Recommended: Double indemnity movie analysis
The two films, Double Indemnity (1944) and Body Heat (1981), are both very similar even with the thirty-seven year gap between them. In Double Indemnity, Walter Neff, an experienced salesman for his local insurance company, meets the seductive wife of one of his clients, Phyllis Dietrichson. They have an affair and quickly decide to kill Mrs. Dietrichson’s husband so she can collect the proceeds of the accident insurance policy and be with Walter Neff. Neff comes up with a plan to kill her husband and to also receive twice the amount based on a double indemnity clause. The police believe it was an accidental death, but the insurance analyst and Neff’s best friend, Barton Keyes, believe there is more to the story.
In this sense, Double Indemnity is a classic Film Noir film. It is a story of two ill-fated lovers lured by lust and greed to commit a heinous act: murder. The main focus of the film (and of this essay) is on Walter Neff and Phyllis Dietrichson and how Phyllis uses Neff. Phyllis is painted in a sympathetic light at the beginning of the film but, by the end, her true natures of corruption are revealed to all. The things that tell the most about Neff and Phyllis are their performances, specifically how they react to either dialogue or sound, and their character blocking.
I think this film Intruder in the Dust, appeals to both a black and white audience. This film includes both black and white characters actors, which are seemingly portrayed as equals, even though there is still some racial prejudice in the film. Lucas Beauchamp is an African American man in prison nearly on his deathbed with a town of white folk are ready to lynch him under the accusation murdering a white named Vinson Gowrie. Only three white folk named Chick Mallison whom he sees as a friend, Gavin Stevens a lawyer, and an old friend of his late wife, Eunice Habersham. This film shows that even against all odds they will help this African American man despite being a different color and what everyone else thinks because they do not want the
How to Survive a Plaque by David France and United in Anger by Jim Hubbard are both historical documentary films that talk about the history of the organization created called ACT UP. ACT UP is for the AIDS activist movement from people with all different perspectives such as people from the trenches to people having the disease and fighting it. The film was made to expand the news on the movement and to try to show the effect AIDS had on people. Interviews, footage of protests and speeches from the members of ACT UP were all recoded for these films. They were all personal and true stories that were told to help the future generations and to prevent something similar happening again.
Although Walter does not deserve the power, the manhood of Walter Lee enables him to “control” the family. Conversely, Beneatha’s talkativeness and her aggressive personality are against how a 1950s African American should act. Ruth asks “Can’t you be a little sweeter sometimes? (Act 1, Scene 1)” to indicate the modest characteristics women should have. Furthermore, Ruth’s decision of abortion at the beginning of the play was unconventional since it was against gender expectation because it is against her duty as a wife and a mother.
Before declaring independence, John Dickinson constructed The Articles of Confederation as the structure of government between the thirteen colonies. In reassessing the structure of government for the colonies, James Madison, Adam Hamilton, and John Jay under the name Publius, wrote the federalist papers. Publius determined the Articles of Confederation to be defective for three main reasons: the abuse of state legislative power, the absence of executive enforcement, and the articles being a treaty, rather than a constitution. The abuse of state legislative power in the Articles of Confederation allowed government laws to benefit the few, and not the common good of the colonies. James Madison, in the Vices of the Political System of the United States, explains that “A still more fatal if not more frequent cause lies among the people themselves.”
Dr. Rebecca Williams writes on how zombies recently have risen up beside vampires and have “shuffled onto center stage”; zombies have become more common in various forms of media than ever before. Vampires for the longest time seemed to be more popular, attractive, and interesting; this comparison to zombies with their lack of knowledge, communications skills etc., made it seem unrealistic to be able to compare the two creatures accurately. Vampires were clearly more appealing in many ways, and zombies seemed to lack those interesting characteristics. Zombies represent boundary crossing, but in its own original form, which in a way makes it unique from any other monster. This characteristic makes zombies more dangerous and threatening.
