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Madonna Of The Meadow Analysis

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Madonna of the Meadow painted in between 1505-1506 is one of many of the Madonna and Child that Raphael Sanzio had painted. It is also one of many surviving painting of the Madonna and Child. This painting is displayed in the Kunsthistorisches Museum of Vienna. In this painting Mary has a landscape behind her that was suggested by Leonardo De Vinci. The young child between her legs holding her right hand is Christ. The child that Christ is looking at is John the Baptist who is offering Christ a wooden cross. “This image of ambivalence on Christ’s part is echoed by Mary herself, who embraces him while gazing on John. She, in turn, is excluded from the gaze of the children, whose own relationship to the cross alludes to Christ’s future” (Adams, 2001). The study of Raphael’s painting of the Madonna of the Meadow shows how Raphael came up with his painting. If the painting and sketch are compared, it shows …show more content…

Small Cowper Madonna was actually painted for someone for a wedding gift. In this painting Madonna is wearing a red dress. Her skin is very fair and her hair is blonde. Madonna sits on a wooden bench with a dark blue drapery across her lap with her right hand that lies delicately on the drapery. Although translucent, there is a ribbon that goes across her the top of her dress and behind her head. If looked at closely, there is a very faint gold halo that surrounds her head. In her left hand, she holds baby Christ. With his left arm he embraces in front Mary’s neck and the right arm is behind her neck on her back. Behind Madonna and Christ there are two figures that are walking towards a pond in the background. There is a large structure also in the background that could resemble a Catholic church. Its dome and other structural elements common of Catholic architecture add to the already omnipresent atmosphere of religious divinity and

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It have two angels next to him. During that time, Saints were highly recognized and play a significant part in all social group and class. Therefore, this painting shows how important Saint and religion were during that time. This painting also suggests that Saint Francis is big and mighty. In addition, the angels give an image that Saint Francis is protection.

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The di Credi's "Madonna and Child" (c. 1500) image is one of the earliest Florentine panel paints, known to have been produced with a paint medium that comprises of oil for color pigments. This method of painting, supposedly, appeared first in the northern painting in the first half of the 15th century which spread quickly until his time. This painting technique was first adopted in Italian who developed it up to the mark. Florentine type of depiction spread widely due to the painting. Its popularity among the masses can be understood by the fact that the image has been used by most religious foundation in expression of Jesus and His mother Marry during the child’s tender age (Gelfand, 2000).

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Oscillating between the progression of life through the memories and experience of an individual is expressed through Gwen Harwood’s poem The Violets. The poem encapsulates the human experience as both integral to the formation of our perceptions of life and the timelessness that it provides to the audience. Gwen Harwood is able to create a text that goes beyond the way we respond, creating a deeper awareness of the complexity of human attitudes and behaviours. The matrilineal theme reveals that the core of the poem The Violets stem through childhood memories as a component to reveal our own personal reconciliations.

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Her relationship and love of Christ makes her the perfect spiritual mother for Christians, a role she began to fulfill after Jesus was buried and she was no longer the Mother of the Physical Body of Christ. As the Mother of Christ, the woman who said yes to carry God’s son in her womb; Mary proves to be the new Eve, possessing a direct opposite of Eve’s disobedience to God, and become the compliment to Christ as the new Adam on the cross. At the foot of the cross, the new Eve watched her son die for the sins of the world. As depicted in Michelangelo's Pietà, Mary holds her son just as she did in the manger, but “between Bethlehem and Calvary our sins had intervened” (Zia 90). Yet Mary accepted her role as the Mother of God even in his death, and always remained the person who loved Christ the most and the person Christ loved the most, making Mary worthy of the greatest veneration and the woman whose intercession will lead us the closest to

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The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with

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The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son. The Virgin and Child coloring is mostly pale skin tone, with royal blues symbolizing royalty and, white symbolizing purity.

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The crown she is wearing is made of cold and consist of stars. One of the mother of god 's name in hymns is " Stella mattutina ( morning star)" ( cite) which could be the reason why there are an array of stars onto the crown she is wearing. If you look out between Mary and the angels on the left you can see the broad landscape which is laid out to show "atmospheric perspective"( cite). There are 3 angels which moved more closely to the virgin and child. The angel in the front is kneeling and holding a book open with ink well.

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Madonna and child are amongst the most popular yet controversial topics in the Christian art. Most of the pieces of art done on this topic usually have Mary and Jesus either surrounded by angels or saints who pay respect to them. It is an important figure in Catholicism as it reminds the believers about their faith. Both the two artworks were done during the Renaissance period with Madonna and child with the two angels being done around 1465 while Madonna and child with the saints being done around 1505.

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