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Claudio And Hero's Relationship In Much Ado About Nothing

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“Although that kind of romance can be found in Shakespeare’s romances, the genre of romance contains so much more. No two romances are the same, and there is no precise formula for these plays as Shakespeare wrote them. Romances swerve between humor and heartbreak in a way that can be powerful, confusing, beautiful, and contradictory” (Tucker). In William Shakespeare, “Much Ado About Nothing,” relationships are formed and put to the test. The relationship between Hero and Claudio are completely different from the relationship between Beatrice and Benedict. Hero and Claudio’s relationship was based off of love at first site, while Beatrice and Benedict’s relationship started out as friends and developed into a loving relationship. Over time people get into the way for better and for worse. Although Claudio and Hero’s relationship is based off of physical attraction, Beatrice and Benedick’s had developed into a heartfelt and genuine relationship. Some people may think that Beatrice and Benedick’s relationship would be more successful than of Claudio and Hero’s due to their maturity, ability to work things out, and powerful attitude towards each other. In comparison to many of Shakespeare’s …show more content…

On the other hand, Beatrice and Benedick’s love is based on mutual respect, love and respect. Hero and Claudio’s relationship is no different than Romeo and Juliet’s relationship. Both their relationships face problems and people get involved. Young love can’t be controlled because it is love at first sight and not always the best for a foundation of a relationship. Beatrice and Benedick have started from a rocky start but build up over time into a new loving relationship. Since they have known each other for a long time and are able to work things out, they are may have a more successful relationship. Hero and Claudio don’t know what love is and the roles in a

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While they are conversing, Beatrice plainly states that she wants Benedick to “kill Claudio...a villain, that hath slandered, scorned, dishonoured [her] kinswoman (Shakespeare 74-75).” Beatrice makes very bold actions, and she is not afraid of doing so. This shows how Beatrice and Hero are foils of each other because Hero takes actions that are safe and pleasing to others, while Beatrice does what she wants and doesn’t care about what others think of her actions. Another example of this occurs during the Masquerade Ball. Beatrice talks with Don Pedro and is quoted to have said, “My cousin tells him in his ear that he is in her heart (Shakespeare 27).”

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Meaning she directly tells Benedick to physically prove his love for her. Hero on the other hand, settles for Claudio without as much as a proper conversation. Even after Claudio publically shames her and calls her “... an approved wanton”(Shakespeare 154). Claudio calls her a glorified slut. Even after Claudio ruins her life, and forces her to go into hiding,

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Sometimes love can be confusing. But two people that hate each other can actually love each other. In Much Ado About Nothing by William Shakespeare, Beatrice and Benedick hates each other because they start to argue when they see one another. In the end of the story, they see figure out the likes and they get married. Both Beatrice and Benedick really hates one another.

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Claudio’s change in heart about Hero and their marriage reveals how his intentions towards her are not sincere. Through his address to her, Claudio denounces Hero for her supposed infidelity, although their love has flourished a few days earlier. At their wedding, Claudio’s self-focused attitude does not hesitate to expose innocent Hero. In the passage, Claudio says he has

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When Beatrice asks Benedick to duel Claudio for her, he agrees and plans to duel him. Benedick and Claudio are best friends who had fought in battle together, but the love of a woman completely changes Benedick’s allegiance from his fellow soldiers to his new love. Before falling in love with Beatrice, Benedick would have done everything possible to protect his brothers in battle. Now, love has emboldened him to make a choice that he would not have previously made. Benedick’s sacrifice of a meaningful friendship proves that he is now completely devoted to his relationship with Beatrice and is willing to do whatever necessary to preserve that relationship.

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The audience may understand the concept of love and romance flowing within the characters because it was to portrayed that way but the critics would argue the fact that some of the characters like Beatrice and Benedick were made to fall in love with each other through deception. As simple as the characters were, the situations arousing in the play became more complexed as scenes passed by. What led to the trouble and chaos in the play also led to the solution in the end, when Claudio and Don Pedro were deceived into thinking by Don John that Hero was unfaithful. That very same idea also solved the problem in the end when Leonato, Hero’s father, deceived Claudio by making him believe that she is dead and that it is his duty to clear Hero’s name by reading out on her tomb and marrying the said niece who looks just like Hero. Again the plotting against own is present where the said niece turns out to be Hero and she comes back to life again.

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It is an intrinsic battle that takes place over the course of the play, but comes to a head during the concluding moments, in which Claudio is deceived by his apprehensions of marriage into rejecting Hero, showing that perhaps he prides his honor above the love he so freely professes. Hero is placed in the uncomfortable position of being rejected by nearly everybody she cares for, necessitating that she fake her demise and be reborn as a new woman, resurrected from the grave and cleansed of the impurities she was accused of. Benedick and Beatrice have both pledged never to find love, and therefore must remove the guises behind which they labor- for indeed, both characters desire love, but hide their wish for fear of being rejected. In each instance, past beliefs must be discarded in the name of securing future happiness, which causes consternation in each individual. In the case of Benedick, he is forced to challenge his best friend to a duel in order to win the hand of his lover- an appendage of the central conflict, which is the inner battle between love and personal reservations which takes precedence over life and death (at least for the Christ-figure maiden

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This juxtaposes Claudio and Hero’s relationship is based on purely on physical looks, which are not always truthful. In an opposing manner, Benedick and Beatrice’s relationship was not started from a completely dishonest place. Over years they had built a relationship through passive aggressive remarks rather than physicality, thus ensuring that they would know each other at their core. Therefore in order to move the relationship along it only took light coaxing of the small truths to progress their love. For instance, in Act One Beatrice and Benedick’s “merry war” of arguments is viewed as a type of flirting instead of actual anger or annoyance towards each other (1.1.50-54).

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It was a set up marriage and she would just try to make the male proud. Relationships, in the modern day, are more egalitarian than they use to be. This allows Benedick and Beatrice to represent more of a modern time ideal couple, than Claudio and Hero. A great quote about relationships is “ Respect is as important as love in a relationships”

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This is shown with their views on marriage. Hero is willing to marry whoever her father asks her too and when Leonato finds out that Don Pedro seeks marriage with Hero, he encourages Hero to marry and says to Hero, “Daughter, remember what I told you. If the prince does solicit you in the kind, you know your answer” (II.i.57-58). Beatrice, however rebels completely against marriage and says “If he send me no husband; for the which blessing / I am at him upon my knees every morning and evening” (23-25).

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