Masculinity And Femininity In Sophocles Antigone

“I am not the man, not now: she is the man if the victory goes to her and she goes free,” Creon proclaims (541-42). This statement along with many others found in Antigone represent the ideas of how different genders play a part in ancient Greece. Sophocles powerfully compares the voice of Creon, the Chorus, Ismene, and Antigone to demonstrate the differences of opinion and beliefs surrounding the idea of masculinity and femininity. Through both Creon’s and Antigone’s beliefs surrounding the issues of gender bias and inequality, Sophocles attempts to transform the set definitions of masculinity and femininity that existed in ancient Greece by contrasting what it was then to what he wants it to become. Creon’s stance of how masculinity and femininity play a part in power represents ancient Greece definitions. During his fight with Haemon, Creon clearly proclaims his views surrounding masculinity when he states, “that man. . . his orders must be obeyed, large and small, right and wrong”

Ismene represents the ideal woman citizen – obeys men, does not ask questions, and does what is asked of her. She also holds the beliefs that the government at that time set in motion. Ismene represents these beliefs when she argues, “Remember we are women, [we are] not born to contend with men” (74-74). She is telling Antigone that women have no place to challenge the authority of men because women have no power. Ismene believes that women are at the hands of man, born to do their every will without question. The Chorus also believes men are “resourceful” and “quick as the wind” (401, 395). The chorus also comments that “[man] conquers all” (390). Sophocles enhances the definition of masculinity – power, authority, ruler, and supplier, and femininity – servant, useless, worthless, and naïve, through these