ipl-logo

Marcel Duchamp Research Paper

1264 Words6 Pages

Dada is an attitude and style that is interested in irrationality and calls attention to the order and problems of the society. Marcel Duchamp pioneered Dadaism, which started out in Zurich in 1910s with the focus on issues of change and developed its influence worldwide with most representational cities as New York and Berlin. Thierry de Duve, the author of “pictorial nominalism: on Marcel Duchamp's passage from painting to the readymade ” was born in 1944 in Belgium. He is a philosopher, critic, and historian of art (Duve, Pvi) focusing on “the questions modern art poses to philosophical aesthetic”. Pictorial Nominalism is the first book published by Thierry, his later more renowned publications include “Kant after Duchamp” and “Clement Greenberg …show more content…

According to Duve, Duchamp was born in a family of artists. Being among a family of painters, Duchamp got exposures to cubism in 1911, and started his own exploration of it. His early attempts of cubism include The Sonata, oil which was produced in 1911 as a portrait of the females in his family: His favorite sister, Suzanne was sitting in front of Yvonne, who was playing the piano, and Magdeleine, who was on the violin. Their mother was standing in the background as an audience of this family musical. Duchamp had developed his system and style of cubism that depicts the movement of objects in time from his photography background. However, Duve demonstrated that, since Duchamp’s “interest in Futurism was aroused only by Balla's Dog on a Leash” which was not exhibited until February 1912, which was after the creation of the Nude Descending a Staircase No. 2 (Duve, p21). From this, Duve inferred that Duchamp was very confident about his painting and expected to receive recognition for it as he knew that his artistic practices was in line with the most cutting edge avant garde …show more content…

Hence, it was precisely this passionate and smart young man with great confidence and favorable family background to exhibit Nude at the Salon des Independants whose confidence got crushed after being rejected by the Salon des Independants, and was later notorious for his scandalous painting. The initial huge failure had left him a trauma with his artist career, and had caused him to “avoid any overly direct confrontation with Braque and Picasso, preferring instead the easier company of Metz inger or Princet” (Duve, p21). Consequently, this had resulted in Marcel Duchamp’s antagonistic psychology and his quest for “revenge”. As stated by Duve, duchamp’s painting’s psychological compensation of his desire to “be absolved of his failure in relation to the history of art” was comparable with Freud's dream’s psychological compensation of “his desire to be found innocent of his failure with Irma”. Duchamp chose to go to Munich for the purpose of staying away from the competitions and trauma, where he was able to “give free rein to” his own ideology of artistic accomplishment (Duve, P24), and it was with this foreshadowing that Duve introduced the choices Duchamp made later on that changed the history of modern

Show More
Related

Modernism The Assault On Tradition Study Guide

796 Words | 4 Pages

The most influential is Pablo Picasso and his paintings. “Les Demoiselles was the precursor of a new style called cubism” (395). Cubism was a new style of modern art. With the spread of technology and finding its’ way into the art realm, it produced a new style art called “Futurism”. Since the Modernism era was about expression away from tradition, this idea was the birth of “expressionism” in art.

Read More

The Burlington Magazine, David: Alex Katz's Development As An Artist

1519 Words | 7 Pages

Carrier’s inclusion of Katz’s past such as his childhood and origins is crucial to understand Katz’s viewpoint. The development of Katz’s work through the adaptation of other styles also plays into the understanding of it. Taking this into consideration and the mental phenomenon he connects with his paintings, you get a deeper feel for the painting. As if you are in it, living through Katz’s imagination. Alex Katz.

Read More

Legend Willem De Kooning Analysis

1472 Words | 6 Pages

As an abstract expressionist, de Kooning’s artworks were and are considered a part of his being, and yet in his essay “Legend: Willem de Kooning,” Wormser restrains himself from describing de Kooning’s pieces because to do so would be to identify de Kooning – to leave room for misinterpretation. Even if Wormser were to know exactly how to interpret the artwork – since he was confident enough to write an essay as a narrative monologue that interprets de Kooning’s stream of consciousness – describing an abstract, surreal piece of art is to try to explain color to a blind man, or to ask a dog to see rainbows in color; it would be impossible, especially when the piece of art is a painting from the century of the shattered frame where the artwork is continually being reinvented and reinterpreted in people’s minds. However, despite not explicitly describing de Kooning’s paintings, Wormser describes what other painters see in de Kooning’s work when he says, “they realize something exquisite is present. They realize that there is more sensitivity than anyone might know what to do with” (210). Correspondingly, Womser suggest that de Kooning’s painting embrace a certain delicacy and naivety that seem to “engage everything through the medium of

Read More

The Impact Of Psychic Automatism On Art

771 Words | 4 Pages

Psychic automatism in its pure state, by which one proposes to express – verbally, by means of the written word, or in any other manner – the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern (André Breton, 1924). French poet André Breton (1896 – 1966), founder of surrealism, has described his own vision of the future in the ‘First Manifesto of Surrealism’ (1924). His intensions were to bring about a profound revolution and help artists produce works freely from culturally enforced norms. This paper will address the key factors regarding surrealism by explaining its most popular methods, its goals, the historical events and founders and lastly, its impact on art and other areas.

