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Matryona's House Themes

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The film Circus is a 1936 Soviet melodramatic comedy musical film. Marion Dixon (played by actress Lyubov Orlova) plays and American circus artist who gives birth to a black child. Soon after, she becomes a victim of racism and it forced to stay in the circus but finds refuge, love and happiness in the USSR. In the movie, Dixon slowly comes to accept the Stalinist ideology and sees that the Soviet Union is an accepting, inclusive nation. Though out the film, Dixon is kept in a subordinate position by her “protector” the corrupt theatrical agent, Franz von Kneishitz (played by actor Pavel Massalasky). He continuously threats to expose the fact that she gave birth to a black child. With this threat always in the back of her mind, she soon meets …show more content…

However, the central theme of “Matryona’s House” is focused on Matryona herself. She is presented by the protagonist-Vysokoe Polye- a guy who wanted to abandon the city to a place where trains do not run; somewhere beyond the boarder of recognizable urbans. He states, “I wanted to efface myself, to lose myself in deepest Russia… if it was still anywhere to be …show more content…

Matryona is the little old lady of the village, where people don’t really respect her. He living conditions are shabby- with its wooden shingles and weathered logs, its withered garden and potted plants, its Russian tile stove and icons in the corner and its nanny goat, large cat, mice and cockroaches- but they did not change the kind and generous, unselfish person she was. The dismantling of the outbuilding symbolizes or anticipates the death of the old woman; more than that, it warns of the death of rural Russia, of its ancient, time-tested ways that must not be forgotten. Ultimately, the symbolism and the interconnection of Matryona and here house is used to convey the unnatural ideas of communistic ideology. In communist government, there is no one person but a group of people in power. This type of government does all in its power to destroy independence in a person. Greed, corruption and selfishness are words that are normally associated with capitalism. This story displays the exception for a communistic society, in that the selfishness and greed of the other characters are able to destroy Matryona. The corruption displayed in this story focuses on “the higher up get the peat and the people don’t get anything, so they are subjected to steal. The system forces people to be immoral, they have to steal. In the end, Matryona willingly gave herself, part of her house, to the greed of others to be

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It shows the enormity of the corruption of the system, as it has no regard for human life. The only thing it cares about is giving people a show to keep them busy and entertained. By changing history, the government alter fundamental values and ideas and over time succeeds in making them the acceptable norm of the society. The most explicit example of this is the government’s ability to convince the people that books brings nothing but confusion and sadness in the life of those who read them. Thus it became a recurrent and usual for people to shun away from all the knowledge reporting anyone who possess

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For example this point, is evidence in the chapter ‘’the key’’, when Mrs.Nasrine (her maid) said that ‘’they gave this to my son at school. They told the boys that if they went to war and were lucky enough to die, this key would get them into heaven’’ (p.99), in this frame is represented, the way that children were manipulated to take his own innocence, to do part of the revolution in a silent way, and how they were marginalized, because they really do not know why they have to use the different things that law told them to use. Also Mrs. Nasrine said: ‘’they told him that in paradise they were plenty of food, women and houses made of gold and diamonds’’ (p.100), this exposes how revolution is affecting their emotions , by taking away the fear, to manipulate and hide them in some way what was really happening in the war. A critical moment in the book was when Marji prove the cigarette and after that she affirms:’ with this first cigarette, I kissed childhood goodbye’’

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The overcrowded apartments and rooms foster poverty. Eviction from his greedy landlord is an ever-looming fear for Raskolnikov. He becomes trapped within the vicious cycle of poverty and place. For example, he pawns a watch to his landlady who offers him a meager amount for the watch. Raskolnikov, Raskolnikov cannot accept anything lower due to his debt to her.

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The home mourns and wishes for its family because without them, it will be what it was before, a house. Just like the empty vase, one of the few objects that remain inside, it has lost all meaning without life pumping through its core. Larkin shows this loss through a depressing personification, separated and detached tone, and the slow crumbling structure. The home is not yet a house because it is still filled with memories of the past, which it is desperately grasping onto. Those memories - the pictures, the cutlery, the music in the piano, and that vase, are the only things that remain.

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