William Shakespeare is a writer who, in a considerable lot of his plays, composes ladies who are critical in propelling the plot. These ladies move toward becoming impetuses for the devastation that takes after, that being the obliteration of the heroes, as well as their own passings. Lady Macbeth from Macbeth and Desdemona from Othello are both female characters who assume this part. The two ladies assume comparative parts despite the fact that their identities are greatly unique. Desdemona turns into a relatively cliché lady once she weds Othello. This new identity influences her adversely on the grounds that it eventually prompts her death. Lady Macbeth, then again, obscures sexual orientation lines by acting like a man for individual pick