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How Does Charlotte Bronte Create Identity In Jane Eyre

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In Charlotte Brontë's Jane Eyre, the name sakes principle of attaining and cultivating her independence and identity versus the pressure of what the world says her independence and fulfillment is found in, are the core source of conflict-internally and externally-extrapolating out Brontë's criticism of how women were and are regarded within society. Janes independence, unlike that of other women of the time, required "that she serve and sacrifice herself for a man whom she loves and who loves her in return" (Hagan 351). Throughout the book this mandatory need of hers gets partially filled by a few men and situations until the final encompassing of this comes to fruition in Mr. Rochester. However, complete submission to said situation or person …show more content…

Upon being told to find somewhere to dwell without making a peep, the 10 year old orphan ran to her safe spot- the window seat. The curtains enclosed her in their loving arms, leaving her to a small paradise of her own where her curiosities and love for learning went unpunished and were able to run rampant. That safe haven soon became shattered with the intrusion of John Reed forcing her to "come here" (Brontë 3). He beckoned her outside of her safety zone. Ultimately, she relented and came to his side only to be ridiculed and "struck suddenly and strongly" (Brontë 4). Despite this, Jane endured his passionate fists and condescending words and did nothing- not because this was natural but because this was ingrained in her. She, a young lady, needed to be submissive and obedient, not strong or independent; it was absolutely forbidden. However, when John "poise[d] the book and stood in act to hurl it, [she] instinctively started aside with a cry of alarm... the volume was flung, it hit [her], and [she] fell, [and] [struck] [her] head against the door and [cut] it," she recoiled like a furious serpent waiting to strike (Brontë 5). The extended passage, by way of comas, semicolons, and colons is literarily meant to mirror the incident-each phrase coming toward the reader like the book came towards Jane. Jane finally does strike back brutally and

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Ultimately, as a woman, she is a limited agent and can only do so much indecently. Jane breaks off from the domestic sphere to which she is confined

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Jane Eyre, a diary written by Charlotte Bronte, is told by the perspective of a young, fiery woman by the name of Jane, who comes into contact with two men. Two men who ultimately guide her towards two life paths, forcing her to choose one, leaving the other behind. In the novel, Jane is faced with the choice between two potential husbands, Rochester, the fiery man for whom she loves truly or St. John, a more icey, practical choice for Jane, creating an significant difficult choice. In the end, Jane chooses Rochester leaving behind St. John, which shows how Jane is better suited for Rochester because of their similar moralities, life goals, and indestructible bond. In the novel, St. John distinctly serves as a foil to Rochester, for he proves to the reader that their moralities are weaved into the final decision Jane is ultimately faced with.

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Meanwhile Mr. Rochester, Jane’s employer, also struggles with resisting the ways of society or being an independant. During the Victorian Era men and society had high standards of women and their responsibilities. The novel “Jane Eyre” proves this through the gender roles of money, social status, education and relationships. Jane herself proves this to be wrong by being a nonconformist and trying to be

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The fact that she has to remind and order herself to stay in the room and obey the wishes of Mr. Rochester alludes to the fact that she has an inner voice. Finally, Bronte highlights Jane’s inner voice with the imagery of a candle and how “the shifting obscurity and flickering gleam covered here or glanced there.” This quote illustrates the internal conflicts Jane is facing as she chooses to obey Mr. Rochester’s orders or follow her own instincts. Concluding this passage with rhetorical questions such as “What crime…?” and “What mystery…?”

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1537 Words | 7 Pages

(339) The reader is able to be hooked into the story by the amount of conflict there is between Jane and the rest of the children living in the house, John is the main aggressor in the story as well as Ms. Reed. Charlotte Bronte takes advantage of this conflict by immediately hooking the reader into wandering why there is such hatred from John to Jane. The conflict is inferred when Jane wants to be separated from the other children in the house. Bronte clarifies by giving multiple examples on the hatred from John.

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3174 Words | 13 Pages

It is ironic that Jane is seen as the guilty party in the incident with John Reed because John started the fight when he slapped Jane. Then when John’s sisters, Eliza and Georgina, go to “tattle tale” on Jane, their mother blames Jane for the whole situation. Jane compares John to a “murderer,” “slave-driver,” and “Roman Emperors” (Bronte 9). During this comparison, she is implying that he is a very cruel and awful person. That he would beat her and boss her around.

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Haadi Malik Mullins AP English & Literature/9th Period 18 October 2015 What is Wrong with Jane? Jane Eyre, authored by Charlotte Bronte, demonstrates, the issue of male superiority versus female independence, Jane’s and Rochester’s love for each other, and promoting the ideas of feminism in the nineteenth century. Throughout many events in the novel, Jane emphasizes that women are equal to men. For example, when Rochester proposes to Jane, she made sure that he agreed to look upon her as an equal.

