When having a conversation with Ophelia, Polonius says, “I would not, in plain terms, from this time forth/ Have you so slander any moment leisure/ As to give words or talk with the lord Hamlet./ Look to’t, I chanrge you. Come your ways.” (I.III.138-141). This quote shows how Polonius is manipulating Ophelia into not ever talking to Hamlet ever again.
Act 4 scene 4 sees a much developed character of Hamlet following his introspective and self-loathing characterisation in the earlier scenes. The rash slaughter of Polonius and his reaction following that proved to be a turning point for Hamlet allowing him to embody the conventional trajic hero foreshadowing that his downfall would be partly related to his hubris. In this soliloquy, Shakespeare harnesses Hamlet's language to convey the character's pivotal position between the changing world and ideas about revenge and honour and his conflict within himself about carrying out revenge and complications surrounding taking lives to further one's cause. Religious implications are also mentioned as Hamlet's own Christianity plays a major role once
In Act II Scene 2, as Hamlet berates himself for his irresoluteness and cowardice and contemplates vengeance for his father, the concluding soliloquy vividly portrays Hamlet’s transition from irritation to insanity. Shakespeare extensively utilizes analogies and carefully chosen diction and syntax to dramatize the state of uneasiness in Hamlet’s conflicted mind. Shakespeare makes both direct and indirect comparisons and contrasts throughout the soliloquy. For instance, Hamlet’s remarks about the player makes a clear illustration of their subtle similarities and differences to the readers. The imaginary situation in which the player had Hamlet’s “motive and cue for passion” demonstrates that the player, who would be able to “make mad the guilty and appall the free,” is not only keen on, but also subliminally excellent at the art of acting (II.2.520-524).
In act 3 scene 3 the climax is when hamlet stabs polonius through the arras which he committed himself to an overtly violent action. Which brings unforgettable conflict with the king. While at the end of scene 4 another another possible climax is when hamlet resolves to commit a fully violent revenge. These two scenes in act 3 says a lot with the climax, it could be either one. But at the end there can only be one climax of the story.
Act 4 Scenes 7. Claudius tells Laertes that it was Hamlet who out of madness killed his father. “You must believe in me that I am innocent. You must believe that I am your friend, since you’ve heard with your own ears that he also intended to kill me.
The soliloquy in Act 4 Scene 4 of Hamlet by Shakespeare is a crucial part of the play, as Hamlet decides to seek revenge for his father’s death. In this scene, the central theme of revenge is accompanied by themes of religion, decay, and corruption. Hamlet sees Fortinbras’ army and realizes how many men bravely faced death to defend their honor; this enables him to connect to his father’s murder and how he should seek vengeance. The sight of the army not only influences Hamlet’s actions, but also demonstrates the political discourse during the time of the play. These themes of decay and corruption are addressed in the political discourse in this scene along with Hamlet’s use of religion to justify seeking revenge.
1. I would say that a limiting nutrient is anything that is necessary for growth, but which can cause problems if there is an excess. For example, phosphorus is necessary for plants to grow, but too much can probably lead to problems. It is normal for a lake like Lake Erie to have phosphorus in the water, but since there is too much, the algae is growing out of control. Phosphorus is a “limiting nutrient” because it is only required in small amounts for proper growth and balance in the ecosystem.
“To be or not to be - that is the question:” (3.1.64) describes the mood in Shakespeare’s Hamlet. In the first part of Hamlet within the third act, the king and Polonius are spying on Hamlet to find the true meaning to his madness when Rosencrantz and Guildenstern are unable because “he will by no means speak” (3.1.6). The quotation describes how Hamlet has conflict about whether he should commit suicide or not, but after a while, he realizes if he dies, then his uncertainty of where he will be in the afterlife kept him from committing suicide. The significance of this quotation shows the dilemma of Hamlet’s choice between life and death.
Hamlet Act Three Essay Question 5 What defines a rat is the fact that these creatures are subtle, reprehensible, and deceitful. In Shakespeare’s tragedy, Hamlet, no other characters define this description quite as well as Polonius. Being the main advisor to King Claudius, Polonius is in a high position of power and has a right to deploy any means to find what he wants from people, however, born from a lust for power, Polonius relies upon deceit to arrive at the truth. This use of deceit has been used as message by Shakespeare to convey several distinct themes about people who use these tactics.
(3.1.43-49) Polonius orders Ophelia to distract Hamlet even though he knows the emotional distress it will cause her. He is the reason Ophelia breaks ties with Hamlet, yet he is willing to throw her at him for his own gain. Polonius cannot rationalize that spying on Hamlet is less important than his daughter’s mental stability. His utter selfishness makes him incapable of making rational decisions that are beneficial to both himself, and his children. Polonius gives good advice that he does not take himself, showing his bad decision making.
He now sees it as his job to disabuse her of the notion that Hamlet could be acting honourable. With good intentions. Despite Ophelia’s defence of the Prince, her father dismisses the Laertes’ words with a cynical metaphor, saying that Hamlet’s apparent earnestness is merely a ply to catch Ophelia, a silly bird Drawing upon his own experiences when he was young, Polonius appears to be judging Hamlet by his own base standards, again echoing what his son had earlier said to Ophelia. A woman should bring honor and fortune to her family, and the image Ophelia gives off for him very much concerns Polonius. Both Laertes and Polonius tell her that the man that she loves is using her.
The illusion of death has wondered and astonished many for years. This doesn 't exclude the fantastic author Shakespeare. Throughout the play, Shakespeare focuses on death and how society glorifies it. He often uses metaphor and analogy in order to make death seem more welcoming. Turmoil and confusion can internally destroy any country.
Act 1, Scene 1 introduced Marcellus and Bernardo who are guards for the Danish King who have encounter a ghost twice. They seek Horatio who believe they are hallucinating an there's no such thing as a ghost. He agrees to joined them on their guard duty so he can see the ghost for himself. When the clock strikes twelve the ghost appears and they all cannot believe how much it looks like their dead king Hamlet. Marcellus and Bernardo encourage Horatio to speak to the ghost,but the ghost disappears.
Hamlet caught Polonius when Polonius decided to randomly repeat what the Queen said. Polonius could have avoided that fate in other ways as well. He could have left Hamlet alone. He could have made his presence known from the beginning instead of hiding when Hamlet entered. Polonius chose to hide and later reveal himself to Hamlet
Act 3 opens with Rosencrantz and Guildenstern reporting to Claudius about how they have not yet been able to find the root of Hamlet’s madness but that Hamlet requested Claudius attend the actor’s play. Polonius and Claudius then execute their plan to use Ophelia to understand Hamlet’s behavior. As they watch behind cover, Hamlet bumps into Ophelia right after delivering his famous “to be or not to be” speech where he contemplates suicide. In his conversation with Ophelia, rather than being kind, he berates her and tells her to go to a nunnery.
