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Meursault Color Red Quotes

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A connection I can make with all of these quotes is that they all affected Meursault. The color red, sun, and the heat all affected Meursault 's thought process and his actions. He does not know this, but these quotes will affect him in the current situation and in the future. The first motif is the color red. In this novel, the color red has the symbolic meaning of blood and love. The few times the color red is mentioned, it was either on Marie or on the sand. The red on Marie is a red and white striped dress that Meursault loved seeing her in. The dress appears two times in the text, before the shooting and after the shooting. Each time he sees her in that dress, the feeling of lust erupts from him. The red in the sand connects to the blood …show more content…

These two most often will correlate with each other. The aspect of sun and heat in this novel is very important. The most noticeable reason is the fact Meursault blames the sun for his actions. The sun symbolically represents a higher being or great source of power. This connects perfectly with Meursault’s claim for shooting the Arab. The pressure from the Sun could be seen a sign from God pushing Meursault into shooting the Arab. Meursault did not have a real reason for the murder. He was just at a bad place and time, and the heat got to him. However, this goes against his beliefs. Meursault does not believe in God, so to say that God pushed to pull the trigger, he would have to lie to the courthouse. The heat is also very important in this novel. Both times that death was in front of Meursault, the heat was unbearable for him; his mother’s funeral and the murder of the Arab. The heat is very uncomfortable for him, because he mentions it many times. Sometimes it is so bad, he becomes dizzy and is unable to think properly. When he is in court, every time he is questioned about the murder, he alway relates back to how hot the scene was. The heat was the most memorable thing from the scene. As previously mentioned, he is affected a lot by physical sensations. It was clear that his mentality strength and mood was affected by the sun. If the heat was not so intense during the time of the event, he might not have been pressured to shoot the

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Meursault shows his lack of emotional attachment to people: "I explained to him, however, that my nature was such that my physical needs often got in the way of my feelings"( page 41). Meursault shows the regrets of his nature but also, at the same time, explains that it’s not going to change. Rather than focusing on finding someone to spend his life with, Meursault would rather find someone who can always keep him pampered. Meursault again shows his regret for his actions when he says, "I wanted to try to explain to him that it was because of the sun, the sea, the light, in fact, everything, that I had simply loved him with no personal motive" (Page 68). Meursault shows his lack of care for those whom he loved, but at the same time shows that Meursault might not be able to fully control what he does, but rather does everything out of impulse, therefore making him regret his actions in some situations.

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Right away the death of Meursault’s mother joined with other very random occurrences seem to be everyday occurrences. Once again I noticed the similarities of the two main characters of the book, acting as if all the events in their lives seem to be normal. Meursault views life so simply, despite its irregularity. This can be seen in the quote in which he talks about life, “I said that people never change their lives, that in any case on life was as good as another and that I was not dissatisfied with mine her at all”. He really exerts no emotion towards anything in this life.

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This fight leads to Meursault going to a murder trial because he shoots one of the Arabs four times and kills him. Meursault shows importance of the physical world when he is at Maman’s funeral, while in a fight with the Arabs and when he is at his murder trial. Meaursault connects more to the physical world rather than to the

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Camus uses the motif of weather, most commonly sun and heat, to express Meursault’s emotions. Meursault often describes the weather and how it ‘affects’ him. This can symbolize his actual feelings he tries to hide. An example can be found when Meursault is walking to his mother’s funeral. On the outside he is calm and even seems a little annoyed.

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At the beach, the sun “slap[ed] [him] in the face.” and started “[…] to burn [his] cheeks, […]” to remind him “the day […] [he has] burred Maman”. At this point, Meursault experienced dizziness and disturbance he has already experienced during his mother burial. As if to annoyed him more, “The light shot off the steel [of the Arab] and it was like a long flashing blade cutting at his forehead”.

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The sun unlike in many novels has a more immediate and compelling power in The Stranger. It mainly an agent of that brings frustration and irrationalism to Meursault's actions and life as a whole. The sun creates an environment Meursault is novice to and forces it upon him in which he uses the rage and frustration nurtured by the hostility of the sun and translates it by pulling the trigger; killing the Arab. Furthermore, the sun adds tension to his surroundings by “shining almost directly overhead onto the sand,” creating unfavorable circumstances that Meursault clearly detests. It also amplifies Meursault’s feelings to a point that he can no longer in control/contact with them.

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As Meursault perceives life contains no meaning, he is a hollow man who can not see the reality of life. He is much ignorant and lives in the present. “whole landscape shimmer with heat, it was inhumane and oppressive”(Camus 15).The sun represents the intimidating power of the natural worlds over human action. The sun is not repeated once, but many times during the funeral, which distracts Meursault’s attention and prevails the emotions, Meursault is unable to deal with himself. The sun is also the driving force, which makes Meursault murder the Arab man at the beach.

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He shows no grief or regret. The intensity of the emotions that the heat and sun evokes on him is shown as he pours with sweat: “Sweat was running down my face…I tried to fan myself with my handkerchief” (30). The sun is the only thing that can get a reaction out of Meursault; in this case, he gets out his handkerchief. His emotions evoked by the physical world, by the heat, light, and sun, bar him from experiencing the real feelings such as grief for his mother.

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(59) After long passages describing the painful violence of the sun, Camus’s transition into the murder is shockingly abrupt, provoking a sense of bewilderment at the unexpected randomness of the murder, conveying effectively the irrationality of Meursault’s murder of the man. However, during the trial, when Meursault reveals that he murdered the Arab only because of the sun, refusing to allow others impose their logical but false interpretations upon his life, “people laughed” (103) and even his own “lawyer threw up his hand” (103) as they are unable comprehend and accept such an irrational motivation. To protect themselves from this harsh reality of the universe, they can only fabricate and impose their own logical explanation for Meursault’s behavior. The prosecutor, for instance, is convinced Meursault murdered the man in cold blood, certain in the narrative he has constructed out of events completely unrelated to the murder, from Meursault’s “ignorance when asked Maman’s age” (99) to his association with a man of “doubtful morality” (99). In both cases, Meursault’s indifference for societal standards of morality has painted him as a man immoral and cold-hearted enough to premeditate the murder.

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He was influenced by physical discomfort. After shooting the Arab once, he “fired four more times at the motionless body” (59) because, according to Camus’ existential philosophy, it does not matter whether he shot him once or four times because the Arab was dead regardless. The four extra shorts were not done out of panic

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Meursault notices that during the trial, “there was a lot said about [him], maybe more about [him] than about [his] crime” (98). By having Meursault 's personality be the focal point of the courtroom 's dialogue, Camus implies that Meursault 's persona plays a crucial role in his trial. Instead of focusing on the murder of the Arab, the prosecutor repeatedly mentions Meursault 's "dubious liaison"(94), his "insensitivity" (99) during Maman’s funeral, and his friendship with Raymond, who is a man "of doubtful morality" (99). Through the emphasis on Meursault 's -according to society- 'immoral ' ways, the prosecutor eliminates any sort of sympathy the jury has for Meursault. Following Marie 's testimony, the prosecutor once again exhibits his confidence that bias against Meursault will stem from hearing about his behaviour.

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