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Latinos and masculinity
Gender expectations women
Machismo in mexican culture
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103-5). Ruiz strongly suggests that no matter what profession that Mexican women have played an important part in making history but one way or another their accounts have been kept in the dark. What sets Ruiz aside from previous historians is that, while they was fixated on male European immigrants’ creation of the American society, she proved the journey and challenges of Mexican immigrant women that contributed to developing the American and Latino American
In the memoir, The Prince of Los Cocuyos, the performance of masculinity of the people is illuminated. This is seen with most of the men conforming to the gendered expectations of a man, some confidently defying and conforming at the same time, and Riqui not daring to disturb the universe, but having a hard time conforming to all the expectations. As a child when it was just his grandmother giving him a hard time about acting and looking like a man, Riqui defied many of the gendered expectations. However, when these expectations started coming from friends then he started to attempt to act like he was expected. Riqui defies gendered expectations of a boy through his interest in the girly things like Cinderella, dolls and makeovers; however,
Tough Guise 2 Reaction Paper By:Taylor Bailey Gender rules the world in mainstream America whether we like it or not. As we look through our gender glasses we see gender on an individual level that we also categorize. In the movie “Tough Guise 2- Violence, Manhood & American culture” we see some of the oldest perspectives know in gender; femininity and masculinity.
From our previous film showing, High Noon, we got a taste of how the Western genre portrayed Chicano/a characters. The late 1970’s saw a decline of the western, and “with the decline of the filmic western came the rise of the urban violence film” (Cortés 134). The 1980’s and 90’s saw film after film released portraying gang violence, and the Latino gang film was a “natural crossroads for sex, violence, and ethnicity” (Cortés 135). Some see these Latino gang members “as updated, modern variants of the Mexican bandit type” (Treviño). 1993 brought us the film Mi Vida Loca, which shows us the life of teenage Chicano/a gang members living in Echo Park, focused on the character known as Sad Girl.
Crystal Henriquez Alcantara Reading Response 12 In Michelle A. Holling’s article “El Simpático Boxer: Underpinning Chicano Masculinity with a Rhetoric of Familia in Resurrection Blvd,” she highlights the TV show Resurrection Blvd effectively portrays Chicano masculinity within the context of family and familiar mainstream stereotypes, highlighting its unique characteristics and contribution to American reality. This portrayal challenges the standard representation of families on television, which tends to be patriarchal, white, nuclear, and gendered. Resurrection follows the Santiago familia in their pursuit of a world boxing championship dream, showcasing a wide range of archetypes such as the stoic male, the brooding silent type, and the
In the book “Violence and Hope in a U.S. – Mexico Border Town” they use Symbolic Theory, because they explain how men just for being men should have the authoritarian role and women should have a submissive role. The symbol of being men or women means that they should act as society wants them to act based on their gender. First, machismo is well known in Mexican families because they assumed that all men should have the power over his family. For example, “the man in the streets, and the woman in the house.” It means that men have more privilege of going anywhere, whenever they want because of just being a man, and woman has the obligation to stay at home, because is not well see for a wife to be out of her house for too long.
Also, in colonial Mexico, men would declare their honor by dueling other men; “Gentlemen might settle accounts of honor with a duel” (Meyer 232). Men would go as far as killing other men to achieve honor in their society. Honor was essential for a man because it earned him respect, power, and importance in their society. People of high status, who have the most honor in their society, also received a very special treatment; “Those of high social position, however, were usually spared humiliating and cruel punishment, escaping with fines or sometimes jail sentence” (Meyer 62). This was also true for people of the higher caste system.
Before the 1960s many social science disciplines utilized cultural determinist paradigms as their framework for knowledge production. For example, in “The Anthropology and Sociology of the Mexican-Americans,” Octavio Ignacio Romano describes how anthropologists and sociologists used the concept of Traditional Culture to explain the history of Mexican Americans. According to Romano, this concept “deal[s] with human beings only as passive containers and retainers of culture,” which posits Mexican Americans are ahistorical people (“The Anthropology” 26). Therefore, in using this theoretical lens Romano argues social science scholars not only erase the history of Mexican Americans but also perpetuate the idea that Mexican American culture is deficient and prohibits their progress. For example, he criticizes Ruth Tuck along with other sociologists and anthropologists for describing Mexican Americans as fatalistic people who adjust to their problems, instead of making an effort to overcome them (“The Anthroplogy” 29).
The novel tells the various experiences of the women that existed in oscar’s life. There is a consistence of maltreatment of women starting from the beginning of the Cabral history and their fuku. The dominican republic is where the idea is patriarchy and the abuse of women stem from in the novel. Rafael Leónidas Trujillo, president of the Dominican Republic, felt as ruler he could do whatever he wanted to whomever he wanted. This was true about the dictator, he was most noted for his desire for beautiful young women.
Honor is a key aspect of the machismo lifestyle, hence the harsh treatment toward the females and the high expectations. If these expectations are not met, then it reflects negatively on the family. This directly correlates to machismo because most men in this society expect the women to obey them, while also pleasing their needs through cooking, cleaning and bearing children. On the other hand, the women also are blind to their potential due to the ancient traditions of machismo. This is expressed by their inability to do anything other then adhere to the needs of men.
Gender discrimination has rapidly changed over the years in Mexico. Before the drug war women were only anticipated to be caregivers and do household duties. Women were always believed to be as weak and had no authority as men. According to Heather Monk, “in 1910,
Chicano culture came as result of a mixture of different cultures (Shingles and Cartwright 86). Despite the assimilation by the majority whites the Chicanos have preserved their culture. This paper seeks to prove that Chicano culture has deep cultural attributes that would appeal to the larger American culture, leading to strengthening of
These men have taught and manipulated us from a young age to submit to men with the ideology that men still use that patriarchal society against us
I’m the first generation of my family to be Mexican -American, but I have been introduced to the Mexican culture since I was born. I appreciate the difficulties my parents have faced to make me the person that I am today even though I wasn’t born in Mexico my parents have taught me the language and the culture which I’m so proud of being part of. For others being Hispanic is actually being born in any Latin American countries which is not true at all. Being Hispanic is much more than my cultural background it actually describes how much I appreciate my culture and how I get to experience things other people don’t. I fit into the Hispanic community through the experiencing the culture first hand ,participating in traditions and planning to include my culture in my future.
By analysing the use of coquetry in Spanish-speaking countries, Achugar (2001) revealed a pronounced link between a culture and its ideology, and she argued that coquetry demonstrate “a very defined place for each sex in society” (p. 135). In her study, “Coquetry as Metaphors for Gender Roles in Spanish Speaking Cultures,” she argued that coquetry often reproduce traditional gender structures by reinforcing the notion that women are passive recipients and men are active producers and initiators in Latin America