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Marriage in renaissance
Marriage in renaissance
Iago' s manipulation in the play
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More handpicked essays just for you.
Marriage in renaissance
Marriage in renaissance
Iago' s manipulation in the play
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Marriage in renaissance
Iago contributes to the tragic downfall of Othello, playing him like a fiddle. The human nature of Iago manipulates the trust
Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.
By Iago’s own admission “I play the villain” (Shakespeare, 1310), and his internal feelings of evil are well founded as shown through his destruction of the lives of nearly everyone in the play, but he has his reasoning. Iago has grown up as a privileged white Christian male in a society that favors white Christian males and, notably, has the favor of at least three senators who would have been quite influential in Venetian society (Kiernan, Print). The catalyst for all this is the admission of Cassio to the position of second in command, which Iago had too been vying for. Iago believes this is taken from him by a Black, possibly Muslim, man, Othello. Thereby allowing Iago to use what influence and power he has retained to ruin Othello’s life and power dynamic.
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
The characteristics of Othello includes passion, obligation, courage, jealousy and intelligence. These are great characteristics to have, but proves to eventually lead to Othello’s demise. Othello was a foreigner from Africa who was sort of accepted into the Venetian society, only because of his excellent track record of winning wars, but he was an outsider and never fully accepted. Othello enjoyed the status and luxuries of being a General and leading the defense of Venice. He also understood that he
According to Derek Cohen, author of “Othello’s suicide,” Othello is used as a “willing instrument of white domination… against [the white society’s] black enemies.” Despite Othello being a Turkish Moor, Othello is fighting against his own people for benefit of the white culture, which contributes to his internal conflict. {Need to insert more evidence here.} At the end of the play, when Othello commits suicide, he goes into detail about him murdering “a malignant and turbanned Turk” who he calls a “circumcised dog.” While this placement of this anecdote may seem odd, Cohen argues that him mentioning killing the Turk as he killed himself brought “Othello into a definitive identification with his former victim,” and also mentions that since Othello was also a Moor, he “was circumcised, once wore a turban,” and possibly “‘traduced’ the Venetian state before becoming its servant.”
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
We find both racial attitudes towards Othello even though he is a man that works hard to get what he wants. The racial attitude is only because of the era that they live in, the Elizabethan era in
Also, each relationship in Othello provokes jealousy in one partner. In a typical Venetian society, a woman was considered to be a man’s property, so if a woman was disobedient, it negatively impacted the man, while also questioning his masculinity. The hyperbolic soliloquy as Othello expressed he would “rather be a toad” than “keep a corner of the thing I love” is Othello’s justification of killing his wife, as her untrustworthiness challenged his masculinity and reputation. Referring to Desdemona as a “thing” emphasises the idea of women being property. Iago’s jealousy of Desdemona and Othello’s relationship is emphasised through the degrading comment of Othello, “an old black ram” “tupping” Brabantio’s “white ewe”.
Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt. In the beginning of the play, Othello adores
Throughout history, societies have succumbed to the toxic concepts of racism, causing an unthinkable amount of chaos and devastation. While racism on its own can lead to many societal evils, racism coupled with jealousy can create a truly catastrophic force that can only lead to pure destruction. When someone of a different race and culture is placed in this kind of society, this destruction will only naturally follow. In the play Othello, William Shakespeare focuses on the tragic outcomes of Othello, a Venetian general and black Turkish Moor, and Desdemona, his white Venetian wife. Throughout the play, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello.
Iago’s determination to destroy both Othello and Cassio represent gossip and rumour in everyday life. That being said the complication and lack of communication is simple yet brilliant. Lastly the role of women plays a big part in the appeal of the play as it shows how Desdemona enforces the idea of
This extent of hostility and aggression coming from several other sources in the play was enough to ruin Othello. Thus, Othello’s downfall was more of a result of his race being that the main underlying motive behind the characters’ efforts to destroy him was racism. It is inadequate to bypass the sociology behind racism, the concept of race, prior to defining what racism actually is. The common understanding of race suggests the division of groups based upon the color of one’s skin, hair, eyes, etc. “Although biologically meaningless when applied to humans – physical differences such as skin color have no natural association with group differences in ability or behavior – race nevertheless has tremendous significance in structuring social reality” (Clair).
Othello’s Role in Venetian Society If we take the textbook definition of ethnic groups and apply it to Othello and the Venetian society it is striking that he lacks a lot of features when compared to the “regular” Venetian society: no common background nor history and no shared customs. Therefore, not only his skin color sets him apart, but also his origin from another ethnic group, opening all kinds of
The exploitation of Othello’s race leads to the manipulation Roderigo, Cassio, Brabantio, the Venetians, and the audience to see Othello as inferior although, the only difference between him and the Venetians is his lineage. In the first act of the play, Iago and Roderigo go to Brabantio’s house to rile him out of his sleep. This is seen as the first step of defaming Othello’s character. The two