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More handpicked essays just for you.
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Mildred, the wife of Guy Montag, accurately portrays one of society’s brainwashed citizens who is controlled by technology so much to the point where she’s emotionally and physically drifted away from her own husband. From whenever Montag tries speaking to her or asking her for assistance, she can never seem to be disconnected from her so-called, “parlors” that symbolizes a modern day TV. She’s constantly referring to the people on her parlors as, “her family”(49), which is quite strange considering that Montag is the only family she has, yet she shows no feelings or contempt for him. Even Montag realizes their distant relationship which is why he, “wouldn’t cry if she died”(44). This implies how a normal person in their society is modernized
Previously, Montag had been yelling at her and her friends about the flaws in their society, as well as reading a part of a poem, which was considered illegal. “‘Was it my wife turned in the alarm?’ Beatty nodded,” (Bradbury 117). By turning Montag in to the authorities, Mildred had finally put her foot down and made one of the first real decisions in her life. The reader still pities Mildred, even though her actions harmed her husband, because Bradbury has built her character to show how her actions reflected upon her battle between choosing her society or her family.
‘You've got to get up.’ [Mildred] said. ‘It's noon. You've slept five hours later than usual.’”(page 24) Montag is literally sick to his stomach and Mildred just wants him to get up and make money.
‘Are you [Guy Montag] happy?’”(Bradbury 10). This chipper personality directly contradicts that of Mildred Montag, the wife of Guy. She is a cold, miserable prototype of her shifting society. Her name means, one with gentle strength. Just by looking at the meaning of both female’s names, a clear contrast and favoritism in Clarisse is already found.
Throughout the story, Clarisse makes Montag question his surroundings; she makes Montag rethink his marriage, society and job. Clarisse’s claims eventually cause Montag to read books and rebel. Clarisse causes Montag to question his marriage when she claims, “You’re not in love with anyone.” (19). This realization allows Montag not to be dragged in Mildred’s world of drugs and
In the novel, Fahrenheit 451, by Ray Bradbury, Montag, the main character, goes from loving his job to rethinking of his job. Montag came in mind that his job not only hurt him but also hurt society. He began to realize that he no longer enjoyed his job. Montag did not like the fact of knowing that his job was only hurting other people.
Montag was never really happy with Mildred, his happiness was a mask he didn't know about. The mask had been taken off when Montag's true colors were shown. Mildred wasn't much of a wife, or friend, to Montag. Mildred was only an acquaintance to Montag, as Montag didn't feel devastated for long. ¨Mildred, leaning anxiously nervously, as if to plunge, drop, fall into that swarming immensity of color to drown in its bright happiness.¨ (Bradbury 152)
Ray Bradbury 's novel Fahrenheit 451 delineates a society where books and quality information are censored while useless media is consumed daily by the citizens. Through the use of the character Mildred as a foil to contrast the distinct coming of age journey of the protagonist Guy Montag, Bradbury highlights the dangers of ignorance in a totalitarian society as well as the importance of critical thinking. From the beginning of the story, the author automatically epitomizes Mildred as a direct embodiment of the rest of the society: she overdoses, consumes a vast amount of mindless television, and is oblivious to the despotic and manipulative government. Bradbury utilizes Mildred as a symbol of ignorance to emphasize how a population will be devoid of the ability to think critically while living in a totalitarian society. Before Montag meets Clarisse, he is
The past quote, Mildred takes the money that Montag earns for granted she doesn’t care how much he is earning. Mildred is greedy in buying items for herself. (STEWE-2) When Mildred is with her earphones, she will never take them off. Even when she sleeps, she will not take them off.
She is completely innocent and shows Montag the world through a different set of lense. She tells him that people don't talk as much and that why porches stopped being built. She also tells him that firemen used to put out fires. Mildred plays the fool caught up in herself and in her wants. She is there to show how naive people are and what's the norm, always sitting around talking to her “family”.
(10) The 'she ' the quote refers to is Montag 's wife, Mildred, and she is
Firstly, Montag stole a book to try and discover what he is missing not reading them. Clarisse at random asked Montag if he was happy, and it had never came across to Montag if he was happy. People in their society really didn't feel at all. The old woman that had rather die with her books than give them up, began to make Montag curious on why they were so special. He began to question every aspect in his life, when he does, Mildred tells Montag he should have thought before becoming a fireman.
“He lay far across the room from her on a winter island separated by an empty sea” (45). This shows that Montag and Mildred do not have a good relationship and they are not very connected with each other. This also shows that the mood is depressing because Montag and Mildred never spend real time together ,for Mildred is always watching television or listening to her seashell radio not spending time with Montag. Furthermore, Mildred sees her reflection in the television. “ … heard her screaming because… she saw her own face reflect there,
Mildred in the novel is Montag’s wife. She is the perfect example of a conformed person in this society because she is brainwashed by the tv that the government has set in place. Proof of such is when she said, " 'Books aren't people. You read and I look all around, but there isn't anybody!' ".
One time Montag walked into the ‘parlor’ and saw unknown people saying words that held no depth or meaning. He asked, “What was it all about? Mildred couldn’t say. Who was mad at whom? Mildred didn’t quite know.