Recommended: Conclusion of the vacuum by howard nemerov
In the short passage by Kierstin Koppel titled “Humanizing Morticians,” she uses a lot of figurative language to give a mortician a wonderful personality. Koppel’s first sentence even depicts a very vivid scene, “The corpse lies bare under a white sheet waiting to be dissected and reconstructed through a series of surgical procedures” (Koppel). This sentence does not only describe an interesting scene, but it also grabs the reader’s attention by explaining what the passage is going to be about. Later, Koppel begins to explain her own point of view when it comes to being a mortician.
Lot”. When she says this, the narrator alludes to a story in the Bible: “But Lot’s wife looked back, and she became a pillar of salt” (New International Version, Gen. 19:26). Lot’s wife is Mrs. Lot in the poem. When the narrator makes this reference, she is saying that looking back on the happy times they had can make you unhappy. The narrator has to move on and forget about this house and it’s memories if she wants to be happy.
Warmth often signifies good things, when he allows the door to close the door to goodness also closes on him. It is as though the work is pulling him away from the goodness that is his wife and the warm hallway air. As he closes the door “he heard the slap of the window curtains against the wall and the sound of paper fluttering on his desk, and he had to push close the door.” (100). The author uses the harshness of the slap of window curtains and paper fluttering to foreshadow the impending doom that awaits Tom later in the story.
Whereas Ellen, on the other hand, kept the lamp lit the entire time she was at the house but when she fled the house, “the lamp was blown out.” Thus indicating her feeling of lingering hope has dimmed along with the
This precisely explains the darkness of the room because it is mentioned that there was no light of any kind. Another source of imagery that conveys a haunting mood is the sentence in the first paragraph
She talks about her perfect house, a place where she can go alone and feel free. She describes it by saying: “Not a flat. Not an apartment in black. Not a man’s house. Not a daddy’s.
In Howard Nemerov’s poem, “The Vacuum,” the speaker mourns the loss of his late wife through the vacuum- a symbol of his woe and heartache. In the first stanza, the husband acknowledges the uncomfortable silence and sees the sullen vacuum cleaner taunting his tormented life. While the widower discloses his extended state of living meaninglessly, he accuses the vacuum cleaner in anguish, expressing that his wife’s soul occupies it and thus is unable to use it. The speaker -feeling the void of a homemaker- reminisces his wife’s eager dedication towards vacuuming every corner of the house. In the end, the husband realizes his life is no longer worth much as he compares the sounds of the vacuum cleaner to the obnoxious grief he feels, as the vacuum
“‘Let me tell you about it’” (Anderson 198). These words were spoken by a character who struggled to find her voice but once she did, she grew as a person. The author who wrote these words is Laurie Halse Anderson. Born in October of 1961, Anderson has published many notable works as a New York Times bestselling author.
The theme and the main idea of this poem is, the writer linking this poem to a person and that he is really lazy and does not want to move and he is careless. The mood of this poem is depressing because he is lazy and does not care about anything in life and does not want to move he wants to stay in one place. The subject of this poem is that the poem talks about the slowness of this sloth and how much time it takes him to think about it.
When talking about the house, the narrator's use of parenthesis: “I am afraid, but I don't care—there is something strange about the house—I can feel it”, conveys the her desperation at the physical confinement. While the wallpaper is a symbol for her figurative confinement. The pattern of the wallpaper is “at night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars”. The use of anticlimax suggests that the woman is imprisoned and “trapped” at any time, no light can help her. The pattern slowly confines the narrator’s mind behind those imaginary “bars”, so the house becomes her prison cell and drives her to madness.
The second stanza ends with personification: “the chronic angers of that house” (9). By personifying the house, Hayden suggests that the entire house is filled with anger, deepening the reader’s understanding of the relationship between father and son. The line, however, has some ambiguity. The speaker could mean the physical defects of the house cause the anger, referring to creaking beams or rumbling pipes, and the additional labor these flaws require from an already overworked father. The “chronic angers” could also reference the clearly difficult relationship between the two characters in the poem.
The 1940 painting, “Office at Night,” by Edward Hopper, depicts a man and a woman working late into the night at their office. The room lacks any personality, with its baron white walls and dark green carpet. The man is sitting at a desk, staring at a piece of paper under a lamp. The woman is standing behind him and to the left, holding onto an open file cabinet. She is looking at the man sitting at the desk, almost as if she is waiting for instructions from him.
He never wants to hear the vacuum come to life because every time he hears the vacuum turn on, his memories with his wife start to rush in his head. In the “The Vacuum” Howard Nemerov uses symbols, similes and personification in order to reveal losing a spouse can be devastating. The author uses a symbol to reveal the theme and focuses on his hero which is also his wife. The reason why the wife is the man’s hero is because she took good care of him.
The man thinks he is way to young to lose his father. Due to that he pities himself since he is alone. His father left him and the speaker does not think he deserves that. Within Li-Young Lee’s poem “Eating Alone” many different poetic elements are used.
Further, situational irony is present through the reaction that Louise Mallard has after learning about her husband’s death. Upon first learning of her husband’s death she is very devastated and distraught. As soon as she is alone in the bathroom however, it is clear to the readers she is not as upset. In fact she is slightly relieved in that “she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome” (235).
