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How Does Catherine's Decision To Marry Linton

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In section one of the reading, Emily Brontë develops the meaning of marriage through Catherine’s decision to marry Linton. Although she truly loves Heathcliff it “would degrade [her]” to go and marry him (Brontë 148). Catherine believes that marrying Heathcliff would bring down her status. She chooses instead to marry Linton, looking beyond the fact that they share nothing in common. She even acknowledges the fact that her love for Linton will grow dry like “winter changes the trees” (Brontë 152). Because they do not have a connection like her and Heathcliff, her love for Linton will die over time. It is clear that Catherine would rather be the talk of the neighborhood than be in a relationship with someone she deeply loves. Her decision to
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Bronte highlights in the novel that Cathy has romantic feelings for both Heathcliff, and Edgar, but ultimately Cathy is only able to be with “soulmate” Heathcliff after they have both died. This highlights how the pressure, and traditions of society meant they were unable to be happy when they were alive, and after their death they are finally able to be together. It also shows that their love was not understood by society on Earth, and therefor to be truly happy together they had to wait until after death. Like Jay, few people attended Heathcliff’s funeral, however after his death he finally attained Cathy’s affection. Heathcliff and Cathy are aware that they will only be truly happy when they can be together, alone after their deaths.

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In reality, Heathcliff does not know that Catherine still cares about him. “It would degrade me to marry Heathcliff... whatever our souls are made of, his and mine

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Catherine becomes the same level of Hareton’s social class thanks to a decision made by Heathcliff, before his death, that forces her to stay at Wuthering Heights to help around the establishment. Significantly, this action eventually allows for both of Hareton and Catherine to see that they are in the same predicament, and if they want to survive, they must stick

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Unlike previous readings such as Plato’s Symposium or Aristotle’s Nicomachean Ethics, Wuthering Heights tells us how harmful love can be. In the previous readings, we are told of how love is good and virtuous. For example, Phaedrus argues that love would empower those in love to bring out the best in themselves through his example of an army. An example from the Nicomachean Ethics would be how Aristotle mentions that those involved in the highest form of friendship would behave in a virtuous manner. However, none of these attributes seem to arise in Emily Bronte’s book.

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At the beginning of the novel, Catherine is described as a wild and rebellious child. However, that changes after her stay with the Linton’s. When she returns from her stay her “manners were much improved,” and “instead of a wild, hatless little savage jumping into the house…there lighted from a handsome black pony a very dignified person, with brown ringlets falling from the cover of a feathered beaver, and a long cloth habit which she was obliged to hold up with both hands that she might sail in” (46). Catherine was tempted by the way of life the Linton’s lived and, to fit in, has concealed her wild and rebellious nature. She confides in her housekeeper that she loves Heathcliff, but can’t marry him because it would “degrade” her (71).

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This prevents her from painting what the popular eye can see, and the popular heart can feel (THE NOVELS).” While the Austen’s marriage proposals tend to leave some readers emotionally dissatisfied, this plainness is purposeful in that it highlights the main themes of Austen’s works and comments on marriage itself. This intentional blandness is strongly present in Northanger Abbey and Sense and Sensibility; while the proposal scenes in both these works seem rushed and occupy a small space at the end of the novels, they both reflect the growth of their respective heroines. Marriage proposals in literature are often a heightened point of the work, embellished with great detail and passionate, direct discourse. For instance, In Charlotte Bronte’s Villete, after chapters of heartache and loneliness, heroine Lucy Snowe has a moment of respite as M. Paul Emmanuel takes her hands and warmly whispers into her ear,

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For this reason, she marries Edgar Linton the antagonist man character of Wuthering Heights who can provide Catherine with wealth and the new life she wants. In this way Heathcliff is major male character of this classic novel, he falls in love Catherine but she is married to the other man. He is embodiment of Byronic hero that has all negative personalities. He is devilish and revengeful lover at the same time he is passionate lover.

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She admits this situation to Nelly, their servant, and nurse in Wuthering Heights like this: “I’ve no more business to marry Edgar Linton than I have to be in heaven; and if the wicked man in there had not brought Heathcliff so low, I shouldn’t have thought of it. It would degrade me to marry Heathcliff now” (Brontë 71). When Heathcliff hears this conversation he leaves Wuthering Heights and does not come back for three years. After he comes back, he is a wealthy. He also upgrades his class to get marry with Catherine.

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Jose Gutierrez Professor Torres English 2323-107 3/19/18 Did Jane Austen Believe in Love or Marriage? Hall, Rebekah. “Pride and Prejudice and the Purpose of Marriage.” Pride and Prejudice and the Purpose of Marriage, Forbes and Fifth, University of Pittsburgh, 2016 www.forbes5.pitt.edu/article/pride-prejudice-and-purpose-marriage This article is written for and about Jane Austen’s novel “Pride and Prejudice” and gives the explanation which is about how marriage is all about money and status.

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She has ripped his heart out and kept him waiting for all these years. This is when reason comes into play. Edgar storms into the room just as Catherine loses all her strength. Heathcliff gives her to Edgar and tells him to take care of her and keep her safe. This shows that even though Heathcliff wants her for his own he is willing to reason with Edgar to keep his true love healthy.

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One thinks more of how society views them more than thee other. This demonstrates that marriage may often be more a matter of economics than of love, the examples of Marianne and Elinor show that it doesn’t necessarily have to be this way. And, insofar as marriage brings families together and creates new family units, it can create strong and lasting bonds of familial love. Elinor and Marianne ultimately do marry for love in the

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