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Thematic structure of birches by Robert Frost
Thematic structure of birches by Robert Frost
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More handpicked essays just for you.
Thematic structure of birches by Robert Frost
Thematic structure of birches by Robert Frost
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Recommended: Thematic structure of birches by Robert Frost
Also, similes are tools that the author uses when portraying the situation
Throughout the book, Edward Bloor uses figurative language to help describe vivid parts in the novel. For instance, “The ice was forming too rapidly in the new grove; the coatings on the trees were too thick. The loud cracking sound of trees splitting of branches like amputated limbs, or splitting in two like they’d been pole-axed, hung horribly in the frozen night air. We were losing”(225). The figurative language that Edward Bloor uses above, helps you paint the scene in your mind.
Doyle captures the beauty of snow throughout its physical transformations. He humanizes snow throughout the text using the word female in his sentence “Snow is like when female cottonwood trees let go of vast gentle quantities of fluffy seed pods all at once in spring.'' We often connect the adjective “female” to living beings; by including this in his text he creates the image of snow in a life-like approach. His word choice is important in this sentence, allowing us to witness the movement of snow without being in its vicinity. His mention of cottonwood seed pods provides an impression for those who have yet to experience snow, assuming the audience has seen cottonwood during warm seasons.
He uses many descriptive words to convey the emotions he wants his audience to feel. One of the most recurring emotions is distress. An example of this is “...spills the upper boulders”(Frost, line 3). By using describing words to get the full meaning across, it makes people think about what or who is spilling the upper boulders and why are the upper boulders spilling? There is no direct answer ever given, which causes the feeling of distress to grow even more.
The snowy weather and cold air symbolizes the way the men feel toward each other throughout the story. Like how Kenny shows up an hour late to pick up Tubs and almost runs him over on purpose and laughs about it. Or how Frank always chimes in on Kenny’s rude comments, while Tubs tries to be the considerate one throughout the story until he reaches a breaking point when Kenny shoots the dog. The forest then symbolizes a sense of fear and darkness throughout the story. The snowy forest makes it appear though that the men are going to get lost and stranded in the cold woods, since there snow tracts are being covered up with fresh powder as it gets later during the hunt.
Frost uses imagery by witting “I have looked down the saddest city lane”(541). The speaker attaches the emotion sadness to the city lane because he is in a lowest emotion, and everything seems sad as well. The imagery enhances the emotions of the speaker by transferring his sadness to a city lane. The most significant point in this stanza is the watchman, who is the only alive thing in the whole poem. However, the appearance of the watchman in the night catches the narrator’s attention, and the narrator escapes any contact with the watchman, which seems that the speaker is in no mood to convert or connect with another human.
Also, in Birches it talks about how when the trees fall down, they never go back up to their original position. This is similar to “Nothing Gold Can Stay” by Robert Frost because in both poems it speaks about the idea of things changing and never going back to what they originally were. Another similarity between these poems is that the central image you get from it is about nature. In “Nothing Gold Can Stay”, it’s based around flowers, gold, and the Garden of Eden. While in “Birches”, it is based around birches, obviously.
The two poems “Stopping By The Woods” by Robert Frost and “The Snow Storm” by Ralph Waldo Emerson both share Romantic Imagery. However, they differ in elements of individuality. Mr. Frost focuses more on who is speaking and the point of view. On the other hand, Mr. Emerson focuses on imagery and the setting it creates in the audience’s head even though the audience cannot see it. Both poems share the image of snow, but differ in individuality.
He describes the woods as “lovely, dark and deep” (13) as he stands and admires. The speaker feels at peace saying that “the only other sound’s the sweep / of easy wind and downy flake” (11-12). Unaccompanied and carefree, the speaker spends his time admiring the beauty and peacefulness of where he stands. Frost also uses phrases including onomatopoeia such as “he gives his harness bells a shake” (9) and “the only other sound’s the sweep / of easy wind and downy flake” (11-12) to appeal to the senses and bring the woods to
As well as readers without the use of personification specifically, we wouldn’t feel the interest to read further on. As the poem continues on we can see how this use of figurative language makes these winter changes feel important, and visual to the reader. Furthermore, in the poem, the author continues to use personification that helps us see these important changes that winter creates that we often
Similarly, the writer also uses similes for that same effect. The usage of similes gets the reader to understand thoroughly how
The readers can infer that this imagination that Frost is creating is pleasant. The connotation of “swinging,” helps readers see this as a bright imagination because swinging can be seen as a joyous activity. However in his following
Frost writes, “And both that morning equally lay / In leaves no step had trodden black” (11-12). These lines contradict what Frost was saying in the beginning of his poem as well. Again showing two different paths that are equally desirable to the character. Then, in the third line things change a little bit.
Frost utilizes analogous imagery throughout his poems; specifically in this poem, he uses natural imagery like the woods and roads to signify these themes. The woods represent indecision and instinct. Everywhere in literature, the plots of novels and poems alike contain characters lost in the woods. Similarly, in “The Road Not Taken”, the woods represent indecision while an adrift traveler wanders lost in the woods (Rukhaya). Frost repeatedly uses this symbol, and “the image...has represented indecision in Frost’s other poems…
He is taking care his materialistic worries living in the village and has not come to see his woods. Frost, on the other hand, has taken the time to watch the woods for he has little time left. ' The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.' ; Frost then returns to reality. The woods are nice, but he also has things that he must do and literally a long way to go before he is home.