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Hitchcock Vs Auteur

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Ideology: is an indirect way of looking at the vision of the belief system of what the film is conveying. Referring to a set of values that which is commonly interrelated with politics that reflects on a single person, a class or culture about how one see the world and how they should each other in it.
Auteurs: Is the most recognizable practiced and pervasive theoretical forms to writing a film. This is an artistic form to express the ideas and feelings of one person, usually the director or dominant figure. The indelible stylistic traits that link the style of their films together making the director known for their type of film such as John Wayne and westerns, Woody Allen and comedy, Arthur Freed with his musicals and Alfred Hitchcock is
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Perhaps arguably one of the most influential and controversial directors in American Cinema History, Spike Lee's filmography has become woven into the fabric of urban cinema. Like fellow directors such as Martin Scorsese and sometimes rival Quentin Tarantino, Lee's unique style of cinematography has both transcended and placed emphasis on appreciation for his respective cultural aesthetic. Many urban directors can attest that their respective styles in film and even music videos all come from or are inspired by Spike Lee. Aside from his ever creative filmography, it can be said that Lee's personal perspective shines most in his documentary work. Known generally to be outspoken, Lee's documentary work has historically touched on socio-political

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The term auteur was introduced for the first time in the famous 1954 article “Une Certaine tendance du cinéma français” (“A Certain Tendency of the French Cinema”) , which was written by François Truffaut and was published in the French magazine Cahiers du cinema (Notebooks on cinema). Truffaut along with the editor of the Cahiers magazine, André Bazin, as well as other film critics such as Jean-Luc Godard, Eric Rohmer, and Jacques

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As authors use literary devices to create meaning and convey themes within their texts, directors use movie techniques. A technique like lighting can be used to characterize, while visual symbolism can allude and foreshadow,

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In the French New Wave Movement, Truffaut’s THE 400 BLOWS is a landmark and most important in the emergence of auteur filmmaking. With the help of this autobiographical concept, Truffaut has explored his own childhood that how the film director is also the film author. Among many film historians, French New Wave movement remains changing a collection of names, dates and films because of every film historian had its own definition of movement. In this aspect, many critics launched a theory called as the auteur theory which stated the notion that a director of the film is also the author of the film. In doing so, Cahiers du cinema authors realized that their own cinemas had bogged down by the ancient ways, which was not awareness to the film

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The word genre comes from the French word for 'class ', (Chandler, 1997). Film genre refers to a specific style or subject matter. A movie may have several different components that may make up a specific genre. Genres makes it easier for the audience, as the categorization of genres lets the audience pick what sort of movie they would like to watch. Film genres give the audience information into the type movie it may be, this in turn helps them to decide whether the movie is suitable for them or not.

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: For my presentation I have chosen to examine Steven Spielberg and what stylistic features he uses to make himself considered as an auteur. An auteur is a director that has a unique style in filming and has complete control of the production process of the film. The three films that I have chosen to focus on are E.T. The Extra-Terrestrial (1982), A.I. Artificial Intelligence(2001) and Close Encounters (1977). These are three of Steven Spielberg's most known films.

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Auteur is the french word for author and is a term given to those far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism, doubleness, and the famed magcuffin, as can clearly be seen in the film "Rear Window" as well as "Shadow of a Doubt". Hitchcock also showed immense dedication to the post and

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"Film as self-expression" is an important concept in the analysis of media products because it allows the viewer to gain a deeper understanding of the filmmaker's personal vision, intention, and creativity. By recognizing the film as a reflection of the filmmaker's own experiences, beliefs, and artistic choices, the viewer can gain insights into the themes and messages being explored by the film. This approach is particularly useful in understanding independent, art house, or personal films where the filmmaker has more control over the creative direction of the project. By focusing on the filmmaker's self-expression, the viewer can gain a deeper appreciation for the film as a unique and personal form of artistic expression.

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Genre is a label that categorizes a film to the audience, but not to assess the artwork. It can be defined as a hint or trigger that makes the viewers willing to purchase the tickets and to spend their leisure time watching it. Sometimes movies contain more than one genres which is hard to be identified. Nonetheless, Singing in the Rain and La La Land, the two well-known musical films had created great impacts in the musical movie industry. Both films use “singing” to create love stories along with the plots and cinematographies by making the female character the famous movie star at the end.

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For the film industry, genre is a category that classifying similar films together roughly based on their similar story content and generic formulas: fixed pattern of the way the story is described. There are many kinds of film genre, such as action, romance, comedy, musical, horror, science fiction and so on. Different film genre has different particular format of context, way of narration, purpose and audience. Under the category above, there are more sub-genres grouping by years and period, by country and languages (national cinema), by series (the Harry Potter series), by style, by narrative structure (narrate from the beginning or the end, narration interspersed with flashbacks), by purpose (tragedy and comedy are designed to let audience feel different emotions), by audience (animation is usually for

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They experimented with various editing and visual styles and techniques similar to that of the Italian Neo-realists By the late 1950’s the new wave directors had gained enough acclaim to move up to feature films. Elements of the French New Wave have been absorbed by the modern film industry and many unique styles and techniques are still present today. However, the New Wave did more than just contribute some new film techniques. The French New Wave created a societally and intellectually engaged cinema experience. The status of films became prestigious in a sense that they could spark political and social engagement and debate.

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This premise states that a director has to develop a personal signature or personal style that is identifiable across all his or her films in order to be considered as an auteur. This is displayed by showing recurring, themes, motifs and habitual characteristics of style in their films. The third, and last premise, focuses on the “interior meaning” of the film. This refers to the relationship between the director and his influence on the interior meaning of a film. In order for any director to be labelled as a true auteur, he or she has to successfully tick off the above mentioned three premises of criteria in their films.

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This isn’t the most realistic, as there is usually more than one individual working on a film, but the director is considered to be the guiding force. An auteur is one that has a distinct style and is one that can create films that are both commercially and aesthetically pleasing. A good example of an auteur film is The Godfather. Sarris states that an auteur is one that has a that can create both commercially and aesthetically pleasing films, and Coppola transformed a story fit for a low-budget gangster film, into something far more.

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There was never a definite moment in which I knew I wanted to follow a career in medicine. I think for me it was a gradual realization, as if I was born to pursue this dream. I understand that many people feel as though they are destined to become doctors or surgeons, but I believe my determination and dedication to pursuing this career is unique for the many things that have influenced me to become interested in medicine. Some of those influences include my sister, who is now a pediatrician, or the fact that I have seen Grey's Anatomy three times, or the medical mission I went on that gave me a true appreciation for the power of healthcare. I have been lucky enough to have experienced medical care around the world and I have had the chance

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The Auteur Theory-Intro Part Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to avoid the rules of the studio system and create films that were distinctively their own.

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