Mary Warren The Crucible Analysis

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In Arthur Miller’s The Crucible, a lot of people, who were all part of the Salem Witch Trials, are taken to court over one person who claimed they were a witch. Many things were going on in my mind while reading the play. In The Crucible, I felt two emotions the entire length of the play and movie, frustration and I thought it was hilarious. I felt frustrated for the length of the entire play. The main thing that made me fiery with anger was the fact that just because Abigail started accusing people of being witches without any proof, and that was the reason this whole trial thing started. People just believed it and all went along with the false accusations that came out of her mouth. The other emotion I felt was I think the whole trial …show more content…

No matter how hard she tried, she always was put on the chopping block. They found her with the pin in the doll and all of those girls in the court were mocking her. She didn’t have it easy, at all. I did feel bad for Mary Warren, but everything ended up all right for her. The main point that I took from the play was I hope we never have the mob-like mentality that they had in The Crucible. Like I said above, almost every single person just hopped on the train with absolutely no proof. Everybody just started tearing everyone up. Who you thought were your friends, really weren’t during the trials. No one was safe. I hope in today’s society we never have anything like this happen, ever again. In The Crucible, I felt frustration and I thought it was hilarious, my favorite character in the play was Mary Warren, and I hope we never have the mob-like mentality that is found in the play. I really did like to read the play. It was enjoyable. On a side note. At our church youth group on Wednesday night, we concluded our meeting by reciting the Lord’s Prayer. At the end of the movie, when John Proctor gets hanged, the Lord’s Prayer gets recited. Now, whenever I say the Lord’s Prayer every Sunday at church, my mind will always turn to John Proctor and the trials and tribulations of Arthur Miller’s The