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Yet her refusal to do so prevents her growth. She instead chooses to sit by her window and miss something that she can no longer have. Esperanza throughout the novel does the same. She misses a home, even though at that moment her home is Mango Street. She is constantly repeating throughout the novel that Mango Street is temporary and not her home.
Esperanza’s house on Mango Street is not the house she dreamed on when she lived on Loomis Street, not the kind of house her parent’s talked about, not the house she wanted. Her house on Mango Street is a small, red house with even smaller stairs leading to the door. The brick are falling out of place and to get inside, one must shove the door, swollen like Esperanza’s feet in later vignettes, open. Once inside, where you are never very far from someone else, there are small hallway stairs that lead to the only one shared bedroom and bathroom. This house is just, “For the time being,”[5] Esperanza claims, for this is nothing like the house she longs for.
Esperanza and her family are always moving because they do not have much money, but they finally moved into a house on Mango Street where they “Don’t have to pay rent to anybody, or share the yard with the people downstairs, or be careful not to make too much noise” (703). Although it sounded like a nice place, when a nun from her school saw where Esperanza lived, she said, “You live there?” (703). That made Esperanza feel like nothing and made her realize she needs a real house, one that is really nice. Esperanza wants to change her life and make the best of what she has.
In the novellas; A Portrait of the Artist as a Young Man, and The House on Mango Street both of the main characters have a difficult time fitting into their society. Esperanza, from The House on Mango Street, is ashamed of where she lives. Stephen, from A Portrait of the Artist as a Young Man, does not even fit in with his family. Both novellas show that it is possible to find yourself and not fit it, and that it is okay to be different. Esperanza and Stephen have overcome the difficulty of not fitting in, finding themselves and a future, and the courage to be different.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
In chapter two of the Scarlet Letter, Hawthorne alludes to the Virgin Mary, “Had there been a papist among the crowd of Puritans, he might have seen in this beautiful woman… an object to remind him of the image of Divine Maternity”, (Hawthorne 53), to compare her to Hester Prynne. Mary was the mother of Jesus, a sinless being who came to save the human race. Because Jesus was conceived before the wedding, her fiancée Joseph considered divorcing her quietly (they had to divorce even if they were only engaged back then) (Matthew 1:19). While Jesus has both an Earthly Father and a Heavenly Father, he didn’t have a biological father.
Believe it or not, people are not entirely unique. It is certain that no one is truly the same as another person, but it would not be ridiculous to think that everyone does in fact share many similarities. After all, the majority of the population grows and develops opinions or values based on what they see or hear. For Esperanza, the protagonist of Sandra Cisneros’s, The House on Mango Street, the perspective she has is built upon her childhood on Mango Street. This coming-of-age novel illustrates how Esperanza’s experiences on Mango Street play an important role during her period of growth.
In the book, The House on Mango Street, Esperanza is portrayed as a young innocent girl that drastically changes over the course of the book. Esperanza is new to mango street and encounters many challenges but also positive experiences that she is able to take away from mango street. In order for Esperanza to transform as a human it was inevitable for her to face the struggles on mango street. As Esperanza matures throughout the novel she experiences three major developments that shape her future through the awakening of maturity, responsibility and her awakening of her interest in poetry.
Throughout the book, Esperanza reflects on how she was told that one day she would have an amazing, beautiful house all to herself and her family. She wrote, “But the house on Mango Street is not the way they told it at all. It’s small and red with tight steps in front and windows so small you’d think they were holding their breath” (4). This means that he took her parent’s word to heart and expected her next house to be the standard that they had created. Her expectations were too high with no support that they would be true.
Many people are undermined by the drawbacks of belonging to a low socioeconomic status. In The House on Mango Street, Esperanza is raised in a poor, Latino community, causing her to be introduced to poverty at an early age. This introduction of poverty affects Esperanza in many ways, one including that she is unable to find success. Esperanza struggles to achieve success in life because the cycle of poverty restricts her in a position in which she cannot break free from her socioeconomic status.
You live there? She responded. You live there? The way she said it, made me feel like nothing". This quote reinforces the fact of how apprehensive and shameful Esperanza is during the beginning of the story, where one can clearly see the state of insecurity of Esperanza.
In the House on Mango Street, Esperanza is seeking for an identity of her own. In her current neighborhood, she struggles with economic, cultural, and gender based barriers to personal growth, and she believes that changing her surroundings is her solution; however, she realizes that to discover her identity, her ultimate destination is a home in the heart. The house on Mango Street was one that was the opposite of what Esperanza had dreamt her entire life. The house is, “…small and red with tight steps in front and windows so small you 'd think they were holding their breath... bricks...crumbling in places, and the front door...so swollen you have to push hard to get in". (Cisneros 5)
“In the meantime they’ll just have to move a little farther north from Mango Street, a little farther away every time people like us keep moving in (Cisneros 13).” This quote is a significant part of the story because it shows how Esperanza truly feels about herself and her family. She thinks that because she is poor and lives and a bad neighborhood people move away from her family. Esperanza doesn’t think very much of her or her family at all. She thinks that it is because of their race that people do not want to be near them.
(Cisneros 109). This is a radical change from the first vignette, in which she says that the house on Mango Street is not a real house. Esperanza says it isn’t a house you can belong to. It also states, “One day I will pack my bags of books and paper. One day I will say goodbye to Mango.
“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence.
