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Creon character in Antigone
Creon character in Antigone
Creon character in Antigone
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More handpicked essays just for you.
Creon character in Antigone
Creon character in Antigone
Creon character in Antigone
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Lexi Nguyen Mr. Palko Period 8 27 October 2022 Haemons Speech In Antigone, Haemon uses figurative language and appeals to pride to argue that Creon must be a good leader and learn to take criticism by other people, encouraging Creon to forgive Antigone and let her be free. In Antigone, Haemon uses Figurative language to argue that a good leader can take others' criticism. In his speech to his father in the palace he argues that a leader can listen to the citizens' opinions, in order to make a better decision to free Antigone.
But of who you are, you can’t perceive all the things men say or do or their complaints. ”Even the people have discussed how Creon may be wrong and that Antigone should be rewarded for her courageous act to bury her brother who was left by creon for the dogs. Haemon believes that his father Creon should give Antigone the right to be free. “They say of all the women here she least deserves the worst of deaths for her most glorious act. When in the slaughter of her own brother died, she did not just leave him unburied, to be ripped apart by carrion dogs or birds.
Creon shows an extraordinary amount of stubbornness throughout the story. An example is seen when Antigone wishes to give her brother, Polyneices a proper burial so he can have a pleasant afterlife with the Gods. Creon, as king wishes to have him rot in the fields because he turned his back on the state in which the events occurred.
Creon saw no wrong in his actions of killing Antigone, ignore the blind prophet or not burying a restless soul but the town`s people noticed how atrocious that the new King was acting. Haimon predicted that soon they would get fed up and come after him for his death. Hamion is a major character in the play Antigone and helps outline the details of the citizens and even Creon. Hamion acted as Romeo from the common play Romeo and Juliet by William Shakespeare. In Romeo and Juliet, there is a young couple who commit suicide in the name of love.
“Persuasion is often more powerful than force” once stated by great greek fabulist Aesop, Many of the characters follow this advice throughout the story (“Aesop Quotes”.). As Creon gives a speech to his city he uses ethical appeals in hope to assert his power and make himself look like a trustworthy leader.. Antigone does not listen to this and decides to disobey her uncle, sister Ismene tries to plant logic into her head not to disobey in fear that her sister may end up dying in result. Haemon being both the son of Creon and the fiance of Antigone he should have a hard decision to make but he cannot get behind his father in putting his future wife to death. Ismene, Creon, and Haemon all use the rhetorical appeals of Ethos, Pathos, and Logos to be persuasive towards their goals.
“A city which belongs to just one man is no true city.” (lines 838-39) Throughout the play, Antigone, written by Sophocles, the character Haemon constantly tries to persuade his father, Creon, to listen to the people of his city and to become a more humble leader. Haemon’s words, actions, and ideas contrast with Creon’s character. Which results in the two characters having continual conflicting motivations.
How would you feel if you were locked away to rot by one of your own family members because you did something they didn’t approve of? In Sophocles play, Antigone, this is just the case for the niece of Creon, King of Thebes. After getting word that her “own two brothers [...] slaughtered one another and brought about their common doom” (Sophocles 318), Antigone is distraught. What makes her infuriated is when she learns that her uncle, Creon, has decided that one of her brothers, Eteocles, will receive a proper burial and be honored while the other brother, Polyneices, will receive no burial and be remembered as a traitor. Soon after, Antigone takes action and performs a secret burial and ritual on her dead brothers corpse, but she is also
Haemon, Creon’s son, knew that his father’s decisions are not in the best interest for Thebes, so he tries sharing his perspective in the most respectful way, but ends up failing to get through to him. Sophocles portrays Antigone’s ambition, Creon’s stubbornness, and Haemon’s perspective, indicating that “unshakable
Haemon and his father have several disputes that show, Creon pushing his son away in order to show his dominance. Creon calls his son a “soul of corruption, rotten through” which just reflects how cruel Creon had become, even when talking to his own son (836). This will be the last argument the two have before Haemon kills himself due to neglect and longing for Antigone. The power of the crown causes Creon to act instinctively rather than reasonably when deciding Antigone's fate. His loyalty to his power becomes priority over his family, when he decrees his nephews burial illegal.
After reading the tragedy of Antigone by Sophocles, one is left to wonder who the protagonist of this play is. Is it Creon or is it Antigone? To answer this question, one must define what a protagonist is. By definition, a protagonist is a leading actor or a character. Creon fits this description because not only do his actions lead into the whole tragedy, but his character shows a great development and the values he teaches to the readers.
In the play "Antigone" by Sophocles, Antigone rightfully decides to bury her brother, Polynices, but when the king, Creon, finds out, she does not repent for her actions. She is a woman that stands for what she thinks is right, which in this case is that Creon is wrong for condemning the burial of her brother. She shows braveness with her actions because not all people have the courage to risk their own lives so that their brother can rest in peace. For instance, Ismene states "What? You 'd bury him – when a law forbids the city?"
Creon is the protagonist in Antigone, because his motivation throughout Antigone is the stability and wellbeing of Thebes. Moreover, Antigone is the antagonist in Antigone, because her motivation is selfish and deceiving. In Antigone the setting is Thebes post the death of both airs to the throne. Eteocles dies defending his country from his brother Polynieces which died attempting to reclaim his right to the throne. The conflict throughout Antigone is Antigone’s responsibility to bury her brother Polynices and the law created by Creon, the new king of Thebes, which states that “No one shall bury him, no one mourn for him.”
As demonstrated throughout the Greek tragedy Antigone, Creon’s tragic flaw is hubris which causes his downfall . The downfall begins when Creon refuses to give Polyneices, the son of Oedipus and the brother of Antigone, a burial. Creon believes that Polyneices did not die an honorable death as he broke exile and raised the sword against his home city, Thebes, so in return he will not receive a burial. Creon’s pride takes over and so he believes he is a man not only superior to women , but a king superior to the gods. He claims, Go out of your heads entirely?
In contrast to this, in Antigone, Creon is a tyrant-like leader who lacked empathy and care for others. This can be seen as he forbid the burial of Polynices, which defied Greek custom. This act results in the death of Antigone, his son Haemon and his wife Eurydice (“Play Summary Antigone”). Contrary to Oedipus, Creon’s Hubris lead to a series of conscious actions that negatively affect the characters in the story. In the end, Creon can be seen to have learnt his lesson as the chorus states: “Of happiness the crown
Traditional authority is the legitimacy of power based on time-honored tradition or custom. In traditional authority, the authority of the individual or group in power is not questioned by those under their rule because traditionally this is how their society has functioned. An example of traditional authority are the monarchs of The United Kingdom where one person by birthright inherits the position of ruler and traditionally retains power until they die. Upon their death the next in line usually a son and in some cases a daughter, succeeds them. For instance, when Queen Victoria died, her eldest son, Edward VII became King.