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Humorous Wedding Speech By Bram Stoker

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Good evening ladies and gentleman. The moment we’ve all been waiting for has kindly greeted us this grand year in 2016 . After careful consideration and numerous, yet pleasurable hours of analytics conducted by various critics, academic figures and significant public individuals only one author could be chosen for this award . Out of all the exceptional candidates nominated for this prominent award, one author made it apparent that he deserved to claim this esteemed award. I’m proud to present the Booker Man Prize for Fiction 2016. Ladies and gentleman may I present to you: Bram Stoker.

Bram Stoker, author of Dracula has created an iconic figure which has concreted the legends of vampire lore. Stoker has created such a popular figure that over 1000 novels and 200 films have been made or inspired by Bram Stocker’s Count Dracula. Stoker being the brilliant author he is has accomplished having an award named after him , titled: The Bram Stoker Award. This award is presented and acknowledged by the Horror Writers Association. This entails that the writing material has a superior achievement in dark fantasy and horror writing. Stoker became a theatre critic for the …show more content…

But there are things old and new which must not be contemplate by men´s eyes, because they know -or think they know- some things which other men have told them. Ah, it is the fault of our science that it wants to explain all; and if it explain not, then it says there is nothing to explain.” This excerpt can be interpreted as evidence of how Stoker understood the disillusion his peers faced and the mysteries his era could not understand . This excerpt also evokes the idea of how mysterious legends are sometimes not best to be understood as the truth can be a haunting experience. Bram Stoker has taken his readers on a journey into his dusky mind and vivid

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Throughout the excerpt from Bram Stoker’s Dracula, Stoker utilizes diction to convey the central idea that peoples’ worst fears lie in the unknown. In this section, the narrator is being held captive by an unknown entity. He begins to feel that his only hope is to understand the captor and starts to question the manner of the individual. In an effort to express the central idea, Stoker employs diction.

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His novel, Dracula, tells the tale of five people who encounter and have to deal with the evil undead vampire Count Dracula, who terrorizes them and even causes two out of the five to become undead like himself. Thankfully, the group eventually discovers a way to eventually vanquish Dracula once and for all, and by the end of the book they destroy him, preventing him from terrorizing the people of Europe once and for all. Stoker explores several significant themes in this book, including the theme of deception. In Dracula, Stoker uses the theme of deception with the characterization of Dracula,

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Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.

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When a person picks up a Horror Novel for the first time, they have no idea what is in store for them. Certainly they know the book will be quote unquote “scary”, but of course it will be scary. The sole purpose of that book is to scare the reader. Many horror books attempt but are unable to scare the reader, or if they do scare the reader, the book is not very well written. The three books that this essay is focusing on all do a brilliant job of not only terrifying the reader, but also using and exploiting many literary devices that make the book stick in the reader's memory.

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Dracula by Bram Stoker has captivated an audience; the audience is one that seeks thrilling excitement and sexual experience. Stoker captures the audience by a well planed out story. One exemplifying theme, showing exuberant characters, recurring patters otherwise known as motif, roaring symbolism, and a captivating conflict. These points can all be looked through a critical lens and analyses. Dracula captures the farthest reaches of the brain and has a reader carefully looking and dissecting Bram Stokers work.

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The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).

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Bram Stokers Dracula is a novel that can be presented and interpreted in a number of different ways. Throughout the story, there are several themes that can be identified, such as womens rights, the importance of teamwork, and even the struggle between good and evil. However, considering Dracula to be a religious novel is quite debatable. Because of the several references and ties to religious thoughts and beliefs in the novel, Dracula should in fact be considered a religious novel, as the religious objects in the story are pivotal to the success of the protagonists, and Stoker is meaning to strengthen the power of these beliefs of the townsfolk.

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The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that

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At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the

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Seeing is believing, especially when it comes to the supernatural. Throughout Dracula, by Bram Stoker, the clash between science and the supernatural is a recurring theme. At the time, London, England, was in the middle of modernizing society and the science behind it. This included the invention of the phonograph, typewriter, and the way people were thinking. Because of this new era, the English began to discharge the ideas of superstitions.

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Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,

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In the novel Dracula, author Bram Stoker creates a peculiar situation that pushes the main characters to decipher the supernatural from reality. Originally thought of as a myth, Dracula quickly becomes something more than the supernatural. By slowly building the conflict of Dracula himself, Stoker depicts all stages of the change from believing that Dracula is a fictitious character to being face to face with Dracula himself. As he terrorizes the lives of the characters in the novel, they soon come to the realization that Dracula is more than what they formerly believed, and in actuality he is their harsh reality.

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This unsettling evokes some of the key features of the Gothic, such as the use of phantasmagoria, transgression, and excesses, all of which disturbed the reader by surrounding them with dark reflections of a reality portrayed through fiction. Pacts with the devil to obtain one’s desires, monks and aristocrats who revel in luxury — even if this means they must stain their hands with blood —, vampires and mad scientists: all corrupt one’s morals, all corrupt the false appearance of serenity. Likewise, the female vampires who torment Jonathan Harker disturb the harmony of the domestic sphere and unsettle the delicate balance between the private and the public domain. These vampiric women are marked by heightened sensuality and tacked to other fatal women that permeate art and European literature at the end of the nineteenth century. In this novel, fear and desire are often confused, a clue modern anxieties surrounding desire toward sensuous but degrading bodies.

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Moreover, Stoker’s novel placed in motion an entire vampire culture during the 20th and 21th century, which eventually established an enduring place myth around Transylvania, and implicitly Romania, as the home of vampires

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During the Victorian period in which Dracula was written, morals and ethics were often strictly enforced. Some of the morals that were upheld had to do with personal duty, hard work, honesty, as well as sexual proprietary. It was very important during this period that one was proper in their sexual behaviors and conventional in whom they had sexual relations with. However, during this period, many authors sought to challenge the ‘norm’ with ideas of reform and change and Bram Stoker was no exception to this. In his novel, Dracula, Stoker provides a critique of this rigidity in his portrayal of Dracula and Dracula’s relationship with Jonathan Harker.

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