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Introduction to poetry metaphor
Importance of metaphor in literature
Introduction to poetry metaphor
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Figurative language is often used in “The Jilting of Granny Weatherall” because it shows Granny’s hallucinations. The flowery language that often personifies inanimate objects illustrates the intensity and detail of Granny’s hallucinations. For example, “Hapsy melted from within and turned flimsy as gray gauze and the baby was a gauzy shadow…” (398). Using the words “melted” and “gauzy shadow” give the reader a comprehensive picture of what Granny saw. Also, the figurative language used outside of Granny’s hallucinations help the reader understand how events occur in the story.
Doyle’s anecdotes, imagery, and varying sentence lengths allow us to interpret the physical and emotional transformation of snow. Throughout Doyle’s essay, there is the prominent use of anecdotes, allowing the audience to connect with his piece, whether or/ not they have seen snow. His opening: “I met a small girl who told me she had never seen snow.” sets a rhetorical situation. Doyle’s use of a rhetorical situation allows the audience to read from the point of view of a young and curious mind while also presenting his purpose, “snow is inarguable”
There are many ways an author can convey the message of any story. Elements such as the Plot, Conflict, Character/Characterization, Setting, Symbolism, Narration, and Imagery are used in these ways. For example, in the In the story "Harrison Bergeron", the author Kurt Vonnegut uses the characterization, and the conflict to communicate the message to the reader that Uniformity and strict laws lead to a loss of personal freedom and individuality. Vonnegut uses the element of characterization.
When writing a novel authors must think not only about what they are about to write, but why they are going to write it. They have to select diction that will convey their inner thoughts and emotions. There is a need of imagery to pull the reader into the story so they will not lose their drive to read. Tone must constantly shift in order to keep the reader so engaged that they are determined to read until it all makes sense. From the longest to the shortest sentence, there is a reason -- called syntax-- why that sentence is there.
In the excerpt, The Street by Ann Petry, there is a 3rd person omniscient narrator to explain the hatefulness of the cold along with the keen determination of Lutie Johnson. The narrator completely conveys the true parts of the cold to better show Lutie Johnson’s experiences by employing descriptive personifications and vivid imagery of the central antagonist as the wind. Imagery is undeniably the most used literary device in this excerpt, as it gives the reader an accurate sense of the horrible temperate weather that the protagonist is forced to endure in her search for a home. The presence of the “Cold November wind” is shown in the sense of disorder and chaos that is at 110th street. “Scraps of paper “are sent “…into the faces of the people
Prose Appreciation Rough copy Effective diction, literary devices and structural devices are the most important element of a novel. In the passage of the novel titled The Knife of Never Letting Go by Patrick Ness is developed deeply by different kinds of devices. In the authors opinion, the passage in the novel is about Todd's hatred towards the town and how it is developed by effective diction, literary devices and structural devices. Effective diction has a played a huge part in the development of the passage. Firstly, in the passage there is an example of effective diction and how it adds effect to the surroundings.
Diction is used in this short story through the different stories that each character tells to better explain certain situations. For example, after the two women found the dead canary it reminded Mrs. Peter of the boy who killed her cat when she was a young girl. This story gives better insight to the women as to why Minnie may have killed Mr. Wright. This is just one of a few instances of diction used in this short story to represent the main
The careful steps of Charles O’Riley sank deep into the thick, muffling pillow of snow without the slightest evidence of sound. The flakes settled softly in his wake, whirling flurries of a tender blindness, slowly, gently tucking away all traces of noise into the deep caress of forsaken dreams. The late hours of evening had yet to pass over the day, and O’Riley’s worn leather soles, peeling and brown-black from years of trudging through the winter snow, halted their steady march, paused, and settled their weight firmly to both feet, as their owner craned his head. Right hand absentmindedly clutching a tattered old tweedy hat to his head, as squinted through the snow at the bold, red “Condemned” letters spelled out across the cracked and dusty
The utilization of symbolism, diction and syntax all foreshadow the ending of the story and help the reader understand the meaning of
In the stories “Popular Mechanics”, written by Raymond Carver, and “Hills Like White Elephants”, written by Ernest Hemingway, show the struggles that sometimes happens while being in a relationship. In “Popular Mechanics” Carver shows the struggle of being cheated on and the fight between the couple over their baby. The baby becomes more of an item when they fight trying to show who is a better person and parent. In “Hills Like White Elephants” Hemingway shows that not everyone wants to have a baby and that it can change your life drastically. The couples in “Popular Mechanics” and “Hills Like White Elephants” are arguing over a baby, are splitting up, and the stories have settings that represent what is happening.
Carver’s opens his story with a brief, yet detailed imagery describing the weather and comparing it to what’s going on with the family inside. “Early that day the
To reinforce the gravity of the situation, she elects her diction meticulously, noting how the wind "drove most of the people off the street . . . [with] its violent assault. " Ordinarly, this relates closely to personification, but it primarily serves to establish the predominant nature of the wind as it endeavors to bollix the town deface the street. This selection of detail also magnifies Petry's imagery, enabling us to visualize the effect that the wind has on the people. Nevertheless, by exemplifying the disarray of the people, the author does not necessarily generate an image, but rather constitutes an understanding.
He used the tomb-like houses and empty streets as a form of symbolism. And repeatedly mentions the frosty air and cold november night in his story. He gets a clear message across when he shows how the world has become cold and hard. Each word or paragraph he uses and writes are there for a reason. Everything he does is intentional and nothing is a small detail you can overlook.
So, like Hemingway, Carver’s narrative techniques in the third person are also detached, which gives his readers an opportunity to fill in the gaps and interpret the meaning of the story. In truth, his style and content work in a perfect harmony. His style, in the words of Gordon Burn, “derives its power as much from what is left
On of the greatest examples of imagery that Alice Walker uses is the one that compares light and darkness. At the beguining of the story the author mentions delicate and calm setting of a farm. In creating this imagery the reader is able to understand that all the positive and upbeat words are associated with the farm setting. Myop’s light-hearted innocence is also shown when “watching the tiny white bubbles disrupt the thin black scale”. The effective description provides credibility to the environment, and makes the later events all the more shocking,