and “How can I now do it?” allows Edward Stacey to put himself in her position. These questions paint Eliza as a pitiful invalid who is at the mercy of the
In these parts, we are going to review how Miranda uses factual information about Hamilton but states and expresses it in ways that characterize Hamilton in the musical and emphasize how he's worked hard for what he has. This song states "Eliza, I don’t have a dollar to my name An acre of land, a troop to command, a dollop of fame All I have’s my honor, a tolerance for pain” This piece of evidence shows how Hamilton basically has nothing but the mentality he is set with to become successful. This goes to shows how he's portrayed to be this confident hard-working character and Miranda does this on purpose to characterize Hamilton.
On page 67 he asks, “Blessed be God’s name? But why would I bless Him?” This quote is coming from the same person, who when asked why he prays, he replied with why do we breathe. Eliza was once a strong follower in Judaism, and although he questioned God, and the religion itself, his faith in God never truly went away. Once he was put in the traumatic situation of the Holocaust, his relationship with God was challenged, and
This shows that despite her efforts to show independence, she displays insecurity by assuming Jimmy will leave her in the first place. This is inversely related to the play because Estela finds validation within herself, whereas Ana seeks validation externally from a man. Both seems display an attempt at validation, but only in the play is the protagonist shown rejecting the idea of a woman’s validation of self-esteem being solely based on the opinion or desire of male
Reverend Hale’s character changes quite dramatically throughout the course of the play. The minister begins as a very book-savvy man, who looks to his books for the answers on how to extinguish the Devil from Salem. Within the numerous books Rev. Hale first presents to the others as they try to wake Betty, “the Devil stands stripped of all his brute disguises” and holds no power against that of a well-educated minister (37). This displays his faith in the books interpreted from God by mortal mouths, demonstrating how in the beginning of the play, Rev. Hale relies on mortal powers to reveal the truth that God already possesses. Furthermore, towards the start of the play, Hale possesses much suspicion towards John Proctor as he learns of his
Abigail Williams does not exactly change for the better. At the beginning of the play, Abby a very selfish and vengeful young girl.
Maudie’s dispute, Atticus walks in to everyone's surprise. When Aunt Alexandra is asked to accompany Atticus in the kitchen, she almost instantly asks what's wrong so everyone in the room can listen in. Aunt Alexandria tries to be a people pleaser but at the same time, wants things done her way. By asking what is wrong in front of everyone, she is satisfying the groups' gossip needs and therefore making everyone happier. She wants things her way because previously she makes Scout cry while telling her that the way she is acting is wrong and that Scout needs to have more pride.
To achieve this, she primarily focuses on the impact George's absence has had on the family. In this section specifically, Eliza uses repetition of the rhetorical question to appeal to her Father in Law's emotions, which is the art of pathos. Despite their debt, her family had also had to pay almost 80 extra pounds for legal fees and interest regarding the case, and without a man's income, there was no plausible way for Eliza to pay this off herself. Eliza pleads, "How can I survive?" (52), "How can I now do it?"
She tends to repeat the same dialog in this argument and through out the play which does not
She wanted real love and actively pursued that desire, proving her autonomy to all. However, this “real love” was tainted in a way she was unable to see, it was in fact seduction, not love. The seduction twists Eliza’s drive for independence and uses it against her. She attempts to decide her own fate, and society punishes her for it. The seduction ruins her name and her life, leaving her alone and with child, then eventually dead.
Secondly, Romeo’s death causes a major shift in the way people live would live in the future. After Romeo and Juliet’s death, the Capulet and Montague promise to quit fighting each other. In the beginning of the play, we learn how the enmity between had gone an extent where the frustrated Prince decided that anyone involved in another Capulet vs Montague riot would be executed. The main reason behind Romeo and Juliet keeping their marriage secret was due to being part of enemy houses. They felt afraid to go against their parents hatred of the other family.
Carr uses the creation of ELIZA as a way to get his point across to the reader. The creator of ELIZA, Joseph Weizenbaum, programmed a system into the computer that essentially allowed ELIZA to be able to have conversations with virtually anyone.
Looking at the first part of Faust it is clear to me that the main character, Heinrich Faust, has some issues. In the beginning of this play, Faust seems like a pleasant guy, his faith was strong and he was very knowledgeable. But his emotions get the better of him when he starts to believe all of this knowledge is for nothing. This realization overwhelms him and he attempts suicide. At this point I am feeling sorry for Faust wanting him to find happiness and not try to kill himself.
It is a coming of age story that shows how Lizabeth evolves as a person and as a character. Like any other child, Lizabeth has a definite wild side. In the story, she and her friends circle around Miss Lottie, chanting taunts at her. Lizabeth tells the reader " Then I lost my head entirely, mad with the power of inciting such rage, and ran out of the bushes in the storm of pebbles, straight toward Miss Lottie, chanting madly, "Old witch fell in a ditch, picked up a penny and though she was rich," (3).
If you dont you’ll be sorry for it after. If you do, she’ll be sorry for it after; but better her than you, because you’re a man, and she’s only a woman and don’t know how to be happy anyhow.” Doolittle is cunning and disregards Eliza as if she is some other woman besides his daughter. He does not care for her well being, but rather has this notion that all women are the same and that men are slaves to women and their needs. The unmistakable tension between Eliza and Doolittle is revealed when in Act 2 when Eliza says, “… You don’t know my father.
