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I Am A Man More Sinned Against Than Sinning Analysis

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In the interesting quote, "I am a man more sinned against than sinning" (Hamlet, act 3:2.58-59), Lear states the unjust treatment he received from his daughters, while acknowledging that he has not been a saint himself. Through this quote shows his belief that although he has mistreated people and not acted right, his behaviour has yet not been worse than how others have treated him. Lear’s character is highly flawed and has undoubtedly acted unjust while having a shallow view on relationships and how they should be. Lear can be viewed as a stubborn old man whose mind cannot be changed easily. It is a striking event how he treats his alleged favourite daughter and how easily he believes the lies he is being fed. Despite this, his quote holds a certain truth to it. As Lear has sinned against Cordelia, his other two daughters have sinned against him. He is right in his words for the reason that, although he was unjust and treated Cordelia disrespectfully, he did it because he felt betrayed. His view on showing love is expressing it through words, so when Cordelia fails in her declaration of love, Lear sees this fail as a lack of love and ungratefulness, especially when he decides to give the entire kingdom to his daughters. The fact that Lear has good intentions to begin with, prompts the reader to forgive him easier. Regan and Goneril on the …show more content…

These metaphors refer to the blindness to the truth. Neither Lear nor Gloucester see the truth in the beginning of the play, but rather regard the truth as lie and vice versa. The constant reference to blindness in the play shows the importance of this flaw of the two characters. The fact that they are blind to the true characters of their children leads them to their tragic

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This shows Kent’s intentions of feeding into Lear’s downfall by pretending to be someone else just to prove his love and watch out for him. As Kent pretends to be Caius, he’s only telling Lear what he wants to hear, and not the obvious truth: that his daughters are evil, and the power he had a confident grip on for so many years is slipping out of his fingers like grains of

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The two daughters plan to take over Lear’s power. They deceive him into thinking they love him through their compelling words, but they do don’t actually love him. The reality is that Cordelia loves Lear, but because Lear is obsessed with his vanity so

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In The Lais of Marie de France the main characters involved were ultimately good people who cared about the feelings of others over their own. They each just wanted each other to be completely happy throughout the rest of their life while in King Lear it was a completely different agenda. Even with the chance to do what is right; the wicked sister, Goneril, decided to take the easy way out by stabbing herself and poisoning her sister. There is also the idea that there was no justice in King Lear being that multiple deaths happened, the good of Cordelia did not prevail because for her the messenger came too late, (Shakespeare, King Lear , 5.3.325-330). I think although society wants to believe good will always prosper sometimes the chaos of the world interferes and everyone gets swept away in evils

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In the play Hamlet by William Shakespeare, the dead king’s son Hamlet avenges his father’s murder, but his madness and indecision takes its toll on everyone. Hamlet’s father, the King Hamlet, was murdered by Claudius because he was ambitious for the throne and Queen Gertrude. In Act 3 of the play, Hamlet begins to test Claudius for any sign of guilt in the murder of his father. After watching a play disguised as a reenactment of the murder of King Hamlet, Claudius begins to confess his sins to God. In Claudius’ confession soliloquy, Shakespeare reveals Claudius’ inner duel between his rational desire to act virtuously by relieving his guilt and his gravitation toward material gain and selfishness by following his ambitions through the use of

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In addition, the negative connotation of “nothing” repeated several times and the breakdown of the language foreshadows a breakdown of the family. As she reasons about her answer, Cordelia also expresses her compassion towards her father through a hyperbole by stating, “Unhappy that I am, I cannot heave my heart into my mouth” (Lear 1.1.93-94). Justifying her response, Cordelia expresses that her love towards him cannot be properly expressed as she contrasts how he has “begot [her], fed [her], loved [her]” and in return she “obeyed [him], loved [him], and most honored [him]” to show that she loves her fathers as much as their relationship requires (Lear 1.1.99-101). Though she speaks from her heart, Lear ultimately rejects her argument, recognizing that she is not worthy of his wealth as expressed through his belittling tone. As a result, Lear blesses his kingdom upon his ungrateful, lying daughters who he believes to have loved him the most when in fact, he exiled the only daughter to have truly loved him.

