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How Did Martin Decide To Kill

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Deceived by a Saint Mr. Erwin Martin’s established reputation is of one who can do no wrong. He doesn’t even smoke, but strangely, Mrs. Ulgine Barrows’ life is in his hands. He is only going to “rub her out,” because she is a threat to his place in the workroom (1). This is his justification for murdering her. Although he is debating whether murder be necessary throughout the story, he decides to kill her. Analyzing his plan of action, thoughts in his head, and final chat with the victim he implies he was at her home to finish her off. In the beginning, he is purchasing a pack of Camels. Those who worked with him said he was their “ most efficient worker [who] neither drinks nor smokes.” So it seems odd that he would buy them and even
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The Worst Crime: Matt’s or Richard’s “Killings”, written by Andre Dubus, illustrates how the death of a loved one may lead to dire consequences for all the parties included. Matt Fowler’s son, Frank, was murdered in cold blood by a jealous soon-to-be ex-husband, Richard Strout. When the death of Frank sunk into the lives of the Fowler’s, Matt believed he had to retaliate in some sort of fashion. The sort of fashion he chose was to seek revenge and kill Richard for his wrongdoings, which he did. Some people believe that the murder committed by Richard Strout can be considered more serious because of his act of passion and his lackadaisical style of living without worrying about his future.

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“Why for instance, does Anders not find the “Rape of Europa” imitation on the bank’s ceiling to be a gratifying thing? As a literary critic-a custodian of high taste-Anders should have been pleased by the fact that the architect thought it to be suitable to decorate the lobby with classical images rather than something less exalting, less demanding of its patrons”(144-161). This painting is what caused Anders to hysterically laugh, infuriating the robber, which led to his slaying. However, it took Anders being shot in the head to perceive that he could have been a better person. Anders was able to remember the person he once was.

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Reverend Arthur Dimmesdale, one of the protagonists of Nathaniel Hawthorne’s novel The Scarlet Letter, stands as a highly conflicted character. The source of his divide stems from the consequences of private sins, and is prevalent within the first paragraphs of Chapter 12, “The Minister’s Vigil,” where the narration chronicles Dimmesdale’s surroundings as he dream walks through the town in a state of limbo. He is portrayed as a model citizen who lacks moral imperfections to the general public yet suffers privately from the juxtaposition of his sins to his position within the community. In this specific passage, Hawthorne uses somber diction and imagery to illustrate Dimmesdale’s strife, while portraying his internal conflict through the formation

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In the short story “The Minister’s Black Veil” and the novel The Scarlet Letter, Nathaniel Hawthorne tells the stories of two men who keep their sins secret and are hurt deeply. In The Scarlet Letter, Reverend Dimmesdale does not reveal his sin to the community and experiences far more pain than Hester, whose sin is revealed. Years after the original sin, Hester has healed and is accepted by the community, while Dimmesdale still feels guilty, as can be seen when he mounts the scaffold. Dimmesdale’s experience is similar to that of Reverend Hooper, who covers his face after a secret sin and is eschewed by the community. When we refuse to admit our faults, we will feel guilty

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On at least one other occasion in seventeenth-century New England, the admission to church membership of a woman with a checkered sexual past fomented an uproar among her neighbors. The same could well have happened in the case of Martha Corey, causing speculation about the validity of her reputed adherence to Christianity,” this shows that the trials were mostly due to hight standards and a rigid culture in where people were discriminated against. The arrival of Parris’ traditions and prejudices made it possible for all the outcasts to be blamed of witchcraft and therefore a type of genocide was occurring in which people were targeted according to how well they fit in society. The

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In John Steinbeck’s novel Of Mice and Men, George and Lennie are best friends and are always together, but George kills Lennie. Lennie was touching Curley’s wife’s hair. He did not let go of her and accidentally snapped her neck. Curley and the other workers go after Lennie, but George gets to Lennie first and shoots him. George was wrong in killing Lennie because he did not mean to kill Curley’s wife, and both Lennie and George could have ran away like they did in the beginning of the story.

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Day after day a mom takes care of her daughter, hoping to alleviate her daughter’s pain and suffering. The mom hopes and prays that her daughter will get better, that her health will improve somehow. Unfortunately, day after day, nothing changes. Day after day, they receive the same results. Her daughter looks at the mom with a pleading look in her eyes, begging the mom to put her out of her misery, a cry for help to end her anguish.

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As such the weight and burden of his sin only grew stronger. Dimmesdale desperately tried to relieve his guilt by “...inflicting a hideous torture on himself,” (Hawthorne 234) but to no avail. The only way Dimmesdale could have helped himself was by confessing his sin to the public, and that is what he did. However, when he did confess, the weight and guilt that built up inside were so immense that his confession was Dimmesdale’s “... [the] final words [that] came forth…”

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Arthur Dimmesdale, the minister, a clergyman had committed the horrid sin of adultery, the same sin as Hester. Dimmesdale’s holy affiliation gave him a kind and pure disposition and this was solidified by his dimwittedness, making him seem almost childlike. By having a character with these qualities, Hawthorne contradicts the stereotype he has set up by having Dimmesdale be “unworth... [y] to [complete his] humblest mission” (71), a quality virtually unheard of among ministers. The author then has Dimmesdale confess his “sin so awfully revealed!”(211) in order for both Hester and Dimmesdale to redeem themselves of sin and restore the goodness.

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He first noted the Saints delinquent behavior and connection with society. The Saints were able to skip school daily by informing their teachers they had meeting and promptly leaving school grounds in their cars. They would then, usually, either go to the Pool Hall or a Café. At the Café they would torment the employees by purposefully knocking over their drinks or causing general mischief. They were permitted to perform these behaviors because the Café relied on their business.

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For what reason, one may ask; well, the terrible truth is that he killed because of his own delusions. He killed the man because of the man 's "vulture eye." However; it was not just on a whim that he murdered him, no, he spent many nights planning the victim 's demise. Throughout the whole story, it gives off undeniable vibes of suspense and intensity, which is further built by dramatic irony, along with desperate and delusional tones in which he speaks.

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In 1682, Roger North spoke touching on the significance of the execution of the accused witches like the elderly. North described how it was dire for the judge’s to provide justice to those who have been depraved by the devil’s work who of which pose a great threat to the innocent common people (Document 4). In this instance, the unaccused class (like North) withholds a higher social hierarchy who use manipulation to denounce others lower than himself (like the elderly) to maintain their social status in individual security. Correspondingly, W. Fulbecke composed a document disclosing the civil law should be involved in uncovering and exterminating the elderly. Fulbecke persuades how elderly spirits have been corrupted and taken over by evil and uses the elderly’s sickness as evidence for his clause.

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The demonstration of the narrator's imagination unconsciously leads his own thoughts to grow into a chaotic mess that ultimately ends in a death. By murdering, it’s his own way of finding peace. He is portrayed as being a sadist, sick man with an unnatural obsession for

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His heart had grown so cold that he cannot give her mercy, so he rather decided to kill her with a clean spirit, to get the love and mercy from elsewhere. On that note, a guiltless death she dies (V,ii.

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