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How Does Bram Stoker Present Evil In Dracula

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Bram Stoker’s horror mystery novel Dracula, perfectly portrays the ability that evil has to overtake good. With many examples of contrast and similarity, as well as symbolism, Stoker gives us insight into Lucy’s loss of innocence and the part that evil plays within the book. There is a large difference between Lucy alive, and after passing, displaying good vs. evil in the novel. The author also uses blood as a symbol, staining the white that she wears, just like the blood Dracula has given to stain her good name and turn her into his fellow vampire vixen. With the use of literary devices such as oxymorons, we can see distinct contrast, but also find similarities within imagery and description. Stoker uses symbolism and contrast to show the loss of purity and innocence within Lucy.
Lucy is always characterized as being soft, sweet, and gentle in her nature. …show more content…

Lucy has the same effect on Seward, Van Helsing, Quincey, and her love, Arthur. This is a shocking sight to them as they have only ever seen Lucy as the petite, romantic character that she is. There is quite the contrast between Lucy alive and Lucy as a vampire, Stoker uses imagery in this scene to bring out the large contrast between chapters, but he also uses imagery to show similarity between Lucy and Dracula. When Stoker writes: “Lucy’s eyes unclean and full of hell-fire” (234) he is showing similarity between the Counts description in previous chapters and Lucy after death. Lucy’s appearance and description after being bitten by Dracula can be compared to that of the three vampire women shown before back at the Count’s Castle. This is especially present when Stoker writes “The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous wantonness.” (233). The old beautiful, graceful Lucy has now changed and “if looks could kill” (235) her new appearance would definitely do the

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According to the Victorian Web, a new and budding author named Bram Stoker entered the world in the year 1847, on the eighth of November. From a young age, Stoker loved to read about folklore, and later on in life he aspired to be an author. Although Stoker published several stories, only in the year 1897 did he publish his most well-known novel, Dracula. After this success, Stoker went on to write several other novels, and eventually died in the year 1912. (Scarborough)

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The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).

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Dracula has been famous by many people for centuries and count Dracula has become a major figure of horror movie and novel that it also has become one of the most popular characters to cosplay in Halloween. Because of its popularity and existence as representative character in field of horror, many scholars have been analyzing in various ways to find any hidden meanings beyond its massive plot. The novel, Dracula, brings up many different meanings according to how it is analyzed. Analyzing sexuality in Dracula is one way to figure connotative meanings out from Dracula. In this perspective, I would like to identify the desires of Victorian in that period through sexuality represented in the text.

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As Mina is pushed away from helping the men defeat Dracula, she has been put in danger as there are hints that Dracula has been visiting her in the night. When Dracula does visit, he forces Mina to drink his blood making her impure as “her white nightdress was smeared with blood” (322). This ended going against everything that the men were trying to save Mina from. In efforts to keep Mina from the battle against Dracula, she is thrown right into the middle unwillingly. In the journal, Desire and Loathing in Bram Stoker's Dracula idea that it suggests is that the men “don’t want her help because of her suspected telepathic link with Dracula, and, finally, they regret not letting her in on their hunting and bring her back into the fold” (Rosenberg).

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But while I wondered, the driver suddenly appeared again, and without a word took his seat, and we resumed our journey” (Stoker 10). It is through the paranormal activities like this one in Romania, that we understand the full potential of the power of Count Dracula. Often times, the abnormal activities occur at night, when the powers of the evil forces are at their maxim power, rendering any victim nearly helpless. In contrast, Bram Stoker chose England to be a place of

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In Dracula, Bram Stoker uses the mingling of blood and its symbolic meaning to convey an erotic male to male bond in nearly all of the male leads; with Van Helsing being the orchestrator of nearly all the male dominance in the novel. Blood is used as a symbol for this connection due to its duality between life and death. This lewd connection serves as a device to strengthen the novel’s overall theme of Dracula being the embodiment of real world horrors, mainly the terror that is the modern patriarchy. The blood transfusion was a very new procedure in nineteenth century England, yet the procedure takes up a massive amount of the middle third of the novel.

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Whether it 's an alien planet or a spooky house in a forest, setting often plays an important role in establishing meaning in stories. The setting is responsible for creating the mood and developing characters throughout the story. In some cases, the setting could even serve as a symbol, but most importantly the setting helps keep the story stay focused because if there was no setting, the story would cease to make sense. In Bram Stoker’s novel Dracula, the story begins in a hidden castle that is owned by a mysterious man whom everyone in town is afraid of. When Jonathan Harker arrives at the castle it is dark, and he describes the house as being old, creepy, and uninviting.

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The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that

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At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the

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Conflicts inside of the mind of Dracula Social groups and norms are an important aspect of lives in a society, but with that life in social groups and with social norms comes social roles and social expectations. Those social roles and expectations do not always work out together and in such a case a Intra role conflict, a conflict that happened when the expectations of your peers or people around conflicts with your own expectations, or an inter role conflict, a conflict that happens when your expectations to yourself do not meet the reality of your human nature and the conflict of human mind and primary needs. All these conflicts and fight for control inside of the human brain affect who we are and what we feel like and what we are capable

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Fear is an unpleasant emotion caused by the belief that someone or something is dangerous, likely to cause pain, or a threat. In Dracula, by Bram Stoker, Stoker creates an atmosphere and setting that causes fear and dread throughout the story. Jonathan travel to Transylvania and the evil feeling causes fear, Lucy’s tomb causes fear in the people in town, and the on the way to the castle and where it’s at causes fear. First, Jonathan Harker travels to Transylvania for a business trip and ends up trapped in Count Dracula’s castle. On his way up to the castle, Jonathan gets offered objects to protect himself against evil.

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Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,

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The novel reveals a lot of information about Victorian sexuality. Undoubtedly, sex plays a big part when discussing gender roles. In the Victorian era, women who show sexual tendencies or desires are considered impure. When Lucy is sick, Dr. Van Helsing is desperate to supply her with blood. He describes a blood transfer as an intimate transaction.

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Time, place, and weather play integral roles in the composition of Dracula by Bram Stoker. Setting helps to tell the story, however it also adds to it by changing the mood and incorporating foreboding details. Furthermore, the mood of the story as defined in literary devices, “… refers to a definitive stance the author adopts in shaping a specific emotional perspective towards the subject of the literary work. It refers to the mental and emotional disposition of the author towards the subject, which in turn lends a particular character or atmosphere to the work.” Bram Stoker connects both the setting and mood in the story by incorporating a dark and dreary setting to the characters thoughts and actions in the novel.

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