Metropolis is a 1927 German expressionistic science fiction film, directed by Fritz Lang. Much of the plot is established following influences of the first world war, and the culture of the Weimar Republic in Germany. Although criticised for its allusions to communism in the resolution of the film, Lang explores mostly themes of industrialisation and mass production, which, coincidentally, were two developments that provided a large influence in the First World War. Lang also explores themes of the Weimer view of American modernity, communism and fascist rule. Politically, this film was shot after WWI, meaning many of its influences were extracted from the horrors of the First World War.
“Arrival” is a mystery, sci-fi drama directed by Denis Villeneuve in his wonderful betrayal of the unknown. ’Arrival’ digs deep into the unexpected, when a bunch of alien vessels land in 12 different spots on earth, leaving everyone curious about what their intent on earth is. With the military confused they pair together two scientists Louise Banks (Amy Adams) and Ian Donnelly (Jeremy Renner) who both study unique fields as Louise studies linguistics why Ian is a physicist, both are taken to a military base right outside of where one of the Heptapod’s (aliens) vessels have landed.
The movie Kiss Me Deadly uses the oncoming threat of a nuclear war, pervasive in the Cold War, as a symbol for both fate and the danger of greed. Beginning with Cloris Leachman as Christina Bailey, each of the characters who spends time with the 'Great Whatsit ' ends up worse for the wear. Their obsession or determination to figure out the secret that Christina held and why it was worth killing for leads to their ultimate destruction. Mike Hammer played by Ralph Meeker first meets Christina and after her death sees her secret as a means of both money and power. His search of the 'Great Whatsit ' leads to not only his eventual death (there radiation would kill them), but also to the deaths of Velda and Nick.
Nowadays, zombies films has become more popular and increasingly. Beside the history of zombies, it show that the zombies’ idea dates back to 8th century, the word ‘zombie’ come from nzambi, in Kongo means’ spirit of a dead person’, or Zanbi. In zombie-related book, magazine, articles, movie films, even video games has based on zombies, this have to follow back to 1932, the year which the first full-length zombie films (White Zombie) came out. The White Zombie is directed by Victor Halperin, the film is telling that the revolves around a young couple Neil and Madeleine who have travelled to Haiti and Madeleine is turned into zombie by a Voodo master, she forced to a wealthy plantation owner. At the end of the film, evil Voodoo master and her husband knock each off a cliff, the white zombie bride awakens from her zombiness and returns her true love.
Death of a Salesman has been extremely influential in regards to theatrical performance and it has been performed by multiple different theatre groups. It has also been made into a movie, which has actors such as Dustin Hoffman as Willy Loman, John Malkovich as Biff Loman, and Kate Reid as Linda Loman. All of these actors’ performances were true to the character and were extremely realistic. It was easy for the audience to get caught up in the characters that these actors portrayed. Throughout the movie, Dustin Hoffman, John Malkovich, and Kate Reid all provided an outstanding performance by ensuring that their facial expressions, body language, and emotions always shined through all the while they were creating realistic characters that were easily believable by the audience.
The show Band of Brothers was produced by Steven Spielberg and Tom Hanks who, at the time, recently had success with a World War II film entitled Saving Private Ryan. Spielberg and Hanks used their expertise on war films to craft the exceptional television series Band of Brothers which originally aired on HBO in 2001. The show follows “Easy” Company, 2nd Battalion, 506th Parachute Infantry Regiment, of the 101st Airborne Division, from the moment they begin their training to the moment their deployment ends. Throughout the show we see the men of “Easy” Company mature a thousand times over. The men experience love, loss, and death at rate that is inconceivable to someone that has never experienced the theatre of war.
Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.
Connie does this because she needs to be reassured that she is in fact pretty. On top of this, Connie acknowledges that her beauty is “everything”(1). This statement implies that if perhaps Connie was not beautiful, she would have nothing. Furthermore, when Arnold Friend pulls up at Connie’s house, her heart begins to pound not because there is a stranger at her door, but because she is “wondering how bad she looked”(2). Even when faced with possible danger,
