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Man Who Loved Flowers, Lamb To The Slaughter, And Death By Scrabble

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The art of deception is a dangerous tool that can be proven useful and necessary in times of need. It can be used with words, visuals, or empty silence. The three short stories by Stephen King, Roald Dahl, and Charlie Fish use characterization to emphasize the antagonists use of deceit. The people in the tales are portrayed in a particular fashion in order to aid the recurring theme throughout the plot. The Man Who Loved Flowers, Lamb to the Slaughter, and Death by Scrabble are three short stories that center around deception and how it can be used in various forms.
The Man Who Loved Flowers by Stephen King is a story about a murderer who fools everyone into thinking he is just a young man in love. The main theme in the fictional literature is that people are not always who they seem to be. Throughout the piece, King describes Love as a happy fellow who enchants everyone around him. On page 4, the author writes, “A middle aged married couple sitting on the steps of their building watched him go by, head cocked, eyes afar away, a half-smile on his lips. when he had passed by the woman said, 'How come you never look that way anymore?'” After the man murders yet another victim, King includes this scene in order for the reader to understand how deceptive this character is and how he uses his walk, smile, and clothing to trick others. …show more content…

The theme in the writing piece is that love can lead to deception. Mary Maloney had adored and been a good wife to her husband, Patrick, for many years, so for her to pretend to be faultless and shocked was not difficult. In the short story, Dahl states, “Both the smile and the voice sounded better now. She practiced them several times more” (2). Mrs. Maloney uses her features and gentle speech in order to deceive Sam and the detectives. She uses her previous love for Patrick as a cover to hide her

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The woman, Mary Maloney, loved her husband so much in the story and then he gets home one day and something wrong happens, so in this story, Mary Maloney is having problems. The character, Mary Maloney, in the story “Lamb To The Slaughter,” is a very smart person. She knew what she was doing after she killed her husband to make her story seem real to the detectives. Mary Maloney’s husband, Patrick, was a man who probably taught her what a detective thinks like and how different situations could affect a case.

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Dahl’s use of diction shown to describe Mrs. Maloney tells us that Mrs. Maloney looked like she wouldn’t do such a thing of killing someone, she looked innocent. The author also described Mrs. Maloney as a caring person, especially

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In the book “Lamb to the Slaughter” Roald Dahl uses deliberate imagery to show Mary changing from a caring, attentive housewife to a psychotic, cruel murderer. Dahl provides hidden and suspenseful images of Mary Maloney to characterize her as a cruel and psychotic murderer. After buying groceries and killing her husband, Mary attempts to recreate the scene by making herself seem innocent, “‘Patrick!’ She called. ‘How are you darling?’”

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Mary genuinely loved and cared for Patrick and would never intently plan to kill him with hatred. When she returned from the store and saw her adored husband dead on the ground, despite how Patrick mistreated her, “no acting was necessary” when

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In fact, she even cleaned herself up and practiced how she should speak in front of the mirror. This helped her look polished and not seem anxious when she got questioned by certain officers who were suspicious of her. (Connection) By portraying a young lady who was mourning the loss of her dear husband, Mary Maloney continued to convince the police officers of her innocence through her brilliantly executed

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Mary Maloney “simply walked up” behind Patrick and struck him with a “big frozen leg of lamb” “as hard as she could”. This completely contrasts the starting character of Mary as a housewife whom was patiently waiting for her husband to return home, which no one had expected. She did it “simply” which moulds an image of her not needing to think through her action, effortless and swift. The readers would be disgusted at how fast her character changes, thus suspense would be created as they would constantly question themselves about how it was possible. Additionally, after she struck her husband, she thought that it was “funny” on how “he remained standing” for a while.

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Political conservatives in America vastly hold true the original traditions and freedoms in America and rarely compromise with change. One such prominent conservative, John W. Whitehead, in his essay, “The Schools Are Destroying Freedom of Speech,” argues that the modern day public educational system has inflicted unconstitutional restrictions of freedom on its students. Throughout his essay, Whitehead attempts to build his credibility by utilizing the Bill of Rights and different examples to appeal to the ethos, logos, and pathos aspects of his audience – the American citizens; however, Whitehead’s apparent bias, shown through his strong conservative values and passionate tone, causes him to disregard the deeper meaning of the educational

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In the story “The Man Who Loved Flowers”, King displays the fluid and fragile nature of humanity through the protagonist’s delusion and other people’s illusion. More specifically, it describe the man believes Norma, his dead lover is still alive; he is unaware of what is happening around him; the roadside people judge the young man only by his appearance and dressing, which are totally deceiving. For instance, he thinks an unknown woman is Norma; when he meets this woman, “His own smile trembled a little, and he felt a moment's disquiet. Her face over the sailor blouse suddenly seemed blurred. It was getting darker now. . .

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Mary Maloney provides the detectives with lamb that she kills her husband, Patrick, with. When the detective declares that the murder weapon is probably right under their noses, it is ironic because the reader knows that they are eating the weapon that the detectives are seeking. Furthermore, situational irony is displayed when Dahl narrates, “At that point, Mary Maloney simply walked up behind him and without any pause, she swung the big frozen leg of lamb high

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