John Cheever The Swimmer Analysis
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Laurie Colwin (1944-1992) was born in Manhattan, New York. She was a prolific writer and her very first works were published in the New Yorker. Her first short story collection was published in 1974. Her stories were written about love, relationships, and being happy in general, however, this story “The Man Who Jumped into the Water” is quite a bit different from the others. Hiding behind a persona to get away from reality can lead someone to a breaking point because a person 's troubles catch up to them.
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Aya keeps a scrapbook to keep track of all of the memories she has had, good or bad. The images, and decorations she places in the scrapbook all have a personal meaning to her. Some items describe her character, others represent her home life and emotions. Aya’s scrapbook is almost like a diary, it becomes an outlet for her to put her emotions into, but not exactly into words. For if the other Orphans read an actual diary, they might think she is crazy, but they might not understand the scrapbook, thinking it’s rather a place for her to put some pictures.
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In Stanley J. Kozikowski article, “Damned in a Fair Life: Cheever’s ‘The Swimmer’”, infers that The Swimmer is a “spiritual allegory in the fashion of Dante” (367). He also argues that Cheever’s story is autobiographical on Neddy’s part and “reveals itself as an uneasy pilgrimage to hell” (367). Kozikowski draws very specific sections and details of The Swimmer and presents the parallels in Inferno, such as: the attitudinal similarities between Neddy Merrill and Dante the pilgrim, the likeness Cheever’s multiple pools and their environments share with the different circles and rivers of Dante’s hell, and references some of The Swimmer’s speech and characters that uncannily reflect that of Inferno. Kozikowski takes The Swimmer bit by bit,
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In “The Art of Drowning” by Billy Collins, he inquires the thought of life flashing before your eyes when you are reaching an imminent death. When the character leaps underneath the surface to his aqueous grave, a fast depiction of a long life is rotated through his mind. Mr. Collins explains how weird it is that time crushed into such a short film in the final seconds of life. Collins reverie of an ultimate instant when all corners of the existence resided come together for an impressive production, a sit down gathering where all moments are commended in great detail and discussion. Appalled by the moment, is as quick as the time it takes for the oxygen to exhaust in a moribund, drowning man.
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In chapter 10 of Pat Conroy’s novel, The Water Is Wide, Pat Conroy takes the children of Yamacraw Island to Washington, D.C. This trip was a great learning experience for the kids and was the farthest that any of them had ever been from home. They toured museums, shopped for souvenirs from street vendors, and ate hot dogs from hot dog carts. This trip taught many lessons to the children, and even to Mr. Conroy. Pat Conroy learned that trips are unpredictable in nature, and cannot be planned to the letter.
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2)First Swim Through the conch shell , Edna’s craving to break from the limiting island of society . Continually using the imagery of the sea as
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Decline Imagery Setting Characters Tone Conclusion: Cheever’s use of literary devices drives the plot of the delusion of suburban emptiness. Literary Analysis of The Swimmer The Swimmer by John Cheever was published in 1964.
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In The Great Gatsby by F. Scott Fitzgerald, oceans and currents represents Gatsby’s failed attempts to live in the past because the ocean is stronger, bigger, and outnumbering. The ocean is stronger than any man. We are like a boat against a current, the current is going to win, so our “past” will overcome us. I think that each memory of our past is a wave. The more harsh the memory is the rougher the wave.
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Text: The Swimmer, John Cheever Selected passage: Beginning to “friends would line the banks of the Lucinda River” (pgs 1-2 in pdf) Thesis: In the opening paragraphs of “The Swimmer”, John Cheever introduces the ideals of booming suburban life in post-war America; the American Dream, affluence and wealth, and youth and vitality. Told through a third-person narrator, the passage foreshadows the plight of Neddy Merrill by using repetition and vivid language to symbolize suburban monotony and enhance his delusion, references to Greek mythology to illustrate his downfall, and setting an artificially positive tone that leaves the reader even more acutely aware of the growing ominous air and devastated by the tragic end. Elements to focus on:
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While Maddy is in the YMCA regretting and panicking about getting back into water the thought of her fish help calm her nerves, “It calms me to imagine them swimming in their pH balance environment, the clown loaches looking around near the bottom of the freshwater tank, the Pearl flirting in a stand of bamboo plant. Tonight, for the first time, I'll begin to know what my fish have known all their lives; how to breathe underwater” (3). The reference to water here in order to show the reader how significant water is to the story. Water can be seen as a symbol of flowing, calm, cool, but others can see it as a fear. And since Maddy has seen it as fear the fish help calm those thoughts.
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“There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while
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Sedaris gets the reader to picture what he’s telling in the story by using a lot of descriptions. The first description he uses in the story is on the pool he and his family swimmed in at the country club. Sedaris describes the pool in a perfect way where the reader can imagine and even remember in their
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