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Lin-Manuel Miranda Thesis

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Very few entertainments of the past decade have earned the term cultural phenomenon more than the Broadway show Hamilton: An American Musical. Lin-Manuel Miranda, creator of Hamilton, captivates audiences through enthralling lyrics and imagery while also telling the multiperspective story of Alexander Hamilton and his role in building America. In order to do so, Miranda draws on Ron Chernow’s Alexander Hamilton throughout the musical especially in his songs “Non-Stop” and “The World Was Wide Enough”. Miranda’s method of portraying history to his audience is directly affected by his choice to include and omit certain information from the musical. History repeats itself in “Non-Stop” as an allegorical narrative constructed from highly selective …show more content…

Lin-Manuel Miranda devotes the majority of his musical to developing Hamilton’s story through historic repetition, especially in his song “Non-Stop”. Lin-Manuel Miranda’s devotion to relaying the story of Hamilton to American citizens is evident as he continues to include historic repetition throughout his song “Non-Stop”. For instance, Miranda emphasizes the concurrence of liberation and the ability to make strong decisions. In “Non-Stop”, Miranda’s wordplay draws on the concurrence when Hamilton sings about “the liberty behind deliberation” (Miranda). Additionally, Miranda’s description of Hamilton elaborates on America’s later achievement of the freedom of speech, which relates to historic parallelism. In relation to historic repetition and parallelism, Hamilton’s description elaborates on America’s later achievement of the freedom of speech. Miranda’s inclusion of this statement Miranda’s choice to include this statement is a great example of historic repetition because although the musical is set during the late 1700s, the issue of free choice remains even in modern …show more content…

The theme of death is evident once again as Hamilton wonders if “this bullet is [his] legacy”. Throughout the musical, Hamilton encounters “the bullet” even if he may not have known it which is why in “The World Was Wide Enough” the audience once again hears Hamilton singing that he “[imagines] death so much it feels more like a memory”. Miranda’s creativity with the bullet is one of the main aspects that truly carry the musical forward. The audience may not immediately pick up on the presence of the bullet and what it might signify in the play, but as she reappears, the meaning of the musical begins to change as

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