Read More

Claude Monet, Pierre-Auguste Renoir, And Mary Cassatt

1128 Words | 5 Pages

The art produced today has been influenced by the rebellious founders and their development of the impressionism movement. Even though the first exhibition of the impressionism movement was not as successful as they hoped, it was the starting point for a new way of thinking about and creating

Read More

Research Paper On Marcel Duchamp

234 Words | 1 Pages

Art is presented in many different ways with different meanings; Arts is expressed with a variety Of styles, emotions, the view and competitions and even the texture. Marcel Duchamp's was born in Blainville, Normandy. He is a painter, and he is also a mixed media artist. He was related with cubism it is one of the most important arts of styles of the early 20th century. The artist Pablo Picasso designed it, and he was also connected to Surrealism it’s also a form of art and literature that is developed or combined unrelated events together, also in the 20th century and last but not least.

Read More

Pablo Picasso Research Paper

809 Words | 4 Pages

The rose period was when he was using pinks and reds. His most famous paintings from these years include "Family at Saltimbanques" (1905), "Gertrude Stein" (1905-06) and "Two Nudes" (1906). Picasso had many other painting periods such as; Classical Period, Surrealism, Self Portrait Facing Death, and Other Later

Read More

Readymade Objects In Marcel Duchamp's Fountain

649 Words | 3 Pages

Marcel Duchamp was the pioneer of Dada, a 20th century art movement that questioned traditional assumptions of what art should be and how it should be constructed. This movement showcased the concept of “anti-art”. Duchamp created the artistic concept of “readymade,” declaring that anything an artists presents as art, is deemed as art. Duchamp and other Dada artists were known for their use of readymade objects that could be presented as art with minimal manipulation. In 1917, Duchamp created a piece titled “Fountain”, which was essentially a displaced urinal.

Read More

Marcel Duchamp Research Paper

913 Words | 4 Pages

Interestingly, Duchamp received in this time an association with Dadaism - ready many years after the end of the group that is associated with a group, without having to confirm the policy and the problems that normally determine the dynamics of the group. Duchamp practically enrolled in the movement and, therefore, in the history of art. Duchamp's insistence that art should be an expression of the mind and not of the eye or the hand, spoke as much to the minimalists as to the conceptual artists. It marked the beginning of a new era, summed up by Joseph Kosuth's statement that "all art (according to Duchamp) is conceptual (in nature) because art exists only conceptually".

Read More

Pablo Picasso Research Paper

1001 Words | 5 Pages

In the 1800’s, one of the worlds most renowned artists was born. Pablo Picasso, of Spanish origin, not only known for his abstract paintings was also a playwright, stage director, poet, and sculptor. Picasso became a revolutionary artist because of his world-renown 20th century art. He was exceptionally prolific throughout his lifetime, achieving universal renown. A man of many creative colors, Picasso had five major periods: The Blue period, The Rose period, the African Influenced period, the Analytic Cubism period, the Synthetic Cubism period.

Read More

Baudelaire's Response To Delacroix: The Old Woman

1650 Words | 7 Pages

Here, Delacroix’s recourse to Gericault’s composition seems to accrue further, localized debts. In addition, a number of otherwise diverse canvases from the years 1820 to 1824 show Delacroix’s fascination with the potential of this very pose, with a series of faces

Read More

Marilyn Diptych Analysis

837 Words | 4 Pages

The ‘contradiction between art and society is as indispensable an element of the Marxist interpretation of the history of art as is the doctrine of their unity’ (Lifschitz, 1938, pg. 68). Indeed, Marxist thought is inclusive of an abundance of key concepts that intertwine with the arts in an ‘indispensable’ way. Such concepts include popular culture, class conflict and, namely, the ongoing Marxist struggle of capitalism within society. Many works can be discussed through a Marxian lens which generally offer powerful interpretations for art within society. This essay will analyse the ways in which Marxism assists in the understanding of the arts and, more specifically, the ways in which art responds to political agendas of the time.

Read More

Marcel Duchamp's Fountain, 1917

1825 Words | 8 Pages

Dada was a movement which dominated the inter-war years. Dadaism was a movement that represented new ideas and rejected traditions in a direct and obvious way. Dadaism directly supports the statement that modernism is represented by the rejection of tradition. Duchamp was “the most stimulating intellectual to be concerned with the visual arts in this century – ironic, witty and penetrating” in the writers’ point of view. Duchamp used an everyday object that he converted to an art work only by choosing it he simply adds nothing to them.

Read More

Analysis Of Les Demoiselles D Avignon

2716 Words | 11 Pages

In the painting the drapes are used to point out the painter`s departure from the traditional form of painting. In the era of Renaissance, the painters perfected the ideal of the human form but Picasso approach to the distortion of the ideal human form led to the remarkable work of art . The painting can be seen as a reflection of the artist`s fear of venereal disease, his perception of mysteriousness of sexual energy and his private affairs with women. The painting consists of an element of psychological anxiety communicated by the masked figures. The effort of labour that Picasso indulged in painting Les Demoiselles D Avignon which is although said to be incomplete work has definitely led to a certain sense of liberation of the artist through his work ,Les Demoiselles DAvignon.

Read More

Moreau's Use Of Symbolism In Les Fleurs Du Mal

1001 Words | 5 Pages

The last decades of the 19th century saw the rise of new painting techniques in Western Europe, that challenged the Classical approach that the arts had acquired and denominated what was considered a work of art or not. One of such movements was Symbolism, which began as a literary movement in France with Charles Baudelaire’s Les Fleurs du mal written in 1857. It is often considered a definite break from Classical painting, as it emphasizes symbols and ideas through the use of forms, lines, shapes and colors; fighting the representational nature of the former. Even though both are opposite tendencies, this didn’t stop emerging artists from combining them to reach new levels of expressions, as is the case with Gustave Moreau, a French painter

Read More

More about Marcel Duchamp Research Paper

Related Topics

Open Document