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Much Ado About Nothing Hero's Relationship

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Only the truest love can survive the trials of the gruesome world. In William Shakespeare's play Much Ado About Nothing, two sets of lovers attempt to brave the sea of love. Claudio and Hero’s affection quivers through their various trials. Although the play is a comedy, it also consists of solemn moments. For instance, the couple’s love is put to the test when Claudio convicts Hero of being unchaste. Claudio’s change in heart about Hero and their marriage reveals how his intentions towards her are not sincere.
Through his address to her, Claudio denounces Hero for her supposed infidelity, although their love has flourished a few days earlier. At their wedding, Claudio’s self-focused attitude does not hesitate to expose innocent Hero. In the passage, Claudio says he has …show more content…

This comparison suggests that Claudio perceived Hero as innocent and chaste. Hero is “more intemperate in your blood/ Than Venus,” Claudio concludes. The metaphor compares Hero to the goddess of love, beauty, and fertility, Venus (4.1.60-61). Venus is also known for her infidelity. His view of Hero’s character changes from pure to dishonorable. Rage overcomes Claudio, compelling him to publicly shame Hero for actions only suggested to be committed by her. The allusion references Diana and Venus. This helps make Claudio’s argument more effective and hurtful. Then, Claudio depicts how he has previously viewed Hero “[a]s chaste as is the bud ere it be blown” (4.1.59). This compares Hero to an innocent “bud.” The “bud” represents her pureness for it has not yet bloomed a flower into worldly pleasures. Next, Hero is compared to “those pampered animals/ That rage in savage sensuality,” (4.1.61-62). This metaphor suggests that Hero is out of control. Although Claudio thinks Hero has been unfaithful to him, he is quick to humiliate her in front of the whole kingdom of Messina. His comment “Out on thee, seeming!” is the most humiliating line in

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Shakespeare, a name common in English literature and a staple in high school English. Amongst his sonnets and tragedies lies comedies, one of those being Much Ado About Nothing. The play is a tale of two pairs of lovers, that of Benedick and Beatrice, as well as Claudio and Hero. Through twists of plots Hero ends up slandered and feigns death, while Claudio is humiliated. While the tale could have easily dropped into a tragedy, Shakespeare turns it around with the fair maiden called Hero and her purity, dedication, and patiences.

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Much Ado About Nothing: Act 2 Scene 1 Beatrice Much Ado About Nothing. One of Shakespeare later and more famous comedies tells the story of two sets of lovers: the conventional Claudio and Hero, and the seemingly antagonistic Beatrice and Benedick. Much Ado shows us two types of love that exist, the first being a physical love based on looks and the second one being a more intimate love that stems from hate, it gives us an idea of the opinions of love present in Shakespeare’s mind because he is almost comparing the 2 sides of the metaphorical “coin” of love. In Act 2 Scene 1 a lot is revealed about the personality of Beatrice the quick witted, guarded, cold and sometimes mean cousin of Hero as she talks to her Father and Leonato about her feelings of marriage, love and masculinity.

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As the characters are fighting for honor, hatred is another theme that is highlighted in these pieces of literature. In Much Ado About Nothing, the characters are getting ready to get married, and hatred overwhelms Claudio into making irrational decisions. Claudio just rejected Hero and he pushes her to the ground. Hero is confused because she thought she would be happily married, but Hero does not know that Claudio thinks she lost her virginity the night before to someone

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We were all taught that purity is the one thing you should treasure most, but it could be more harm than good. In Shakespeare’s Much Ado About Nothing, Claudio is the naive boy who falls desperately in love with Hero, and his virtue is posed as his best quality. I believe that Claudio is tragically flawed, and his innocence is what will cause his downfall.

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The audience may understand the concept of love and romance flowing within the characters because it was to portrayed that way but the critics would argue the fact that some of the characters like Beatrice and Benedick were made to fall in love with each other through deception. As simple as the characters were, the situations arousing in the play became more complexed as scenes passed by. What led to the trouble and chaos in the play also led to the solution in the end, when Claudio and Don Pedro were deceived into thinking by Don John that Hero was unfaithful. That very same idea also solved the problem in the end when Leonato, Hero’s father, deceived Claudio by making him believe that she is dead and that it is his duty to clear Hero’s name by reading out on her tomb and marrying the said niece who looks just like Hero. Again the plotting against own is present where the said niece turns out to be Hero and she comes back to life again.

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Marriage in that time was not the romantic act that it is today, it was purely political and women were unable to have much of a say in it. Despite their similarities in rank and gender, Beatrice and Hero are two contrasting characters. While Hero is a submissive Renaissance woman, Beatrice is an independent woman way ahead of her time. Hero’s submissive qualities make her the ideal Renaissance woman. Even after her entire reputation has been defiled by Claudio’s false accusations at the altar, she gladly welcomes him back with open arms.

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He is characterized as valiant, handsome. There might also be some play on the double meanings of “fair”—as beautiful, and as balanced and true. In Claudio’s eyes, Hero is not only no longer “fair,” meaning beautiful (she is “foul”), but she is also no longer “fair,” meaning truthful, but is its opposite, false or dissembling. Both the combination of “fair” and “foul” in the same line and “pure impiety and impious purity” in the following line demonstrate a rhetorical technique Shakespeare is famous for using in his plays: antithesis, or the combining of paradoxical opposites in one line for emphasis. Moments in which characters spout antitheses usually occur at the height of passion.

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Moreover, Claudio's quickness on believing that Broachio, who claims to be Hero’s supposed lover, comes to show that he is unworthy of her. On their wedding he publicly shamed her by stating, “Give not this rotten orange to your friend…Behold how like a maid she blushes here” (4.1.32-34). This then causes Leonato to fake Hero’s “death” so that Claudio can grieve her memory and admit that he was wrong on publicly bashing her. Shakespeare’s

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Don John and Borachio come up with a plan to spoil Claudio and Hero’s wedding. There plan was to have it seem like Borachio and Hero were doing some things that they shouldn’t be and than Don John brought Don Pedro and Claudio in the nightly darkness to see Borachio and who they thought was Hero since it was in her room but it was really Margaret doing inappropriate things. So on the day of the wedding Claudio wanted to expose Hero in front of everyone who attended the wedding. “All you that see her, that she were a maid by these exterior shows? But she is none.

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