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The two main characters, experience different childhoods and different love triangles that lead to very distinctive endings. Brontë’s Jane Eyre and Ishiguro’s Kathy H., both show the complexity of innocence throughout ones life through their contrasting takes on this concept. Brontë’s take has on this subject, suggests that innocence is something we shed in order to become adults. Ishiguro’s novel’s outlook sheds light on the grey areas between innocence and experience, proving a young girl’s coming of age is not that

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“I served both for his prop and guide” This represents a reversal in the roles of Jane and Mr. Rochester’s marriage that rebels against the typical relationship in the Victorian era where the man would typically be the “prop” for a woman. This theme of rebellion is constant and seen as positive throughout Charlotte Bronte’s Jane Eyre. One way that Jane’s rebellion is positive is that she leaves her abusive household and goes to Lowood. In chapter IV Jane explodes after her mother calls her a deceitful child.

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Jane's battle to make her voice heard and to express reality of her own involvement. Jane Eyre is especially the result of the particular time and place in which it was composed, a situation in which a lady, particularly an financially distraught one, needs to battle enormously with the goal that she may talk about her own vision of reality. As indicated by the commentator Maggie Berg, Jane Eyre mirrors the opposing way of Victorian culture, a general public that was on the move, and one in which individuals were compelled to find better approaches for finding and characterizing personality. The world that Charlotte Bronte possessed was overflowing with divisions. While a few ladies fomented for more prominent rights, society all in all commended the picture of the virtuous, benevolent lady, joyfully limited to the home.

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In Charlotte Brontë 's, Jane Eyre, we see a reversal of gender roles for both Mr. Rochester and Jane. In multiple scenes of the book the two switch back and forth from their “natural” roles, which ends up benefiting the two. In the story, Mr. Rochester, the big burly owner of Thornfield, occasionally drops his natural patriarchal role to become a feminine character. Jane also does this as she takes on a more masculine role from time to time, and drops her feminine complacency. While usually both characters dropping their gender-specific roles could turn out bad, in this story, dropping the stereotypical gender roles by blurring them leads to happiness by the end of the story.

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It likewise demonstrates to us that Jane is extremely inventive as she can read books and think in her mind that she is elsewhere other than her life sentence in her jail. Charlotte Bronte utilizes descriptive words and analogies to depict the 'red room' so it makes the peruser feel and have the capacity to envision that they to are in the red room. Additionally while depicting the furniture she generally makes them appear to be

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431 Words | 2 Pages

The titular Jane in Jane Eyre struggles to free herself from the power of others to achieve independence throughout the course of the book. As a child, she fights against unjust authority figures, and as an adult, she spurs multiple unequal marriage proposals. Bronte, through Jane asserts that a woman should be independent from others. When Jane was young, she tried to free and defend herself from unjust authority figures. When Jane 's aunt unfairly confines Jane to the Red Room, Jane launches into a verbal diatribe against her aunt.

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1019 Words | 5 Pages

Focusing on Jane’s journey, readers encounter a drastic spike in gothic imagery once Jane finally releases her repressed emotions, a technique Brontë revisits upon the entrance of Edward Fairfax Rochester, who entrances Jane to choose a whimsical life of passion. From the very beginning of the novel at Gateshead Brontë plants the necessary gothic elements to begin developing Jane’s struggle with expressing emotions. During Jane’s time with her relatives she is regularly abused, consequently becoming accustomed to choosing silence over rebellion. Albeit, once she finally succumbs to her anger and physically lashes out against her cousin, John, Jane finds herself imprisoned in the abandoned Red Room. Alone, Jane mentally questions the abuse

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1414 Words | 6 Pages

Charlotte Bronte takes us on a journey from the point which Jane Eyre, the protagonist lives with her aunt and cousins whom very much dislikes her in Gateshead to her going to a boarding school in Lowood, after which she becomes a governess in Thornfield where she falls in love with Mr. Rochester her employer whom she later finds out is married to a mad woman by the name of Bertha Mason, upon her discovery of this she picks up and leaves Thornfield, she then ends up at Marsh End where he meets her relatives. The novel carries us through ever important event in her life, which introduces us to new aspects of her personality, up until her eventual marriage to Mr. Rochester. The novel fits this theme as its protagonist chooses individualism as she refuses to take the role subservience as that of a traditional female of the Victorian era society, she stands up for her rights and want she believes in, she ventures in her own unique thoughts, and stands by her views even if it means disagreeing with those superior to her. Jane comments on the role of women in society and the greater constraint imposed on them. V.S Naipaul’s

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