How Does Star Wars Follow Joseph Campbell's Pattern Of Myth

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RS 1118
Film Response Questions
Prof. Hanson
Star Wars IV: A New Hope
1. How does the film follow Joseph Campbell’s pattern of myth? If you think the film does not follow one of the criteria below, please explain why.
1) The hero is called to the adventure/quest but he at first refuses the call.
The droids were first purchased by Qwen Lars and his nephew Luke. R2-D2 breakout form Lars’s homestead in search for Obi-Wan and he claims to be the investment. Luke and C-3PO discover R2 the following day just before they are assaulted by Sand individuals. Luke and his droids are safeguarded by Obi-Wan Kenobi or, as Luke know him, Ben Kenobi. Obi-Wan take Luke to his home. Luke gets his dad 's light saber, as Obi-Wan review his own fellowship with Luke 's dad. Luke is informed that a Jedi named Darth Vader sold out and killed his dad. Subsequent to finding Princess Leia 's message conveyed by R2-D2, Obi-Wan endeavors to influence Luke to go with him to Alderaan. Luke declines to go until he finds that his close relative and uncle were fiercely killed by storm troopers hunting down the droids. Luke, Obi-Wan, and the two droids go to Mos Eisley to discover section to Alderaan, Princess Leia 's home …show more content…

Star Wars was initially slated for release on Christmas in 1976; nonetheless, delays pushed the film 's release to summer 1977. Effectively on edge about meeting his due date, Lucas was stunned when his editorial manager 's first cut of the film was an "entire calamity." After endeavoring to convince the first proofreader to cut the film his direction, Lucas supplanted the supervisor with Paul Hirsch and Richard Chew. He likewise permitted Marcia Lucas to help the altering procedure while she was cutting the film New York, New York with Lucas ' companion Martin Scorsese. Richard Chew found the film had a non-vivacious pace; it had been cut scenes were played out in ace shots that streamed into close-up scope. He found that the pace was directed by the performers rather than

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