation in her eyes. “You didn’t” she whispered, as tears threatened to fall.

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The idea of knowledge in the novel Frankenstein by Mary Shelley interprets knowledge as an evil pursuit. The knowlege is misused, due to Victor, the monster, and the interference with nature. Theses reasons are different perspectives that lead to tragedies. The novel Frankenstein identifies Victor's desire to gain knowledge as misusing it.

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The monsters smoldering hope for friendship dies as he speaks of the injustice that is upon him, “shall each man,” cried he, “find a wife for his bosom, and each beast have his mate, and I be alone? I had feelings of affection, and they were requited by detestation and scorn. ”(Shelley). Victor’s miniscule capacity for companionship jeopardises the monster’s chances of a gaining a

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Previous to the existence of the monster, readers are introduced to an ambitious, benevolent Victor Frankenstein. He exuded an excitement and passion about learning, though only for very specific subjects. “My temper was sometimes violent, and my passions vehement; but by some law in my temperature they were turned not towards childish pursuits but to an eager desire to learn.” (Shelley 19) Though his studies on creating life artificially had eventually grown tiresome—“My cheek had grown pale with study, and my person had

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In the narrative, Mary Shelley carefully introduces various aspects of the tradition of Romantic literature and thus, the novel can also be understood as a mirror to the society of that era. Few of the Romantic thoughts evident in Frankenstein are, the idea of individualism, yearning for a utopic state, nostalgic remembrance, the symbolic use of nature and most evidently, the presence of gothic elements that showcase intense emotions and horror. Furthermore, Shelley uses the voice of three different narrators-Walton, Victor and The Monster, to engage the audience and make them understand all the three viewpoints. Through the epistolary and framed narrative, she also continues to establish new themes as the novel proceeds. The skilful use of literary devices such as allusions, monologues, imagery and metaphors helps to dramatize the text and create an impact on the readers’ mind.

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