Furthermore, Sarnowski acknowledges mother’s disappointment as Maggie gives up the quilts, pointing out that they represent memories of family members. The author believes that displaying these quilts will disintegrate the sense of family history they carry. Consequently,
In the story “Everyday Use” I find Maggie to be the most sympathetic. Maggie’s older sister, Dee, makes Maggie feel inferior to her. Maggie has burn scars and marks on her body, that makes her feel like she doesn’t look good. Dee always receive what she want and Dee is also smart. While Maggie isn’t so smart and doesn’t have the money or style to get what she wants.
Fabrics are the point of the story “Everyday Use” by Alice Walker, in which Dee (Wangero) attempts to persuade her mother that she, and not her sister Maggie, should have the quilts made by her grandmother, aunt, and mother. Two strategies Wangero uses for persuasion are repetition and diction to convince her mother that the quilts Grandma Dee had stitched should belong to Wangero, and not Maggie. These strategies
Maggie on the other hand, is characterized by her unattractiveness and timidity. Her skin is scarred from the fire that had happened ten or twelve years ago. Those scars she has on her body in the same way have scarred her soul leaving her ashamed. She “stumbles” in her reading, but Mrs. Johnson loves her saying she is sweet and is the daughter she can sing songs at church with, but more so that Maggie is like an image of her. She honors her family’s heritage and culture, by learning how to quilt and do things in the household, like her mother views their heritage.
In the short story “Everyday Use” by Alice Walker, the characters of Dee and Maggie are more different than alike. In comparison, the two sisters are from African-American heritance raised by their poor mother in the 60’s. Walker describes the yard as, “the hard clay is swept clean as a floor and the fine sand around the edges lined with tiny, irregular grooves” (147). The two girls love their mother and show it differently than the other. Both girls value their mother’s treasures in different ways and appear to be jealous of each other.
Maggie in Alice Walker’s short story “Everyday Use” plays the role of being the nervous and ugly sister of the story, however she is the child with the good heart. Maggie was nervous ashamed of her scars “Maggie was nervous… she will stand hopelessly in corners, homely ashamed of the burn scars down her arms and legs”. Living in a house with a pretty sister and being the ugly sister with scars could be the reason why she picked up on a timid personality, being ‘ashamed’ of her own skin shaping her in a way that she degraded herself from everybody else. Maggie was not this way before the fire, her mother stated, as it is quoted that she had adopted to a certain walk ever since the fire.
She doesn 't know how hard life is with her sister and mother. Dee only cares about what she wants and she talks down on her family. She believes her sister could not use the quilts in a way she thought they should be used. " Maggie can 't appreciate these quilts!" she said.
These quilts are a ways of honoring her African American heritage and to be given these was very significant in their culture. For once Dee sees the historical background because of the stitching and material used, but doesn’t find any use in using them. Dee is going to try and convince her mom to let her keep the quilts, when Dee says, “Maggie can’t appreciate these quilts!” (Walker 721) and “You just will not understand. The point these quilts, these quilts!”
When Dee practically demands the quilts promised to Maggie, Maggie automatically forfeits them without complaint. She never takes the time to battle her sister and she doesn't lose her composure. She, akin to a defenseless child, gives in to the pressure of Dee. "She can have them, [the quilts] Mama,” She is far more worried about keeping the peace and hiding from the commotion than defending what belongs to her. This professes Maggie to be a very complacent and scared girl, especially in the face of her sister Dee.
This shows that Maggie views the quilts as a way of remembering her deceased grandmother. It’s not as much about the physical looks of the quilt, but more about them being a passed down memento from her grandmother. In addition, Sarnowski states, “Losing the quilts would not extinguish or reduce Maggie’s sense of heritage, but it would rob her sense of heritage of an affirming token” (Sarnowski 280). Maggie knows what her heritage is and does not necessarily need the quilts to define it. She is happy with the life she lives and although she would be losing this “affirming token” she would still know where she comes
Mrs. Johnson ends up giving Maggie the quilts for the right
Ms. Johnson didn't have an education, yet she knew the value of the quilts and she didn’t let a few words from Dee change her decision of giving the quilts to Maggie. Dee leaves her mother’s house quite upset and tells her sister, “You ought to try to make something of yourself, too, Maggie. It’s really a new day for us. But from the way you and Mama still live you’d never know it” (Walker 12).
This new outlook on her life caused Dee to place different values on the items with which she had grown up. She wanted to take the items as things to put on display like art hanging on a wall. Dee even wanted the cherished quilts to “hang them” (Walker, 1973) instead of using them as blankets. As she saw it, to use the quilts for their original purpose would destroy them, or as she said, “Maggie would put them on the bed and in five years they 'd be in rags” (Walker, 1973).
In the short story” Everyday Use” by Alice Walker who tells a story about black women who have two daughters Maggie and Dee. She has to have the decision to give the quilts of one of her two daughters. Dee her oldest daughter who has been away at college and comes to visit her family and she wants the quilts as popular fashion and show them as part of their heritage. Maggie, her youngest daughter, who lives with her mother at home and understands the family tradition and heritage.her mother has been promised to give the quilts for her. The quilts mean for Maggie communication with family and culture.
By holding these quilts from Dee, Mama Johnson decides that Maggie’s practical approach to heritage is better than Dee’s superficial, impersonal concept of her new heritage. Dee and Maggie, the two sisters who want the handmade