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In addition, he suffers from hesitancy in the correctness of their actions. Throughout the play, Hamlet says, “That I, the son of a dear father murder'd, /Prompted to my revenge by heaven and hell.” (2.2.581-587) This

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His desire for power and status is very clear that there is no mistaking it for something else. Most of the other characters also have reserves of what they will and will not do, at least for the beginning of the play, but Edmund simply does not care. Father, brother, and even lovers, he will not let anyone stand in the way of what he wants most. The treachery of Edmund’s villainous ways is significant to the meaning of King Lear because of how far he is willingly to go to get what he wants and betray his family. Betrayal and madness are two of the major themes of King Lear and Edmund is the epitome of both.

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Witnessing the powerful forces of the natural world, Lear comes to understand that he, like the rest of humanity, is irrelevant in the world. This realization proves much more important than the realization of his loss of political control, as it enforces him to set up his values and become gentle and caring. With this newfound understanding of himself, Lear hopes to be able to accost the chaos in the political realm as well. King Lear is a symbol of a strong man, who has a Reason that counts, a powerful King who gives everything and gets nothing. King Lear, we may say that he lost his authority to his daughters, as a father, once he gave them

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Hamlet, one of the world’s most popular revenge tragedies, is a play written between 1599 and 1601 by renown playwright William Shakespeare. It tells a story of the royal family of Denmark plagued by corruption and schism. Prince Hamlet, the protagonist, embarks on a journey of incessant brooding and contemplation on whether to avenge his father’s death. In Hamlet’s soliloquy, at the end of Act 2, Scene 2, he asks himself, ‘Am I a coward?’ (II.ii.523) after failing to carry out revenge.

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This amorality stems from his desire to avenge the “rank and gross[ly]” (Shakespeare, 29) cruel actions of his uncle, the King Claudius. In the end however, both Hamlet and Claudius die with little pomp, victims of each other in a cyclical stream of karma. Shakespeare uses this eventuality to denounce the use of cruelty as a means to an end, for it brings nought but meaningless death. The fact that Hamlet becomes so cruel specifically because of Claudius’ treachery is a testament to the relationship between oppressor and oppressed. As Hamlet becomes that which he once hated, Shakespeare emphasizes the fact that the line between victim and oppressor is often more blurred than defined.

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ACT I Early on in the Shakespearean play, King Lear makes the decision to refuse giving Cordelia a portion of the kingdom and disowns her as she does not falsely amplify her love to her father the way her sisters had. The decision is rash and even Lear’s servant Kent tries to tell Lear that he is not thinking on this decision clearly. Lear stubbornly keeps his word even though he admitted that Cordelia was his favorite and that he planned to spend his old age with her. The question as to why Lear did not swallow his pride despite his regret and hands the kingdom over to Cordelia’s two sisters and their husbands.

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The morals of the time are defined by the principles that religion and the Bible at the time set forward, which also dictate social norms. The morals of the time, set by religion’s strong influence in society, are the driving force of Hamlet’s internal conflict about whether or not killing for revenge is morally excused. Leartus’ answer that revenge is never excused and the results of Claudius killing King Hamlet out of greed, illuminate the meaning of the work as a whole. Through the play, Shakespeare shows that murder, greed, and revenge are sins, no matter the reason or justification, and how detrimental procrastination is. The play also brings up the weight of one’s morality, the meaning of life, it’s complexities, and gives various advice that can be applied to everyday

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He desires all the trappings of power without the responsibility which is why the passive and forgiving Cordelia is the perfect choice for a successor. ( Foster Edward E.) The audience may feel alienated towards him at the start of the play considering his selfish and harsh treatment of his favorite daughter. As an audience, we soon feel sympathy for Lear despite his egotistical manner. He quickly regrets his decision and can be forgiven for behaving rashly

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William Shakespeare's King Lear is depressing and has no mercy, but it also encounters many more aspects which are quite important for everyone to know, such as: trails of deaths, battles, love, hatred, treacheries and most importantly nature and culture. Shakespeare created a play where the world was cruel and there was only plotting and tragedy with no shining light at the end of the tunnel. Shakespeare makes King Lear, a natural figure to show the hypocrisy. The connection between King Lear and Cordelia is an analogy for the relationship of nature and culture. It seems that King Lear believed in culture instead of nature, he could not understand his youngest, nicest and the most loving daughter Cordelia only because she had no words to

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Practice can make things perfect, but it is the passion that persuades them. In King Lear, Lear’s first phase of development is about his wild enthusiasm (passion). First and foremost of the play, Lear enters his castle and begins to discuss the division of Britain between his daughters: Goneril, Regan, and Cordelia. Lear says that he will handover his throne, but whoever expresses greater amount of their affection shall get the largest bounty; “Which of you shall we say doth love us most?” (1.1.52).

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