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Giovanni Arnolfini And His Wife Analysis

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PART 3Jan Van Eych is well known for his works during the renaissance movement. One ofthese arts is “Giovanni Arnolfini and His Wife”. This painting depicts a marriage in progressbetween Giovanni Arnolfini , an Italian Merchant, and a women. Although, there have beenrecent arguments that suggest the painting is actually portraying an engagement rather than anactual marriage. It contains a few eye catching features that backup this new disagreement.This paints little elements that are easy to miss at first glance. For example, in the backof the room is a small mirror that reflects Giovanni Arnolfini and his wife and Jan Van Eychhimself. Around the mirror there are 10 circular images that show scenes from Christ’s Passion.Because of these and
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and was of Nicolao Arnolfini and his wife. There are several symbolic items included in the painting which give the viewer a different understanding. You can also see how meticulous Jan Van Eyck was with the detail. Both the man and woman have their shoes off and have cast them aside, indicating that the event taking place is on holy ground. Also, the single lit candle in the chandelier and the reflection and the mirror represent the all seeing eye of God.

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Reflections, shadows, and earthly objects can be portrayed in this painting as well. Although they are both telling stories about

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There was a focus point which is Saint Francis. Although the painting mainly consist of black and tan colors, the slight bright colors to balance of the black. This help bring out the details, such as the blessing on hands and the kneeling of people. Yet, the details were not too big that it would be too much to handle. This helps get the message across to the audience, like myself.

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While both the Northern Renaissance style painting by Jan van Eyck, titled the Arnolfini Portrait, and the Baroque style painting, by Johannes Vermeer, titled Woman Holding a Balance, indeed share some similarities, there are some noted differences in their designs, from one another. The Arnolfini Portrait displays solid symmetrical balance. The two figures are even divided within the frame. In addition, the colors of their dress are complementary to each other, her dress a deep green, while his dress displays a rich purple hue. The colors in direct contrast to each other, while the lines Eyck used are solid and bold, clearly defining each element of the picture.

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The pronounced details represent the mistreatment of Jesus and also relates to the monastery as a place where the sick and diseased are helped and taken care of. Its panels depict The Crucifixion of Jesus Christ, the martyrdom

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In the book, “The Catholic Imagination”, Greeley examines the Catholic views concerning human sexuality. Two arguments are present in Catholicism. One argument argues that sexual desire can be considered as a sacrament, since it is a part of the human condition and is created by God, and the other argument argues that sexual desire is sinful. Human sexuality is used in scripture as a metaphor of Jesus’ love for his church and God’s love for his people. Many Catholic individuals believe that erotic desire is “good, virtuous, and beautiful” (56).

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The imagery and symbolism in the Cathedral shows a transformation in the life of the narrator, who perceived the blind man has a threat to him, later learn the significance of humanity through the kindness and caring gestures of the blind man. Whereas the imagery and symbol of Everyday Use was the quilts, handmade by the narrator’s mother and sister representing the legacy of their family.

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The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son.

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Its focus, like the other pieces in the collection is a scene plucked from everyday life, romanticized and immortalized by its viewer. When collecting research about this image and its creator, I found that there was a wealth of material, but most of it was in French! I needed some serious help, so I utilized an extremely invaluable resource made available to us by our professor, Stephanie Foster. I interviewed one of the librarians at the Art Museum, Christine

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Ivory's P.O.V. It's been a few days since I've physically seen Mark, but we have been texting. Knowing that he's a trainee for a boy band made me not want to just latch on to him in that way of liking so I decided to drown myself into our competition. I've practically lived in the music hall relying on Professor Johnson to help me with his expertise knowledge.

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Leonardo Da Vinci 's The Last supper is a popular work of art that is Da Vinci 's rendition of the last supper as told in the bible. This paper will include an in depth visual analysis of the painting as it appeared on the original canvas. The paper will also address the cultural and religious significance of this work of art in that time period. I chose to do the analysis on The Last Supper because it is an artwork that i have seen many times in my life, but oddly enough do not know a lot about. In this paper i plan to not only inform you , but inform myself on the many aspects of The Last Supper by Leonardo Da Vinci.

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Over the years, the representation of women in visual art has been transforming progressively. According to the article, by the fifteenth century, paintings of women were represented to be wealthy, elaborately dressed in fine materials and jewels. They were used to reflect the affluence and wealth of the family. During this period, women did not have a say in any political or economic situation in the society. In an Essay by Saylor Academy which looked at the effects of the 15th century European society on the portrayal of women in the society, their main role was to be a mother, wife and represent their family’s affluence.

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Leonardo believed that, the integration of the musical harmonies would bring symbiosis to the optical space of the painting and to the one viewing the painting. Leonardo clearly understood how single point perspective could control how the viewer perceived his painting. He employed this technique to draw our attention to Christ’s face which is at the center of the composition. Likewise Christ’s gaze is directed to his left hand whereby he is reaching for the ‘bread’.

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The top portion shows Jesus be crucified along with who I believe are the two these the gospels mention Jesus be crucified with. The top portion of the panel doesn 't show much detail in the background. This brings the attention forward to Jesus and then the two thieves. Jesus is the only one that facing the viewer straight forward everyone else is turned away at an angle. The bottom shows two clusters of people.

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Artwork is a form of self-expression from an artist based on life experience, or on something that the artist feels strongly about (Berenson, 87). The product of art can help others with similar experiences but not able to express the same feeling themselves. From the product of art, people can start drawing excitement, purpose as well as encouragement about the real thing being expressed. Through a piece of art, the artist can communicate a purpose, an emotion or an idea in their work. In this research paper, I compare two pieces of artwork; Madonna and child with the saints by Giovanni Bellini and Madonna and child with the two angels done by Fra Filippo Lippi.

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