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Identifiable Meret Oppenheim's Breakfast In Fur

697 Words3 Pages

In the aftermath of the first World War, there were many artist clambering to find their place in the post-war society; many artists focused on finding the solution to fix the atrocities that emerged as a result of one of the most horrific global tragedies of modern culture and society. The Surrealist’s called for a total revolutionary rehaul of society by unlocking the subconscious mind they believed to be hindered by the bourgeoisie-directed conscious mind (Foster et al, 190). Alternatively, arising creators from the Bauhaus school of arts embraced the bourgeoisie aspects of mass-production by reinventing modern everyday models to be more efficient, and creating new designs to make life easier. Both of those movements ideologies are identifiable …show more content…

Oppenheim turns the familiar into the uncanny by synthesizing two objects that lack shared properties into a singular object. Oppenheim plays into society's general consensus that the combination of food and hair is repulsive when associated with each other. This piece perfectly into the Surrealists confrontation of modern society, making the viewer question why society finds the concept of food and hair infused together disgusting. The point of Surrealist art was such; to make the viewer self-reflect on the mundanity of the world. However, Marianne Brandt’s Silver Tea Set, 1924 is a result of the emerging Bauhaus school of art. The streamlined design of the teapot, and its metallic shine resemble something of that of a machine despite being handmade by Brandt. It gives the viewers of the piece a sense of efficiency and the new-found modernity of post-war Europe. Contrasting to Oppenheim’s piece, this tea set makes the viewer not uncomfortable at the thought of using it for food consumption. This reinvention of the tea set aligns with the Bauhaus’s desire for an improval of everyday models. The Bauhaus school wanted the audience to want to buy this and use it, as their goal was to make objects easily mass

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The Harvard University professor and civil rights activist Dr. Cesar A. Cruz once said, “Art should comfort the disturbed and disturb the comfortable.” During World War One, many artists started to create works of art that portrayed the horrors of war. It brought the attention of those who lived in oblivion, and opened up the reality of war. Many of these artworks were also used to show the artist’s objection to war. Like in the historical fiction novel All Quiet on the Western Front by Erich Maria Remarque, the story is narrated by a eighteen year old German soldier fighting on the Western Front named Paul Baumer, and it illustrates the daily terrors soldiers faced while being neglected and mistreated by the power holding authorities.

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During and after World War I, the poor economic status and nationalism in Germany was disastrous, and was a result of a few rebellious artists who made a social criticism through the subjects of their artwork. Some artists such as Max Beckmann, Otto Dix, Kathe Kollwitz and George Grosz were utterly disgusted by the haplessness and casualties from the result of the first world war, and the German Revolution in 1918-1919. There was social injustice, economic depression, malnourishment, cost of living and police brutality that forced these artists to let their voices be heard for social justices, that drove the artists to develop an irrational tone of pre-WW1 Expressionism. A new idealism began to unfold known as the “New Objectivity”, which was an alternative contemporary vision of society.

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In the speech “I have a Dream”, by Martin Luther King he talks about his opinions on segregation and why it’s wrong. He uses multiple rhetorical devices to make his speech sound more educated as well as get the point across with emotion to the audience. He used different types of diction to make the point that the negro is free and they never will be if we keep segregating towns and schools. Martin Luther King brought attention to that fact that the negro isn’t free because he is still segregated from going into places or working places. He wanted to inform us that the segregation is taking away the human rights that people deserve no matter the color of their skin or their gender.

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Onbirbak 1 Neema Onbirbak Professor Levin Art Appreciation 3 August 2015 Art has a part in every nation’s history, whether it captures events or creates some themselves. Unfortunately, during the Nazi Regime many pieces of this kind of history were lost. When I look at art, I try to recreate the artist in his or her studio trying to paint the piece or even photograph it, and imagine all the hard work it took to make one image. Personally I liked art during the Renaissance period because of the fact that it was under control, and not crazy. Now days, people can simply draw a line on a blank canvas, or even just shapes in different colors and it will be considered art.

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The Surrealist movement first appeared in the early 1920s, and has shaped the course of art history significantly. The goal that many Surrealists share is to “resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality.” In other words, the purpose of Surrealism is to portray the imagination by revealing ideas and images from the unconscious mind. The movement occurred just after World War One, when many people were still coping with the grief and devastation that the war had brought. Many European countries were severely affected by the war as many economies were suffering a Depression. During this time, the Surrealists focused their energy on escaping from the devastation that surrounded

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A metallic orderliness and discipline. There is no decoration on them. (Mack, 2000, p3). It denied stylistic concerns and concentrated to technical details, focused on nature of the object to develop functions. The Bauhaus has directed Art and design to emerge and moving toward rationalization and industrialization with

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