Luke Peters Sarah Khatry ENGL:1200 27 February 2023 Emotional Development in Frankenstein Throughout the book the monster develops becomes emotionally intelligent while Victor devolves emotionally and loses the intelligence that once made him a genius. Victor undoubtedly had scientific skill, being able to create life out of corpses, but it wasn't his scientific intellect that deteriorated, it was his emotional and logical intelect. In the prelude to the story we see him chasing the monster across ice, but it is clear that even if he catches the monster he is clearly physically outmatched. This is something the Victor at the start and middle of the story would never attempt.
Throughout the book Frankenstein, Mary Shelly uses nature imagery to show the character’s emotions and mood. Mary Shelley often uses nature and the character’s surroundings to reflect the character’s mood. In chapter 11, the monster is alone during the winter, having to survive in this unfamiliar world he is cold and frightened especially during the cold winter nights. “It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate.” (Shelly, 105)
Victor is one of the characters who is greatly affected by revenge. To start, the death of William and Justine started Victor’s hate for the creature. Victor started misunderstanding the creature from that moment. “Could he be the murderer of my brother? He was the murderer!”(60)
Theme: The Misery Caused by Loss During the novel several characters die, of different causes. Misery is also a main motif, while several personas gradually become more and more miserable. The loss of characters caused dreadful misery.
Valverde 1 Joseph Valverde Mr. John Salmon Ap Literature October 2014 Volume 2 - Chapter 1: Victor Frankenstein is going through great sorrow and grief as his conscience cannot handle the guilt caused by the death of the innocent Justine. He “wandered like an evil spirit” (Shelley 103) as he was unable to conceive peace. This state of mind preyed upon [his] health” (Shelley 103) as he was unable to cope with the present events and his guilt, this marks the mood at his part of the novel as that of despair and of regret. . Victor is then taken to Belrive in order to find peace, there he pondered about the outcome caused by his actions.
Life can be rough, and both Victor and the monster figure this out in specific ways. Victor begins by being a dedicated and persistent young lad who just wanted to get his name out there, but his obsession sent him into a spiraling descent into madness; however, the monster figures this out by getting abused, tormented, and treated like a megalomaniac even though all he did was be nice and helpful to everyone he came across. To make things worse, these changes impacted both characters in very bad ways personally. The transformations significantly impacted the way they lived and thought, even bringing on suicidal thinking. If the story would have been any bit different in terms of having a positive change, then the story probably would not have been as entertaining to the audience as it is currently, and in addition, Victor and the monster would have had better lives.
The gothic fiction novel Frankenstein by Mary Shelley centralizes on humanity and the qualifications that make someone human. The content of the novel Frankenstein depicts a monster displaying human traits that his creator Victor does not possess: empathy, a need for companionship, and a will to learn and fit in. Throughout the novel Shelley emphasizes empathy as a critical humanistic trait. The monster displays his ability to empathize with people even though they are strangers. On the other hand Victor, fails to show empathy throughout the novel even when it relates to his own family and friends.
In the story Frankenstein there is parts of the story that relates to sadness in a big part. Why the monster? He wanted to father science yes but to me he doesn’t have that many people that he has anymore so he is looking for a friend that could be everlasting. Frankenstein is the creator’s name not the monster’s name.
Countless individuals believe a job that provides an excess of financial security will yield the most satisfaction; however, that is not always the case. Often, it is jobs that benefit others in society that bring the most joy. Occupations such as personal assistants, nurses, and plumbers are some of the careers that provide the most satisfaction. These jobs have one thing in common; they all involve helping others to benefit society. A career that is used to better society generally creates a happier person.
Psychoanalysis of Frankenstein and His Creation When doing a literary analysis using the psychoanalytic type A criticism, the reader must solely look to the work itself and exclude externalities. One may interpret, “Dr. Frankenstein and the monster as embodying Sigmund Freud’s theory of id and ego” (Telgen). The basis of this theory is the idea that a character’s personality can be divided into three parts. The id which is the basic desire for what each person wants. The superego, which is the opposite of id, it houses our sense of guilt.
Passion and Destruction As W. Somerset Maugham once said, “Passion doesn’t count the cost... Passion is destructive.” In Mary Shelley’s Frankenstein, Victor Frankenstein leaves Geneva, his home town in the pursuit of knowledge, ding so he created a creature. Frankenstein gets frightened after the created the creature, so he leaves the creature in fear, only when he returns the creature is no longer there.
Frankenstein is a book written by Mary Shelley about a man named Victor Frankenstein and his life and how it came to be. He had created a monster and brought it to life by studying and learning natural philosophy. Mary Shelley brought the emotions forward from the main characters by the amount of detail she put into the book. Most of the detail was brought in by the suffering that happens throughout the book caused by Frankenstein’s monster. The monster in this story is a tragic figure that is the main cause of suffering that occurs to everyone.
In Philip Pullman’s adaptation of Mary Shelley’s ‘Frankenstein’ , it clearly shows that he encourages the audience to feel more sympathy for the Monster and not Frankenstein. This is because of the way people describe the Monster and say extremely violent things to him, such as death threats. The Monster states things in the story so the other people understand the hardships he has had but not everyone believes that it is worth feeling sorry for because of the way he is different to man. So it makes the audience have sympathy for him because they know what the Monster has been through and they know he has had gone through more exclusion from the public than what Frankenstein has.
Student: Omnia Saad Kamel (Code: 351) Emotions as a Feature of Romanticism in Marry Shelly's Frankenstein The overflow of emotions in Marry Shelly's Frankenstein defines it as a Romantic work. Emotions unify the characters at various points in the story, portray their individual personalities, and contrast them against each other. The influence of nature on the thread of emotions and how the inner feelings of main characters are interpreted by others emphasizes the importance of emotions to the Romantics.
Similar to any other conflict or struggle we undergo or face in life, suffering is an experience, and experiences always offer us something in return – whether good or bad. H. Richard Neibur states that suffering leads people to define themselves, take on character, and develop ethos. However, in this case, taking on ‘character’ is subjective, meaning that its effect can be defined by positive and negative circumstances. The outcome of suffering depends on a person’s capability of handling emotions and overcoming tough conditions. If the person’s strong enough and durable enough to take on a harsh unexpected events, then there is a chance that this person may see the light and overcome the missions with great attributes to share.
