Some of the things in the text are similar, but some things are absent within the text. In “The Odyssey”, the Sirens are not bird-like, there is no skulls and bodies laying around everywhere, and nobody on the boat is killed(Homer). “O’Brother, Where Art Thou?” removes the ocean setting, Odysseus heroism, and the men having wax in their ears. Within the stanzas of the poem “Siren Song”, the story lacks the men and Odysseus, the heroism of Odysseus, and the men “fall for it everytime” (Atwood). Authors of these stories removed these things so that their more appealing to the eye.
The Odyssey written by Homer and the Siren Song, by Margaret Atwood both use imagery, symbolism, different tones and different point of view to depict Sirens. The Odyssey surrounds a man who hears the Sirens song, but uses different tactics to survive it, although the Siren Song is written as if the written is a siren trying to prey on the readers. The difference of narrators tells the story of the Sirens in two very different
Thus Ward is able to address the double edge sword that presents females in stories as “weak” or built upon the “wrath of a woman.” The inclusion of the universality that is associated with Greek mythology allows Ward to shed off the label of blackness from her work. With China, Esch and Katrina all carrying some traits of Medea, it allows the reader to see all aspects of being female from being vulnerable, brave, nurturing and protective. Moreover, Ward insinuates that women should be presented as empowering to one another and through Medea paralleling story Ward articulates her
“Then Circe said to me, “Listen while I explain the course of your journey so that you will know how to proceed without further suffering. First of all, you will come upon the two Sirens. Anyone who is foolish enough to approach them will never return. They sit upon their island and tempt those who sail nearby with their beautiful songs, and anyone who cannot resist them becomes their victim. He joins the decaying bodies and mounds of bones that surround them”.
That quoted phrase explains the capability of manipulation that the Siren possesses. Any man who heard the song would be brainwashed to do whatever the truly captivating female wanted them to
In the “Odyssey”, Homer introduces the expedition Odysseus goes through to return to his native land. At one point he and his comrades must take the path that leads them to the island of the Sirens. The notorious sirens sing their sickeningly sweet tune to entice men to their eradication. Poet Atwood depicts the sirens in a calamitous facet. Both Homer and Atwood convey the idea that the Sirens pose a detrimental role through the application of imagery and diction.
Sirens are devious creatures found in Greek mythology and The Odyssey. There are many depictions of them with different traits, but none are more well-known than the Sirens from "Siren Song" and The Odyssey. The sirens in "Siren Song" are portrayed to be smarter by being more manipulative and calmer. The Sirens in "Siren Song" are shown to be smarter than the Sirens in The Odyssey by being more manipulative. The Sirens in this poem make the hero feel special and convince them that only they can save the sirens and listen to their song which is said to "Work every time,"(Atwood 27), while the Sirens from The Odyssey are not as convincing, only yelling at people to listen to their songs.
The Odyssey and the poem "Siren Song" both portray sirens ;however, in The Odyssey, the focus is on resolving the "problem" of the sirens, no differently than any other obstacle on his journey, whereas "Siren Song" focuses on the siren as more than merely an obstacle. They share, however, the preying of the siren upon hubris and the desire to be special, as well as, by what happens, illustrating the allure of the sirens in the spite of the pain that may be suffered to get there. The Odyssey initially describes the actions of Odysseus much more than the sirens. The beginning discussion does describe the sirens at all;it merely states that they were approaching the island of the sirens, and then for the first ten lines it does not even begin to consider the sirens.
The Odyssey, one of the oldest texts known to mankind, has made a permanent mark in the heart of Greek art and literature forever. The Odyssey is known as the story of a long forgotten king, Odysseus, exploring the seas, going on his long quest to make his way back to his homeland. One grand encounter Odysseus faces are the mythical creatures known as the sirens. The sirens are notorious for the beautiful song they sing, but this song leaves a deceiving effect on anyone who hears the words, and anyone who’s heard the song has either been killed or does not remember. The only way Odysseus could return home is if he sailed passed the sirens.
The Sirens in the Odyssey are a grave danger to Odysseus and his men. They use their songs to tempt men by appealing to what they love and desire. The Sirens bring out lustful feelings in the men that cross them. In Book 12 of Homer's, The Odyssey, Odysseus and his men encounter the Sirens. In Book 12 the Sirens represent temptation and desire.
Medea and the women of Corinth both share, to a different extent, the experience of being unfairly categorized as the caretaker of the family, which aids Medea in persuasion because she can be trusted as a woman to speak on the patriarchal society. She continues as ‘’of all creatures that have life and reason we women are the sorriest lot’’ (229-230) of all the living things Medea describes women as the ‘’sorriest’’ which suggests that women are pitied and helps Medea to allure the Chorus to be on her side. Medea suggests to the Chorus that Females ‘’must at a great expenditure of money buy a husband and even take on a master over our body: this evil is more galling than the first. ’’(231-233) Medea is arguing that women must sacrifice a ‘’great’’ amount of money to ‘’buy’’ their partners. This conveys the patriarchal community in Corinth.
The Wonder Woman film avails a rich source of opportunities for discussion of the impact of classical mythology on contemporary media. Diana of Themyscia belongs to the Amazon tribe of mysterious warrior women as described by Greek myth tales. The background of the origin of this warrior tribe in the film is a conflict of divine proportions among Greek gods. The battle is between the divine forces that one would seemingly study more so how Zeus the king of Gods is portrayed.
On a reading of the Homeric Hymn to Demeter which regards Persephone, Demeter's daughter, as being representative of spring, the myth of Persephone's kidnapping by Hades can be interpreted as allegorical of the changing of the seasons. In particular, Persephone can be considered as a metaphor for the planting of seeds. While she is kept underground in the realm of Hades during the winter, no crops are grown and the land is barren. However, as the winter transitions into the spring Persephone emerges from the underworld, much like a budding plant, and reunites with her mother and the other Olympian gods and goddesses above ground. When Persephone is relegated to live with Hades she falls into a depression and becomes, figuratively speaking,
Theodor Storm (1817-1888) was a German lawyer and writer who is perhaps best known for his novellas, most notably his last completed work “Der Schimmelreiter”. His writing developed from the lyrical depiction of love and nature, via artful fairy tales inspired by E.T.A Hoffmann and Hans Christian Andersen to realist prose. “Die Nachtigall” appears in the fairy tale Hinzelmeier, but this context is immaterial to the poem’s interpretation. It elaborates on a young girl’s transition to adulthood from the point of view of an outside observer and captivates the reader with its melodiousness and simplicity. It consists of two stanzas of five verses each.
The first reason, is figurative language is a key to comprehending a song. Figurative language interprets the main object to emphasize it´s meaning. For example, in Taylor Swift’s Blank Space she uses a simile by saying , “... I can read you like a magazine…”, she is trying to say that she knows what a male’s intention is. She continues interpreting the main object by using the hyperbole “...we’ll take this way too far it’ll leave you breathless or with a nasty scar…”, meaning their love can end in troublesome terms.
