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Jane Eyre Movie Comparison

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Jane Eyre is a novel which is written by Charlotte Brontë. It is a famous novel in all over the world and it is one of the best novels of Charlotte Brontë. It takes place in 19th century England and there are various adaptations in the history of cinema. Every one of them is interpreted differently by several film makers.
Different aspects of the films can be seen when we look at it closely. In the Jane Eyre (1943), film seems more realistic and loyal to the main plot of the book as Gioino stated: “Overall, the film stayed close to the plot of the book and was rather entertaining to watch. Of the parts of the book the film did keep, they were all mostly accurate and were able to tell the story in a new and reinvented way.”(Gioino) In the …show more content…

Rochaster is a significant character in the film because he is one of the main characters. In the 1943 version of the film Orson Welles plays his character and in the 1996 version of the film William Hurt plays Mr. Rochaster. Orson Welles’s performance as Mr. Rochaster seems more realistic, Holden agrees with this idea: Mr. Hurt 's subdued, introverted portrayal is out of sync with the rest of the film 's tone of discreet grandeur. In two earlier versions of the story, Rochester was played by Orson Welles and George C. Scott as a more ominous patriarchal figure… Instead of conjuring thunderstorms of half-suppressed emotion, his face registers a wary, embittered angst.”(Holden) In the old version of the film we see that Mr. Rochaster as an earnest person as Orson Welles’ interpretation but Hurt’s interpretation of Mr. Rochaster is more like a kind person in this case we could say that 1943 version of the film did better than the modern version. Characters, plot of the films and visuals in two different versions of Jane Eyre movies are compared and which one is depicted these aspects better than the other one is shown. It can be said that some aspects in the Stevenson’s version is better such as the character or it can be said visually Zeffirelli’s film is better but each director has their own interpretation in their

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The 1997 award winning The Crucible, for the critic’s choice movie award for best supporting actress, was an outstanding written play and film. Out of the two alterations of The Crucible, David Hytner’s 1996 film version of The Crucible is by far the most accurate and best representation of Arthur Miller’s The Crucible. This is for many reasons such as the following; Daniel Day-Lewis did the best job at characterizing the character of John Proctor, the film version of The Crucible provides the audience with a more in depth image of the Puritans, and the film version reached a much wider array of viewers. Daniel Day-Lewis’s portrayal of John Proctor in David Hytner’s 1996 version of The Crucible provided more depth to this character than the original script, written by Arthur Miller. This is due to his glorified past.

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Jane Eyre is presented as a fiction, encompassing the romance and gothic genre. Jacob’s text, on the other hand, is a narrative non-fiction and an autobiography of Harriet Jacobs herself as Linda Brent. At first glance, everything opposes Harriet Jacob’s Incidents in the life of a slave girl and Brontë’s Jane Eyre. However, if we dig a little further, we see that the two texts share some similarities. Both texts are based on the Bildungsroman genre, whereby we follow the lives of the main characters as they progress through their life.

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Rochester. Mr. Rochester asserts his dominance upon Jane, “‘Miss Eyre, I beg your pardon. The fact is, once for all, I don't wish to treat you like an inferior: that is' (correcting himself), ‘I claim only such superiority as must result from twenty years' difference in age and a century's advance in experience’” (Bronte 332). Namely, Jane has once again become the inferior.

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Jane Eyre Discussion Questions Mrs. Amato Honors English 11 Gabby Sargenti CHAPTERS 1-4 1. Review the details Brontë provides about the weather in the opening chapter of the novel. How does this establish the mood of the story when it begins? “Cold winter” “Leafless” “Cloud” “Chilly” “Protruding rain”

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Jane Eyre: A Quest for True Happiness Charlotte Bronte’s classic heartfelt novel entitled “Jane Eyre” depicts how an unloved orphan constantly wishes for affection and acceptance throughout her life. Even at an early age in life, she never truly understood what it meant to be “loved” and what it means to “love” others. With this, maturing into a young lady definitely opened her eyes to the realities of life. Moreover, the novel also depicts a patriarchal society where women aren’t respected with dignity and equality. In this coming of age novel, discover how a young woman courageously faced her fears and triumphed with love in the end.

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Bronte 's Jane Eyre transcends the genres of literature to depict the emotional and character development of its protagonist. Although no overall genre dominates the novel exclusively, the vivid use of setting contributes towards the portrayal of Bronte’s bildungsroman (Realisms, 92) and defines the protagonist’s struggles as she grapples with her inner-self, and the social expectations of her gender. The novel incorporates Jane’s frequent conflicts, oppression, isolation and self-examination as she defends her identity and independence. Set amongst five separate locations, Bronte’s skilful use of literal and metaphorical landscapes, nature, and imagery, skilfully intertwines with the plot and denotes each phrase of her maturity.

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Examine how either text represents either class or gender. Are these representations problematic or contradictory? How do they relate to the plot and structure of the novel? Jane Eyre is a female Bildungsroman written by Charlotte Brontë in 1848.

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One of the biggest character foils in Jane Eyre is between Mr. Edward Rochester and St. John Rivers. From the first time we meet these characters, it is easy to tell the two apart. While one is ruled by a religious forces the other is controlled by emotions. Jane has to make a choice, and decide how she is going to live the rest of her life. At the end of the novel, she makes a choice between what is expected of her, and what she wants.

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Yes, readers could believe that Jane Eyre grew up as an orphan and became a successful governess under the power of Mr. Rochester. However, the idea that every single event in the story is not exaggerated is putting a lot of faith into the author. For example, the character of Bertha Mason, the abandoned wife of Mr. Rochester, seemed to be a little extreme. In chapter 15, when Bertha sets Mr. Rochester’s bed on fire – and the accident is ignored by the majority of the household – readers can question the believability of the incident. In reality, if a bed caught fire and almost burned the master of the house, certain precautions would be taken.

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Both characters, venturing out of their gender roles, find ways to compliment and figure out who the other person really is, and, in the end, a burgeoning love fully blooms. When examining the gender roles of Mr. Rochester and Jane, both are a blend of each and life seems better when conventional gender roles are forgotten. In Rochester and Jane’s first meeting, the two begin to show their blended gender roles immediately. Rochester is first described as having a “dark face” with “stern features”, with a complexion that seems, “ireful and thwarted” (146).

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Thornfield was a completely different world for Jane. It was a major change physically and socially, as a governess she had more opportunities and duties to fulfill. Jane was not intimidated by what was expected of her, yet she was excited to see what the future at Thornfield had in store for her. The power of love was unavoidable for Jane, “The claims of her former love prove stronger than her sense of duty to that honorable but emotionally shallow Rivers” (Moss 3).

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As for that, this article will compare these two adaptions of Jane Eyre. I. Directors and actors 1) 1944 version adaption The director of 1944 version is Robert Stevenson, unlike the

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And now she is best remembered for her novel Jane Eyre, this novel has aroused the great interest of the readers for more than century all around the world and it still continues to sell well. Moreover, Jane Eyre now is one of the

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Jane Eyre, published in 1847, by focusing on its protagonist’s, Jane’s personality, dependency and self governance. The aim of this study is to look into Jane’s development and analyze her identity with the help of a theoretical framework drawn from psychoanalysis and developmental psychology, and within the context of the Victorian era. The novel focuses on Jane’s experiences and psychological growth from youth to adulthood. Psychoanalytic criticism adopts the methods of "reading" employed by Freud and later theorists to interpret texts or writings.

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