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Effective Use Of Diction In Mary Shelley's Frankenstein

581 Words3 Pages

In the book, Frankenstein by Mary Shelley, complex forms of imagery, tone-developing diction, and a variety of well-organized and composed themes are utilized to further envelop her story and engage readers. These writing techniques are very prominent in the section beginning on page 43, at the start of chapter 5, and ending on page 44, with “so miserably given life.” The imagery used in this section ultimately creates a very clear image of the monster to the readers. “I saw the dull...and straight black lips” (page 43.) The description of the monster is largely painted through this use of intense and comprehensive adjectives that aptly portray an uneasing creature. Under Frankenstein’s interpretation of the monster, the reader can actively imagine and adopt the feelings that he has towards the monster. Imagery is used very proficiently here as this is precisely what Shelley wishes to accomplish in this section of the passage; she wants the readers to cringe at the monster’s portrayal, and that’s exactly what they do. …show more content…

“The different accidents of...so miserably given life” (pages 43-44.) In this section of the passage, Shelley does a very good job to charm her readers through the usage of very descriptive diction choices to elaborate her story even further. She uses many words that beautifully craft her story into the somber, eerie tale that it is. Her diction choices overall have a very strong influence on the tone of the story, as many of her choices in this section help set the tone she was looking to achieve, very dark and terrifying. She sets her desired tone with success through this usage of tone-specific and tone-setting

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Examples Of Diction In Frankenstein

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In the novel Frankenstein, Mary Shelley’s diction delineates a vivid description of the creature’s characteristics, hence evoking suspense and agitation in the audience. The horrid description of the creature endorses an unsettling feeling in the reader due to the negative connotation employed by the diction selected. For instances, victor emphasizes the creature’s physical appearance by stating “yellow skin… horrid contrast… white sockets… shrivelled complexion and straight black lips”, then later victor states “breathless horror and disgust filled my heart” concerning to the creature’s physical characteristics(35). She strategically manipulates diction to alter the audience perception of the creature and directs them into viewing said creature

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The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost

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