Homer's Ares: The Greek God Of War
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The gods are aware about this rift and tension amongst each other as well. “We gods get the worst of it from each other…” Ares says this in his lament with Zeus, expressing his anger of how the gods conflicting wills are causing them to oppose each other and go to drastic measures just to see the other lose. This is shown when he follows by insulting and complaining about Athena as if it was her who had wounded him and not Diomedes. “Why did you have to give birth to that madwoman, your marauding daughter who is always breaking the rules?” This stresses that Ares’ anger is directed towards Athena, thus showing the strained relationship the gods are experiencing as a result of the
Thousands of people join our military and risk their lives to fight for their country. After many years of fighting in war, soldiers are no longer who they used to be. When they return home, they are looked down upon, treated badly, and aren’t given the treatment needed to recover. The struggles and obstacles these veterans face on their journey home and once they arrive forever face. In the epic poem, Odyssey by Homer, it shows the obstacles a soldier has to face on their journey.
Someone once said, “War is a curse on humanity that never ends.” Liam O’Flaherty’s “The Sniper, Homer’s “The Odyssey”, and Tim O'Brien's “Ambush” show that war is a curse in different ways. Firstly, Liam O’Flaherty’s “The Sniper” shows the first part of the the curse of war: war tears families apart. In “The Sniper”, a young sharpshooter faces off against his target, another marksman. The sniper gets shot in the arm, but manages to kill his target using his revolver.
Ares's fight with Hercules was the most popular myth. cults of ares are found mainly in crete and the Peloponnese where the militaristic Spartans honored him. ares appears in what one might call bit parts, overshadowed by heroes or other gods and in many battle scenes in greek mythology. in the illiad ares is wounded treated and returns to the fray. there was a myth in the story about Cadmus and the founding of thebes.
The Odyssey is often cited as an epitome of the hero’s journey and the monomyth. The hero of the story, Odysseus is on a 10 year battle homeward from the Trojan War to see his wife and son again. With the help divine intervention, Odysseus is able to return home and save his wife from the evil suitors who have continuously tried to win her. One could easily argued that Odysseus is an exemplar of the hero, but there is another story: Odysseus is the opposite of a hero and is not worthy to be called such. He is the villain where the gods are the hero.
Apollo, son of Zeus and Leto, is often called, “the most Greek of all the god” (29) for his beautiful physique and music. Hercules is too the Greek’s hero, because he represents the “classic hero”, with lots of strength, courage and emotion. What isolates Hercules from other Greek heroes is his compulsion to mend what he think to be his mistakes, though are not always his. Since the gods rarely receive punishment for their mistakes, Hercules must suffer at the expense of Hera, though it was her jealousy that truly killed his family. However, Hercules feels it his doing, so he quickly attempts to cleanse himself of his actions, by killing himself; “Shall I spare my own life then?”
In ancient Greece religion was an important facet of everyday life as well as an essential aspect of warfare and battle. Soldiers in ancient Greece frequently sought support from the deities to ensure a safe and conclusive victory through ritual sacrifice. Sometimes warriors even had to sacrifice multiple times to ensure support, even if this meant postponing battle. Religion did not only dictate the time in which one could begin a battle, but times in which battles could not be fought at all, that is during festivals and religious games. Religion also dictated spaces in which battles could not be fought, in holy sites such as temples, and spaces in which battles should be fought, something that could be decided through the interpretation of religious prophecies.
These concepts can even be applied to ancient societies in Greek mythology. Many gods were blinded by the desire of having authority over others or being feared by their competitors and fellow civilians. The god’s persistent angst over this idea of sovereignty consumed them and morphed them into beings filled with vain. The gods are figures of tyranny because of their obsession of power leading to the perpetration of sociopathic acts such as Cronus killing his father, Uranus, Athena challenging Arachne causing Arachne’s death, and Aphrodite scheming against Psyche. One god that made it his cardinal ambition to achieve and maintain high power was the son of Uranus and Gaea, Cronus.
Homer’s The Iliad proves that Hector and Achilles have vast differences but, their few similarities are some of what we see a lot throughout the epic poem. Both Achilles and Hector have their certain strengths and weaknesses, which are noticeable countless times throughout the conflicts that come up in the Iliad. These two characters have distinct differences in their approaches to fitting the noble form to which they both attempt to achieve. Nevertheless, regardless of their differences and the fact that their armies are rivals and are brought to each other with execration in battle, they also have numerous identical traits which reasonably show the comparison between the two men, Hector and Achilles.
Ares was considered as an ambivalent god by the Greeks, they saw him as both good and evil to the people. Even though he represented the physical bravery and courage in battle that is needed to win a battle, he also represented the insatiable blood lust and savagery of war. His evil demeanor was further embellished in Homer’s “Iliad” where he fought alongside the city of Troy. When the Trojan War broke out, the gods split into pro-Greek and pro-Trojan factions. Ares, at first, didn't care and had no strong feelings for either side, so he promised his own mother and sister that he would fight alongside the Greeks with them.
The relationships between the Greek gods and mortals have always been complicated. The gods can be generous and supportive, but also harsh and destructive towards the humans. They claim to be all powerful beings with unlimited power and influence, but in truth, they are far more human than they are perceived. They meddle with human lives, not because they are wise, but because of their own selfish reasons. In Homer’s
The Epic Hero of The Odyssey The Odyssey is a tale of a great hero trying to get home. An epic hero. An epic hero is a courageous and honorable person. Homer’s character Odysseus exemplifies this in many ways.
The Glory of War One can make a strong argument that The Iliad seems to celebrate war. Characters emerge as worthy or despicable based on their degree of competence and bravery in battle. Paris, for example, doesn’t like to fight, and correspondingly receives the scorn of both his family and his lover. Achilles, on the other hand, wins eternal glory by explicitly rejecting the option of a long, comfortable, uneventful life at home.
The dramatically different ways in which Homer and Virgil depict defining moments within their epics, perfectly sheds light upon the different intentions of between their epics. Even in spite of Homer’s work serving as a clear influence to Vergil’s work, the varying intent of the two epics lead to a completely different story. In essence, the purpose for Homer’s epic is primarily to entertain the audience, while the other is to serve as a piece of political propaganda and affirm the greatness of Rome. Furthermore, the different depictions of the underworld, along with the imagery adorned on the shields also communicate another key difference,which is the author’s perspective on the purpose of life. Overall, regardless of Homer’s influence
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