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The Advantages Of Being A Woman Artist Analysis

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For decades political artists have strived to address issues in society in a creative and meaningful way. Whether the artwork form is protests, posters, paintings, and more the goal is to captivate their audience and spread awareness about the current situations the artists stand against. The Guerrilla Girls effectively mastered the art of political artwork in an extremely unique way. The unique group uses facts, humor, and sarcasm to expose sexism and racism in the art world. What makes the Guerrilla Girls extremely unique is their use of gorilla costumes to captivate an audience so that they would take them seriously. The Guerrilla Girls’ “The Advantages of Being a Woman Artist” was constructed at a time of unequal representation of women …show more content…

There were two key, influential events that took place that caused the formation of the group. The first event took place in 1971 and was the publication of the feminist essay “Why have there been no great women artists?” by Linda Nochlin. The second event took place in 1984 where only thirteen out of 169 contemporary artists invited to display at the Museum of Modern Art were women. These two events enraged the Guerrilla Girls and fueled them with determination to shame the art industry for their underrepresentation of women. The artistic approach the political artists convey is feminist art and contemporary art. Feminist art is used to criticize traditional gender expectations and contemporary art is categorized of the art of today. Another aspect of the group that defines their art as contemporary is the misspelling of the word gorilla to guerrilla. The artistic mediums the Guerrilla Girls use to captivate their audience and spread their message consists of posters, billboards, performances, protests, lectures, installations, and limited-edition prints. By incorporating a wide variety of current artistic mediums they present their feminist views in a creative way that shames the art …show more content…

The poster, The Advantages of Being a Woman Artist, lists thirteen “advantages” in which women are excluded from art, literature, textbooks, and exhibitions. Some of the thirteen exclusions listed are “working without the pressure of success”, “knowing your career might pick up after you are eighty”, “being included in revised versions of history”, and “not having to undergo the embarrassment of being called a genius”. The Guerrilla Girls use simple tactics like sarcasm to draw attention to the inequality or women in the art world. In addition, this political artwork medium takes a simplistic visual approach. The poster was created with the title in bold and centered to draw attention to the topic they are addressing. Also, in a slightly smaller font size the thirteen advantages and the name of the group is listed. The poster is created plain and in a sense uncreative to draw the main focus of the audience to the purpose of the poster and not any decorations that may be present in other types of

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For all artists, the “way life was seen” played a significant role in how the artists constructed and portrayed their artwork. In postwar Australian society, women played a significant role for the country’s growth. While men were at war, the women had to fill in the jobs, and Australia was basically being run by more women than men. This became more aware throughout the 1980s where feminism became more internationally aware. Margaret Preston’s husband, allowed Margaret to be free to do as she wanted during this time, differing from the stereotyped world where the men would work and the women would stay at home.

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Unlike the white women in the previous section, these women don’t make any political gains or receive media coverage. Their work is not able to stop the Freeways from intersecting their communities. Instead, they allowed to create murals on the sides of the Freeway and under bridges. They try to repurpose these spaces and make them into a form of resistance against the oppressive nature of these new roads. These women use their culture and voices to “bring life, even to the deadening spaces created by men.”

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During the 1800s, women were supposed to adhere to the ideas of a patriarchal society. According to scholar Rula Quawas, womanhood during this time period consisted of “a sharp dichotomy between the home and the economic world outside that paralleled a sharp contrast between female and male nature; the designation of the home as the female's only proper sphere … and the idealization of her function as a mother and a wife” (Quawas 44). While men were expected to leave home and make money for their families, women were encourage to work in the house and take care of their children. These narrow expectations for women caused them to be economically and intellectually dependent on men. In the story “The Yellow Wallpaper,” the character Jennie embodies this stereotypical function of a woman.

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From the earliest of times in society, females have had to consistently fight for equality in society. The mistreatment of women often included violence, abuse, financial inequalities, harassment, voting inequalities, and many more inequalities that men have not had to face compared to females. These unacceptable actions that are often seen as “normal” in society are a grim reminder of what women endured and still have to endure today. Many women never had a platform to fight for change and call out injustice in fear of their safety, shame from others, and the threat of breaking “social norms”. However, many influential women risked many things for the basic rights that men have been enjoying for centuries.

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In a time where social strictures denied most women a future in the field of visual arts, Harriet Hosmer defied all social convention with her large scale success in neoclassical sculpting. At a young age, Hosmer had already developed a striking reputation, one that qualified her to study abroad in Rome under the tutelage of renowned sculptor John Gibson. As if this opportunity wasn’t rare enough for women artists in her day, Hosmer’s outstanding potential earned her the luxury of studying from live models.6 The respect she gained from taking this unconventional route to her success is one that entirely transformed society’s perception of women. Not only did her unique story serve as a catalyst in the progression of gender equality, but she also hid symbolic messages within each of her sculptures to find a way to penetrate her beliefs of equality through to any soul.3 As the National Museum of Women in the Arts perfectly captures, “[s]he preferred Neoclassical idealism to more naturalistic trends and rendered mythological and historical figures, such as Oenone, Beatrice Cenci, and Zenobia, Queen of Palmyra, with nobility and grandeur.

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Shirley Chisholm once said “The emotional, sexual and psychological stereotyping of females begins when the doctor says, “It’s a girl”. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, depicts the social norm in the 19th century when women were thought of as lower intellectual beings who had “hysterical tendencies” and therefore not capable of making good decisions for themselves. This story lets readers into the life of a woman during the 1800’s who is treated like a small child with no say to her own mental health , even by her own husband. The 1800’s were a period in time when women were expected to play the roles of wives and mothers and nothing more.

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It witnessed a tremendous change in the ideal female body image, which also changed from one decade to another. In The twentieth century, women started gaining more rights and expressing themselves more, witnessing a rise in women’s movements and newly formed organizations, a new generation of female artists, photographers, and writers. Females were emerging out of the set boundaries that the society had set for them and joined the workforce, contributing a lot to society. This offset feminine freedom was reflected through the way women represented themselves.

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Women are more likely to fight against the men or against other women because they want to identify with what the other deny them (Melucci, 1996). In other words, women and girls are more likely to continue to fight and pursue jobs of power in order to be identified as powerful, accomplished, strong women, which is what they are denied by other people. However, in order for that to happen we need to be recognized by others in order to confirm and determine who we are. Along with identity, collective identity is another tactic used in the film. Seen in the documentary there is a collective interest of feminists to prevent the objectification of women.

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“Writing was the world of each woman. In a world of exaltation of his imagination, feminine inscription seems single and sudden” . With the right for an education they gained skills which they used for their talent. Many social reforms led by suffragettes and their awareness of the situation in which they were, gave women writers an audience and a form in which they manifested their opinion. Women writers such as Emily Dickinson, Charlotte Brontë, George Eliot, Kate Chopin, Gail Hamilton and many others wrote poetry, novels, letters, essays, articles in which they portrayed the often conflicting expectations imposed on them by

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