“The whole Tucson Valley lay in front of us, resting in its cradle of mountains”. Her phrase, “resting in its cradle of mountains” makes an analogy of the valley to a baby. The rest of the phrase includes “city like a palm” and “life lines and heart lines”, which suggest an adult. This quote is an example of personification and unusual use of metaphor.
The whole passage focuses on a woman’s flashback to her childhood, and the story of her coming of age, for instance: “‘When I think back to the home town of my youth’” (Collier, 1) and “‘The years have taken me worlds away from that time and that place, from the dust and squalor of our lives,” (Collier, 63). Juxtaposition is used many times aswell. In the story the narrator compares the magnificent amount of dust to the idea of green and lush grass and trees that may have been there, “I don’t know why I should remember only the dust. Surely there must have been lush green lawns and paved streets under leafy shade trees somewhere in town; but memory is an abstract painting,” (Collier, 1).
Parker introduces her poem by using imagery to announce the simple development in the setting. It begins by saying, “as the sun rose” (line 7) and continues until she writes, “We didn’t speak until the sun overcame” (line 10). It is an uncomplicated way to provide an additional thought of change. By mentioning the small difference in the setting, Parker wants the reader to understand the importance of the many different aspects, large and small, that are evolving.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
For me, the one whom I loved, all the memories I had with that person is history, but I doubt other people will call it history. It is all about subjectivity. I do not think the author really wanted to say that a blankness of things has no history, but actually the opposite by asking, “what is history?” The fact that Kincaid’s ironic and somewhat self-mocking approach made me reflect on my own perception of history from the very start demonstrates that her method is indeed effective. After demonstrating a large number of barely justified assumptions about historical characters and her general investigative naiveté, the author goes a step further by providing some extremely simplistic descriptions of landscape.
There was nothing but land: not a country at all, but the material out of which countries were made”. While Jim describes the plains as nothingness, the narrator of A Wagner Matinée (Clark) compares his own modern town to the “inconceivable silence of the plains” and how the land he knew was “the flat world of the ancients…more merciless than those of war” (paragraph 12).
Over the eras, many scientists have expressed concerns with Darwin's evolution theory and in "Was Darwin Wrong?" by David Quammen one can learn about the proof behind the theory of evolution. Many people do not believe in evolution due to an overall unawareness about the theory and religious upbringing. However, Quammen clarifies the truth behind evolution in his article. The article states five positions of evidence biogeography, embryology, morphology, paleontology, and the bacterial resistance to antibiotics discovered in humans.
Towards the end of his poem, Kinnell slowly thins his stanzas. The very poem collapses on itself. Just as when the towers fell, the poem “concentrates/ into itself, transforms itself infinitely slowly into a black hole,” (145-147). Kinnell uses his captivating
The agony the writer is feeling about his son 's death, as well as the hint of optimism through planting the tree is powerfully depicted through the devices of diction and imagery throughout the poem. In the first stanza the speaker describes the setting when planting the Sequoia; “Rain blacked the horizon, but cold winds kept it over the Pacific, / And the sky above us stayed the dull gray.” The speaker uses a lexicon of words such as “blackened”, “cold” and “dull gray” which all introduce a harsh and sorrowful tone to the poem. Pathetic fallacy is also used through the imagery of nature;
Whenever you are focused and ready, time goes by much faster and that is what this simile is referring to. The mountain is described as a “huge fin of exfoliated tone.” (Page 135). This metaphor shows the difficulty of the journey to come and what this trek really will bring. Alex knows going into the wild that it will be a formidable task, however he is willing and feels he does not have much to lose with what is going on in his life at the time.
“’Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.” “meaning there was just noise or so it would seem... And the poem concludes “Perched, and sat, and nothing more.” Leaving it undefined to allow us to define nothing more.
In the woods, too, a man casts off his years, as the snake his slough [dead skin] and at what period so ever of life is always a child.” Emerson compares a man casting off his years to a snake casting off his dead skin. This comparison backs up the idea that people need to be able to look deep inside of themselves to find the ability to love nature and be able to be at peace with the world. By casting off this outside shell, people can go back to the innocence of childhood, when they were able to connect with nature and love it for what it really is. For nature itself, finding peace with the rest of the world is not nearly as difficult as it is for people.
In The Way To Rainy Mountain by N. Scott Momaday, Momaday uses stylistic devices and rhetorical strategies such as imagery, sensory details, and alliteration. The use of alliteration helps Momaday create the vivid imagery of the piece by displaying the active environment with the “brittle and brown grass“, “willow and witch hazel” and “Great green” grasshoppers. Through this, the great plain in Oklahoma is displayed as a landmark with an overactive and lively nature. Furthermore, sensory details are used by Momaday listing the “steaming foliage”, “cold rains of autumn”, the sound of “the frogs away by the river” and feeling “ the motion of the air.” Such stylistic devices help the author write his eulogy to his grandmother, by describing all the sights he saw, that his grandmother Aho once saw.
In line seven, “surrounded, detached in measureless oceans of space” describes both the Spider and the speaker are incapable of finding anything meaningful in the world, but they keep trying their best with the hope of an ultimate change in the situation. For example, “measureless oceans of space” draws attention of the loneliness that the speaker
But it didn 't matter, much after all. What were frosted cheeks, a bit painful, that was all they were never serious. " The story uses ties to how bad the weather is, to the man 's empty cares and concerns. The sudden change in (related to where mountains, rivers, cities, etc., are located) structure shows a change in the man 's mood and extreme tiredness of danger in (the health of the Earth/the surrounding conditions) around him. 2.)
