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Ancient Greece and Feminism
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Medea’s actions throughout the text show “that she has the reach and temper of a thwarted tyrant or of one like an Ajax or a Prometheus,” of a hero and of a man. Medea’s hero-like nature is also displayed through Medea’s heroic departure in the play in which she rides off to Athens in Helios’ chariot while Jason is left behind (now childless, widowed, and abandoned). It is especially important that Medea rides off to Athens as, if going to Greece is an improvement for Medea, then Athens would have been seen as quite the reward, especially by an Athenian audience. This confirms her placement among Heros, further supporting the notion she is acting as a man would. The actions of Medea are, while extreme, not surprising when considered in light of her
Modern Day Medea When reading the play Medea one might not think of Stephen King’s novel Carrie. There are however, many similarities between the two stories and the two main characters. Both characters were wronged and humiliated by people close to them. Both characters were also willing to use their supernatural abilities to take revenge on those who had wronged them.
In Euripides’ text The Medea, Medea can easily be painted as the villian. She is a woman who killed her own children in an attempt to spite her husband. But, by examining the text, we can see that she deserves some sympathy. She has little to no control over her own life and has to rely on the will of men. And as a foreigner in Corinth abandoned by her husband, she faces even more challenges than the native women of Corinth did.
Medea and the women of Corinth both share, to a different extent, the experience of being unfairly categorized as the caretaker of the family, which aids Medea in persuasion because she can be trusted as a woman to speak on the patriarchal society. She continues as ‘’of all creatures that have life and reason we women are the sorriest lot’’ (229-230) of all the living things Medea describes women as the ‘’sorriest’’ which suggests that women are pitied and helps Medea to allure the Chorus to be on her side. Medea suggests to the Chorus that Females ‘’must at a great expenditure of money buy a husband and even take on a master over our body: this evil is more galling than the first. ’’(231-233) Medea is arguing that women must sacrifice a ‘’great’’ amount of money to ‘’buy’’ their partners. This conveys the patriarchal community in Corinth.
'Euripides' character Medea is a desperate woman maltreated by a despicable man.' Do you agree? In Medea, Euripides explores the notion of ill treatment at the hands of various characters, including Jason. This is evident in Jason's lack of appreciation and acknowledgement of Medea in raising his status to become a legendary hero.
In some shape and form Medea is able to emasculate Jason and use her masculine traits to take power and revenge. In Greek society women were subordinate to men and were oppressed and classified as slaves. Medea is not a feminist role model. Euripides is
In Medea by Euripides, Medea 's character flaw that ultimately led to her downfall is revenge. Medea 's husband Jason left her to marry a younger, beautiful woman. Medea becomes outraged, and all she thinks about is getting revenge. She kills Glauce, Jason 's new wife, and her father, Creon. She wanted her revenge to be perfect she even killed her own children to get revenge on Jason leaving her.
The author Richards of "Review/Theater; Amid Pain and Din, A Mighty Medea," describes the male characters as arrogant, condescending and egotistical. During the play Medea, the males are characterized as only interested in what will give them power and they are not concerned with the feelings of the women or Medea in the play. “The male characters in "Medea" don 't come off well. But then they never have, and Alistair Elliot 's stripped-for-action translation of the play further emphasizes [Euripides] ' feminist sympathies. Either the men are smug and patronizing (like John Turner 's Creon) or else they 're smug and self-serving (like Mr. [Tim Oliver Woodward] 's Jason).
Paul Vu Dr. Elizabeth C. Ramírez THTR 475A.03 2 May 2017 Macbeth and Medea: Breaking Expectations Macbeth by William Shakespeare and Medea by Euripides are known for their powerful critiques on the social expectations of women. Women during the time of Elizabethan and Greek theatre were often stereotyped and considered the weaker sex. Men were depicted as strong individuals who supported and protected women. However, both Shakespeare and Euripides broke expectations by portraying strong and iconic female characters in their respective plays. The idea of a strong female character was often unheard of during the time of Elizabethan and Greek Theatre.
Medea plots her revenge by murdering the king, the bride and her two children in order to make Jason suffer and take away everything Jason cared about. The Greek gods felt that Medea was in her right and they proved this by allowing and even helping her escape in the end of the play
Brutality of Indifference There are an estimated 250,000 child soldiers in the world today that are fighting to survive and get through their lives every day. There were approximately 1.5 million child deaths in the holocaust. Ishmael Beah and Elie Weisel are both foreigners who struggled in life and struggle trying to understand why the world is so indifferent.
Lush explains “Although Euripides did not cast Medea as a male solider as its protagonist, the play depicts Medea as suffering from the background Trauma, betrayal, isolation and consequent symptoms attributed to combat veterans with lasting psychological injuries” (Lush, 2014, p. 25). Hence using Lush’s view on Medea’s character as a devoted warrior suffering from Traumatic hardships in her experiences with the man she gave everything to, we can understand why she wanted revenge. Medea believes Jason owes her more than just the normal husband-wife obligations a man swears to when marrying a woman; in her view, she helped him be the man that he is and supported him throughout his heroic journey. Without her, Jason would not have succeeded in retrieving the Golden Fleece. Without her, he would not have had his father resurrected.
Women were meant to be submissive and obedient to the dominant figures in society in their eyes, which is why when she acted submissive and feminine, he believed she finally understood his view and gained some sensibility. She told Jason, “Wretched woman (thus I scolded myself), why am I so mad as to hate those that mean me well, to treat as enemies the rulers of this land and my husband, who, in marrying a princess and getting brothers for my children, is only doing what is best for us all?” (Euripides 58). At that point, Medea was discussing in reference his justification for marrying the Princess of Corinth. He claimed that he was marrying her so that he and their children could gain citizenship since currently they were not citizens of Athens and thus, did not receive any benefits or protection.
She describes the world to be unjust, especially to women. Medea believes that women are looked as inferior to men, and even so, men are quick to display their unlikely maltreatment. To her, women have little to no say in their marriage, their bodies, and general society. Medea’s outlook of women is first conveyed through this quote, bringing upon the theme of the state of women within Greece. This quote reveals the state of women within Greece, a leading theme of the story.
MEDEA, Euripides In the ancient era was the theater plays and a very central part of the future society. Usually written the dramas and love stories. A classic piece of antiquity is Medea, written by Euripides. The play 's fable is that a woman who learns that her husband has been cheating on her.