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Mark Twain And Kate Chopin's The Awakening

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Mark Twain and Kate Chopin were experts at creating regionalist works. Regionalism refers to texts that concentrate heavily on specific, unique features of a certain region including dialect, customs, tradition, topography, history, and characters. It focuses on the formal and the informal, analyzing the attitudes characters have towards one another and their community as a whole. The narrator is particularly important in regionalist fiction for he or she serves as a translator, making the region understandable for the reader.
Kate Chopin also employs regionalism in her work The Awakening. However, Chopin 's regionalism is slightly different than Mark Twain 's regionalism. While Twain looks to glorify the region, he writes about, Chopin
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The movie awakenings produced by Penny Marshall and book Flowers for Algernon by Daniel Keyes are two very similar pieces of material. To start both characters have extremely crippling disabilities that make everyday life extremely difficult. As seen On page 268 of Flowers for Algernon by Daniel Keyes Charlie says "Miss. Kinnian says maybe they can make me smart." As well as in the movie Awakenings by Penny Marshall main character Leonard Lowe has been unable to speak and move properly for 30 years.

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Hope is a powerful thing; more powerful than death itself. Night, by Elie Wiesel, is about a jewish boy who is put into a concentration camp during the Holocaust. Elie doubted his faith to survive but had others to lean on during the hardship. Elie had the support of others as a sense of hope to survive the long, cold nights, with little food and water.

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Chris McCandless and Henry David Thoreau are followers of the 19th century philosophy Transcendentalism. Transcendentalism is the belief that everyone has the wisdom in them to be one with God without having to go through a priest or be in a church. Transcendentalists base this philosophy on self-wisdom, nature, and social reform. Jon Krakauer’s Into the Wild shows Chris McCandless’ choices and parallels to Henry David Thoreau’s transcendental beliefs from Walden. One transcendental belief that Chris McCandless follows is living deliberately.

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Mark twain’s writing as well as Frederick Douglass writings have many similarities and differences. The similarities and differences come from the tone of their writing and the language of their writing. Some ways their writings are similar is because they are both in first person narrative writers. They both use the words I and my in their writings.

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“At last, he said, wearily: ‘I have more faith in Hitler than in anyone else. He alone has kept his promises, all his promises, to the Jewish people.’” (Wiesel 22). MAUS written by Art Spiegelman and Night written by Elie Wiesel have different approaches and use of storytelling have led to the same outcome, telling one’s story as a memoir as it shall not be forgotten. Spiegelman approaches his book as a graphic memoir, telling the story using visual and metaphors.

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The Awakening Analysis Paper Caged and constricted by guidelines; Foreshadowing freedom and bursting the steam of her soul. Edna Pontellier mentality was infested with a corrupted way of existence that has passively tormented her nature. Kate Chopin, mastermind of the novel, The Awakening, introduces multiple objects to symbolize how Edna contradicts her sexual and spiritual desires to escape a gruesome depression to achieve happiness and freedom. One of the species introduced in the novel was a parrot. In the beginning of the book, the parrot bickers and shrieks towards Mr. Pontellier; this, refers to Edna.

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To begin with, a great writer doesn't title his book with an insulting word because the book loses its test before it reaches to potential readers and as such it doesn't attract many readers. I don't need to read this book for the climax of the story is on the cover. In today's Ethiopia, the book contributes tremendously to division animosity among people. Nobody could learn anything from such kind of nonsense book.

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In the memoir Night, written by Elie Wiesel, the protagonist struggles with his initial important values while going through times of despair, urging him to abandon these morals for his own individual good. It is immensely imperative that he does not give in. Elie’s experience as a victim in the Holocaust threatens his loyalty to his father, relationship with God, and compassion with others to weaken. The main character is consistently pressed to discard these things, once the most meaningful matters to him, in order for him to stay alive. For most people facing the same situation as Elie, their one and only ambition is self-preservation, causing all of their other initial, now irrelevant, morals to go out the window in order for them to protect

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Another example of survival and compassion is how Elie had given up everything in order to keep his father alive. Elie still used compassion and gave up his own needs for his father late in the story. By the end of the story everyone was starving and acting un-human like. For example, the men were “tearing and beating each other like animals” over a piece of bread. Instead of doing this Elie shares food with his father in order for him to survive.

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In the world there are amazing regions to explore and see. However, we usually don’t see them in person. Writers use the fact that readers may not know anything about their region, but are able to read or experience the region the writers provide. In fact, Twain uses this to his advantages to talk about his home village near the Mississippi River, as well as, Jewett shows us the wilderness in Maine. Jewett and Twain uses regionalism throughout both of their writings, by creating their own types of settings.

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One cannot prevent them for the reason that they just happen. 2. Term: Regionalism refers to work of Literature takes place in a specific area of the country. This is shown by the author’s use of dialect, explanation of landscape, beliefs and customs of the characters.

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Regionalism is defined as “Literature that emphasizes a specific geographic setting and that reproduces the speech, behavior, and the attitudes of the people who live in that specific region”. There are many examples of regionalism in “The Adventures of Huckleberry Finn”, one would be “Jim was monstrous proud about it, and he got so he wouldn’t hardly the other slaves. Slaves would come miles to hear Jim talk about it, and he was more looked up to than any other slave in that country…”(6). This is a great example of regionalism because the “N” word was widely accepted and that everyone believed in slavery, subsequently, there is a language quote and how they talk, “Yo’ ole father doan’ know yit what he's a gwyne to do”(15). In addition, authors use imagery to put a picture of what’s happening in the reader’s

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The story of the book is about a girl named Hazel who has cancer. Her mother convince her to join a support group where she meets a guy named Augustus Waters. Hazel carried with her an oxygen tank to help her breath better. When she saw Augustus she thought that he was very handsome and there was nothing wrong with him. What Hazel did not know is that Augustus had cancer in his leg before.

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Leeanna Whittle Ms. Hutto English 3-1st 26 February 2016 Gender Stereotypes as far back as the 19th Century Kate Chopin is an American author who lived in the 19th century (Wyatt). Kate Chopin is known for being way beyond her time (Evans 262). She wrote about emotions and conflicts no other author of her time would ever think to write about (Evans 262). She grew up with two powerful women, her mom and grandmother, who influenced her views on society (Wyatt).

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Another example of metaphor in the novel is how Mr. Twain depicts the characters to enunciate his views of the bigotry of social norms pushing the reader in a sense to understand what he means. Huckleberry Finn with his innocence and Jim with a thirst for equality metaphorically portray the minorities, Pap the trope of humanity that are corrupted and deprived by those that are uncivilized. “You’re educated, too, they say—can read and write. You think you’re better’n your father, now, don’t you, because he can’t?

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