Selena Quintanilla Do you know the queen of Tejano Music? (A Mexican-American inhabitant of southern Texas.) Selena Quintanilla was that person. She died March 31, 1995. She was a singer and much more.
Julia Alvarez: The Voice of the Mirabal Sisters Numerous accounts of families affected by oppressive dictatorships exist all around the world. Julia Alvarez, an author whose father was involved in a resistance group to such a regime, is a prime example of one of those stories. After leaving her childhood home of the Dominican Republic, Alvarez struggled to adapt her lifestyle to match that of an average American. During this time period, Alvarez recalled her experience under an authoritarian government and combined it with her impressive storytelling skills to create a fictional documentation of another family just like her’s.
There is only one person in our lives who loved and protected us from the moment that we born, our mothers. Thinking about that important person, Willie Perdomo wrote the poem “Unemployed Mami” in 2002 as part of the book Postcards of El Barrio (Poetry Foundation 2015). In “Unemployed Mami” and Postcard of El Barrio the author explores the culture, traditions and even the patriarchy that characterizes Puerto Ricans. Moreover, Perdomo shares the life of a son and the life of his beloved unemployed mother, in a time where women stayed at home without having a job, living from what their husbands earn. In order to enjoy and appreciate the content of this poems it is important to discuss what it means, where it takes place and what it tells about Perdomo’s life.
Written works about American Identity are a very common theme amongst writers, including poet Dwight Okita and short-story writer Sandra Cisneros. Dwight Okita is famous for her poem “In Response to Order 9066: All Americans of Japanese Descent Must Report to Relocation Centers,” in which the theme of American identity is portrayed through a 14-year-old girl. In a similar way, Sandra Cisneros’s short story is told by a young girl of Mexican heritage who prefers American culture—in sharp contrast to her deep-rooted Mexican grandmother. Although the overall theme of the two texts is “American Identity,” both Okita's poem and Cisneros's short story delve deeper and portray that cultural heritage and physical appearances do not determine what it
Selena Quintanilla-Perez was a talented Mexican-American singer, songwriter, spokesperson, and fashion designer. On top of her career, she had respect, and was admired as a great role model by Mexican Americans. The “Queen of Tejano” music, her contributions to music and fashion made her one of the most celebrated Mexican-American entertainers of the late 20th century. Billboard magazine named her the “Top Latin Artist of the 90s” and then “Best Selling Latin Artist of the decade”. Selena ranks among the most influential Latin artists of all time and is credited for catapulting a music genre into the mainstream market.
She decided to spend her entire day drawing and painting as opposed to finding a real job and providing for her children. “Mom devoted herself to her art. She spent all day working on oil paintings, watercolors, charcoal drawings, pen and ink sketches, clay and wire sculptures, silk screens, and wood blocks. She didn 't have any particular style; some of her paintings were what she called primitive, some were impressionistic and abstract, some were realistic. "I don 't want to be pigeonholed," she liked to say.”
One year later, she moves to England. She’s had a successful career in education and as a designer, and later on, she writes a book named The Woman Without a
The first piece of artwork I critiqued was the famous Virgin of Guadalupe. The Virgin of Guadalupe is currently exhibited in the Basilica of Guadalupe in Mexico City. The piece of art is not solely a painting, but an enconchado. It was made into wood, and it essentially creates a reflective surface that appears as moving. Also, I like how they explain their theory on the woman of the apocalypse and how it relates to this piece of art.
Discuss the ways in which Rosario Castellanos challenges and subverts gender stereotypes in her work? In this essay I am going to examine and discuss the work of one of Mexico’s most important literary figures, Rosario Castellanos, with particular emphasis on her feministic beliefs and the ways in which she used her writing to catapult her views into the forefront of society. Her writing reflects bitterness regarding the desires and misfortunes of the female population of her nation. Castellanos used poetry, novels and plays as a platform to voice the many inequalities that she deemed prevalent in society at that time.
The Orlando Museum of Art, also known as OMA, is a hub of Central Florida when it comes to pulling in remarkable works of art for the public eye to pay patronage to. Today I visited such a place for the annual Antiques Vintage and Garden Show, which took place between February 19th through the 21st. Included in the price of a ticket was also admission to The OMA’s current exhibitions, which included Women of Vision: National Geographic Photographers and their other running exhibits, which contained an array of work, ranging from Pre-Columbian sculptures to more contemporary works of the 21st century. The specific exhibit which held my interest most was the Pre-Columbian, Mesoamerican gallery titled “A Trek from North to South”, which was organized by geographic locations in Latin America. Since my girlfriend, Illiana, bought me tickets to the show for a
Known for his defining role in the Mexican Mural Movement, Diego Rivera sought to create paintings that depicted the Mexican renaissance and socialist ideas of Mexican politics. After some time studying in Europe, Rivera was influenced by Italian renaissance artist Giotto to paint using fresco techniques (famsf.org). “Two Women and a Child” serves as an example of the theme he portrays in many of his paintings. While the fresco technique was predominantly used during the Italian renaissance, Rivera revitalized this ideal by including it in his painting of “Two Women and a Child”. Rivera’s use of techniques in Two Woman and a Child provide viewers with an understanding of the strength, pride, and perseverance Mexico had during the Mexican Renaissance.
The Art in Education In first grade we had to draw a picture of what we would be doing 20 years from then. We had to draw what job we would have, what our hair would look like, what we would be wearing, and I chose to draw a picture of me drawing a picture. As a first grader I knew that my future would mirror what I was doing in that exact moment; I would still have curly hair, and I would still be an artist. Loudly proclaiming that I was going to be an artist when I grew up was ok in elementary school, but at the end of middle school it was often challenged with “but what are you really going to be?”
Generalizations take after specific individuals for the duration of their lives. Judith Ortiz Cofer is a Latina who has been stereotyped and she delineates this in her article, "The myth of the Latin lady: I just met a young lady named Maria. " Cofer depicts how pernicious generalizations can really be. Perusers can understand Cofer 's message through the numerous explanatory interests she employments.
Now she continues to learn about new trends, rules and abilities to use in her designs. Overall I learned how hard it can be to follow this career path from high school all they way through College, but no matter how hard it can be you can never give up. I also learned to give myself credit and not critique every little detail or else it will lead to me hating my own work. There are different types of programs to use to get practice as a graphic designer.
The art world is perpetually sexist and racists, and curators are key to changing the masses view on art history and contemporary art voices through representation and inclusion. In order to offer up a more just and fair representation of global artistic production, mainstream (non-activist) curators need to re-envision/re-write their definitions of "greatness" to include non-whites, non-westerners, the under-privileged, and women. In Maura Reilly's essay, Taking the Measure of Sexism: Facts, Figures, and Fixes, Reilly fixates on the differences between men and women in the art world and how little has changed in the art world for women, despite decades of feminist activists. Better does not mean equal.
