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Importtance of miles davis in the developement of jazz
Importtance of miles davis in the developement of jazz
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When the song starts, the melody is a what catches the audience’s attention. The song starts with low piano
It started out with a very strong march played at a fast tempo, and at a mezzo forte. The melody within the march was disjunct as it bounced up and down from note to note. It then went into a slow section that sounded ominous, with the brass playing in a minor key, and the woodwinds playing the harmony below that. The song played the march again, then played an accented version of the march for a few phrases. The song ended abruptly within the
The music is called Bomba and tells a story of the African people’s struggles (Document 15). This shows how music can become combined to create something very meaningful to two
The sets of music within the song include a ballad, pop country, and have an upbeat tempo section. All these different sections make a very interesting song to listen to.
The song that I have chosen for my music critique is “It Don’t Mean a Thing (If it Ain’t Got That Swing)” by Duke Ellington. This song was composed and arranged by Duke Ellington himself in 1931 and was recorded/released in 1932. The creation of this piece also included the following people: Irving Mills who wrote the lyrics, Ivie Anderson who sang the vocals, Joe Nanton who was the trombonist and Johnny Hodges the saxophonist. Now digging into the recording of the song, I’d like to focus on the very beginning of the piece. It starts off with a backbeat that lasts for the longevity of the song followed by subtle vocals from Ivie Anderson.
It remains quite repetitive until the end of the piece. “Entry of the Gods into Valhalla” is a piece of art that is performed in an instrumental fashion by an orchestra. Listening to this song reminded me of someone enjoy a day, and suddenly something goes wrong which inflicts a sense of fear. The music was quite soothing in the beginning, but towards the end began to put listeners on edge by the eerie sounds being produced. I think this was a great choice for the opening piece because it captured the listener’s attention.
However, the song officially begins in 3/4 time which is, accompanied by a descending bass line. It then follows a chord progression of C, F, and G to resolve back to the major key of C. During the "la-la" section, there is a shift to A Minor, utilizing a secondary leading tone for the F# diminished chord, before returning to the dominant (V) of C Major. These borrowed "minor" chords contribute to the song's minor tonality. While "Piano Man" predominantly resides in C Major, Billy Joel incorporates the key of A Minor and employs secondary leading tones to introduce tension and ultimately resolve back to C
The introduction of the piece is the same as that of “The Raiders March”, but with strings playing in the background. The A melody begins with the trumpet as the strings fade out (0:07). The first minute and a half of the song is played the same as that of “The Raiders March”, though due to differing sound equalization, some parts stick out more or less than they do in the original. For example, in the third repetition of the A melody, one can more clearly hear the xylophone accompanying the melody here than in “The Raiders March”. The piece begins to differ more significantly after the break following the third repetition of the A melody when the piece modulates down a half step instead of up like in the original (1:37).
The first time I listened to the music, I immediately knew it was Jazz because of the intricate sounds of the saxophone and the trumpet. However the the music had a fast tempo, and therefore I concluded that it was a bebop, a style that began to shift jazz from popular music towards a more challenging musician 's music soon became a form of jazz characterized by fast tempos, virtuous technique and improvisation. Musician began to add more complicated tunes and melody to their music to make their song more interesting and different. As Bebop was developed in the early and the mid 1940’s, and the fast complicated tempo of the saxophone made me conclude that it was recorded in the mid 1940s and not in the early 40s because it would not be possible
Edward Kennedy "Duke" Ellington (1899-1974) is a well renowned and respected figure as an American performer and composer. Ellington fundamental character was based by the bonds from his family and establishments of the city 's large African American community. He states that in his memoirs, Music is My Mistress, Ellington emphasizes values inherited from his parents and from the black community that produced many achievements. He also records down Washington 's rich musical life and profiles some of its leading figures, among them Doc Perry, Henry Grant, and Louis Brown. His musical interests were passive as he found more interests in baseball and sports, his parents had no qualms about his obsession with baseball as he was doing well with
The piece included a slow tempo. I am not quite sure, but I believe I heard Merry-Go-Round played by one of the trumpet players. The ending to the piece had a continuous pattern of crescendos and pauses. Consequently, the audience became confused because they didn’t know when it was over. I thought it was a humorous way to “include” the audience.
Although this is somewhat long duration compared to other music that listened before, the segment of the piece is played repeatedly so that I used to observe this music. The pinches in this work are unfamiliar to the audiences because they are not standard chromatic scale, which is equal temperament. The unique tuning system and the performance style increase the tension of the
Piano and violins are in line with each other while the horn steadily plays offbeat in the ' 'though she feels as if she 's in a play. Through out the song, both string and horns come in without us noticing until the mood
The melody of this song described as restlessly chromatic and undulating, a swaying Arabic-sounding tune. The melodic line is filled with emotion and oddly unbalanced consisting of seven alternating sections of held tones and movement. The harmony is added behind the melody is dissonant but simultaneously lush. The rhythm was played with in Ella’s version making the classic song her own giving the clarinet a smooth solo. The simple rhythm of the song has an AABA pattern it sticks too.
Soft, sad music begins to play throughout the rest of the
